The Life of Reason: The Phases of Human Progress. George Santayana

Чтение книги онлайн.

СКАЧАТЬ with other interests no less vivid, we are able to criticise the impulse to pursue it.

      Fame may be the consequence of benefits conferred upon mankind. In that case the abstract desire for fame would be reinforced and, as it were, justified by its congruity with the more voluminous and stable desire to benefit our fellow-men. Or, again, the achievements which insure fame and the genius that wins it probably involve a high degree of vitality and many profound inward satisfactions to the man of genius himself; so that again the abstract love of fame would be reinforced by the independent and more rational desire for a noble and comprehensive experience. On the other hand, the minds of posterity, whose homage is craved by the ambitious man, will probably have very false conceptions of his thoughts and purposes. What they will call by his name will be, in a great measure, a fiction of their own fancy and not his portrait at all. Would Caesar recognise himself in the current notions of him, drawn from some school-history, or perhaps from Shakespeare's satirical portrait? Would Christ recognise himself upon our altars, or in the romances about him constructed by imaginative critics? And not only is remote experience thus hopelessly lost and misrepresented, but even this nominal memorial ultimately disappears.

      The love of fame, if tempered by these and similar considerations, would tend to take a place in man's ideal such as its roots in human nature and its functions in human progress might seem to justify. It would be rationalised in the only sense in which any primary desire can be rationalised, namely, by being combined with all others in a consistent whole. How much of it would survive a thorough sifting and criticism, may well remain in doubt. The result would naturally differ for different temperaments and in different states of society. The wisest men, perhaps, while they would continue to feel some love of honour and some interest in their image in other minds, would yet wish that posterity might praise them as Sallust praises Cato by saying: Esse quam videri bonus maluit; he preferred worth to reputation.

      Disproportionate interest in the æsthetic.

      The fact that value is attributed to absent experience according to the value experience has in representation appears again in one of the most curious anomalies in human life—the exorbitant interest which thought and reflection take in the form of experience and the slight account they make of its intensity or volume. Sea-sickness and child-birth when they are over, the pangs of despised love when that love is finally forgotten or requited, the travail of sin when once salvation is assured, all melt away and dissolve like a morning mist leaving a clear sky without a vestige of sorrow. So also with merely remembered and not reproducible pleasures; the buoyancy of youth, when absurdity is not yet tedious, the rapture of sport or passion, the immense peace found in a mystical surrender to the universal, all these generous ardours count for nothing when they are once gone. The memory of them cannot cure a fit of the blues nor raise an irritable mortal above some petty act of malice or vengeance, or reconcile him to foul weather. An ode of Horace, on the other hand, a scientific monograph, or a well-written page of music is a better antidote to melancholy than thinking on all the happiness which one's own life or that of the universe may ever have contained. Why should overwhelming masses of suffering and joy affect imagination so little while it responds sympathetically to æsthetic and intellectual irritants of very slight intensity, objects that, it must be confessed, are of almost no importance to the welfare of mankind? Why should we be so easily awed by artistic genius and exalt men whose works we know only by name, perhaps, and whose influence upon society has been infinitesimal, like a Pindar or a Leonardo, while we regard great merchants and inventors as ignoble creatures in comparison? Why should we smile at the inscription in Westminster Abbey which calls the inventor of the spinning-jenny one of the true benefactors of mankind? Is it not probable, on the whole, that he has had a greater and less equivocal influence on human happiness than Shakespeare with all his plays and sonnets? But the cheapness of cotton cloth produces no particularly delightful image in the fancy to be compared with Hamlet or Imogen. There is a prodigious selfishness in dreams: they live perfectly deaf and invulnerable amid the cries of the real world.

      Irrational religious allegiance.

      The same æsthetic bias appears in the moral sphere. Utilitarians have attempted to show that the human conscience commends precisely those actions which tend to secure general happiness and that the notions of justice and virtue prevailing in any age vary with its social economy and the prizes it is able to attain. And, if due allowance is made for the complexity of the subject, we may reasonably admit that the precepts of obligatory morality bear this relation to the general welfare; thus virtue means courage in a soldier, probity in a merchant, and chastity in a woman. But if we turn from the morality required of all to the type regarded as perfect and ideal, we find no such correspondence to the benefits involved. The selfish imagination intervenes here and attributes an absolute and irrational value to those figures that entertain it with the most absorbing and dreamful emotions. The character of Christ, for instance, which even the least orthodox among us are in the habit of holding up as a perfect model, is not the character of a benefactor but of a martyr, a spirit from a higher world lacerated in its passage through this uncomprehending and perverse existence, healing and forgiving out of sheer compassion, sustained by his inner affinities to the supernatural, and absolutely disenchanted with all earthly or political goods. Christ did not suffer, like Prometheus, for having bestowed or wished to bestow any earthly blessing: the only blessing he bequeathed was the image of himself upon the cross, whereby men might be comforted in their own sorrows, rebuked in their worldliness, driven to put their trust in the supernatural, and united, by their common indifference to the world, in one mystic brotherhood. As men learned these lessons, or were inwardly ready to learn them, they recognised more and more clearly in Jesus their heaven-sent redeemer, and in following their own conscience and desperate idealism into the desert or the cloister, in ignoring all civic virtues and allowing the wealth, art, and knowledge of the pagan world to decay, they began what they felt to be an imitation of Christ.

      All natural impulses, all natural ideals, subsisted of course beneath this theoretic asceticism, writhed under its unearthly control, and broke out in frequent violent irruptions against it in the life of each man as well as in the course of history. Yet the image of Christ remained in men's hearts and retained its marvellous authority, so that even now, when so many who call themselves Christians, being pure children of nature, are without the least understanding of what Christianity came to do in the world, they still offer his person and words a sincere if inarticulate worship, trying to transform that sacrificial and crucified spirit, as much as their bungling fancy can, into a patron of Philistia Felix. Why this persistent adoration of a character that is the extreme negation of all that these good souls inwardly value and outwardly pursue? Because the image of Christ and the associations of his religion, apart from their original import, remain rooted in the mind: they remain the focus for such wayward emotions and mystic intuitions as their magnetism can still attract, and the value which this hallowed compound possesses in representation is transferred to its nominal object, and Christ is the conventional name for all the impulses of religion, no matter how opposite to the Christian.

      Pathetic idealizations.

      Symbols, when their significance has been great, outlive their first significance. The image of Christ was a last refuge to the world; it was a consolation and a new ground for hope, from which no misfortune could drive the worshipper. Its value as an idea was therefore immense, as to the lover the idea of his untasted joys, or to the dying man the idea of health and invigorating sunshine. The votary can no more ask himself whether his deity, in its total operation, has really blessed him and deserved his praise than the lover can ask if his lady is worth pursuing or the expiring cripple whether it would be, in very truth, a benefit to be once more young and whole. That life is worth living is the most necessary of assumptions and, were it not assumed, the most impossible of conclusions. Experience, by its passive weight of joy and sorrow, can neither inspire nor prevent enthusiasm; only a present ideal will avail to move the will and, if realised, to justify it. A saint's halo is an optical illusion; it glorifies his actions whatever their eventual influence in the world, because they seem to have, when rehearsed dramatically, some tenderness or rapture or miracle about them.

      Thus СКАЧАТЬ