Lover or Friend. Rosa Nouchette Carey
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Название: Lover or Friend

Автор: Rosa Nouchette Carey

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664566041

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      'No; I am positive Percival said to-morrow. I know the old servant and some of the furniture arrived at the Gray Cottage two days ago.'

      Captain Burnett looked up quickly, as though he were about to speak, and then changed his mind, and went on with his occupation, which was teaching a small brown Dachs-hund the Gladstone trick.

      'Now, Booty, when I say "Lord Salisbury," you are to eat the sugar, but not before. Ah, here comes the bone of contention!' he went on in a purposely loud tone, as a shadow darkened the window; and the next minute a tall young lady stepped over the low sill into the room.

      'Were you talking about me?' she asked in a clear voice, as she looked round at them. 'How do you do, Gage? Have you been here all the afternoon? How is Percival? No more tea, thank you; I have just had some—at the Blakes'.'

      'At the Blakes'?' exclaimed her sister, in a horror-stricken tone, unable to believe her ears.

      'Yes. I heard they had come in last night, so I thought it would be only neighbourly to call and see if one could do anything for them. I met father on the Hill, and he quite approved. Mrs. Blake sends her compliments to you, mother;' and as only an awful silence answered her, she continued innocently: 'I am sure you and Gage will like her. She is charming—perfectly charming! the nicest person I have seen for a long time!' finished Audrey, with delightful unconsciousness of the sensation she was creating.

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      'Indeed, all faults, had they been ten times more and greater, would have been neutralised by that supreme expression of her features, to the unity of which every lineament in the fixed parts, and every undulation in the moving parts of her countenance, concurred, viz., a sunny benignity, a radiant graciousness, such as in this world I never saw surpassed.'

      De Quincey.

      In this innocent fashion had Audrey Ross solved the Gordian knot of family difficulty, leaving her mother and sister eyeing each other with the aghast looks of defeated conspirators; and it must be owned that many a tangled skein, that would have been patiently and laboriously unravelled by the skilled fingers of Geraldine, was spoilt in this manner by the quick impulsiveness of Audrey.

      No two sisters could be greater contrasts to each other. While young Mrs. Harcourt laid an undue stress on what may be termed the minor morals, the small proprieties, and lesser virtues that lie on the surface of things and give life its polish, Audrey was for ever riding full-tilt against prejudices or raising a crusade against what she chose to term 'the bugbear of feminine existence—conventionality.'

      Not that Audrey was a strong-minded person or a stickler for woman's rights. She had no advanced notions, no crude theories, on the subject of emancipation; it was only, to borrow Captain Burnett's words, that her headlong sympathies carried her away; a passionate instinct of pity always made her range herself on the losing side. Her virtues were unequally balanced, and her generosity threatened to degenerate into weakness. Most women love to feel the support of a stronger nature; Audrey loved to support others; any form of suffering, mental or physical, appealed to her irresistibly. Her sympathy was often misplaced and excessive, and her power of self-effacement, under some circumstances, was even more remarkable, the word 'self-effacement' being rightly used here, as 'self-sacrifice' presupposes some consciousness of action. It was this last trait that caused genuine anxiety to those who knew and loved Audrey best; for who can tell to what lengths a generous nature may go, to whom any form of pain is intolerable, and every beggar, worthy or unworthy, a human brother or sister, with claims to consideration?

      If Audrey were not as clever as her elder sister, she had more originality; she was also far more independent in her modes of action and thought, and went on her own way without reference to others.

      'It is not that I think myself wiser than other people,' she said once to her cousin, who had just been delivering her a lecture on this subject. 'Of course I am always making mistakes—everyone does; but you see, Michael, I have lived so long with myself—exactly two-and-twenty years—and so I must know most about myself, and what is best for this young person,' tapping herself playfully.

      Audrey was certainly not so handsome as her sister. She had neither Geraldine's perfection of feature nor her exquisite colouring; but she had her good points, like other people.

      Her hair was soft and brown, and there was a golden tinge in it that was greatly admired. There was also a depth and expression in her gray eyes that Geraldine lacked. But the charm of Audrey's face was her smile. It was no facial contortion, no mere lip service; it was a heart illumination—a sudden radiance that seemed to light up every feature, and which brought a certain lovely dimple into play.

      And there was one other thing noticeable in Audrey, and which brought the sisters into still sharper contrast. She was lamentably deficient in taste, and, though personally neat, was rather careless on the subject of dress. She liked an old gown better than a new one, was never quite sure which colour suited her best, and felt just as happy paying a round of calls in an old cambric as in the best tailor-made gown. It was on this subject that she and Geraldine differed most. No amount of spoken wisdom could make Audrey see that she was neglecting her opportunities to a culpable degree; that while other forms of eccentricity might be forgiven, the one unpardonable sin in Geraldine's code was Audrey's refusal to make the best of herself.

      'And you do look so nice when you are well dressed,' she observed with mournful affection on one occasion when Audrey had specially disappointed her. 'You have a beautiful figure—Madame Latouche said so herself—and yet you would wear that hideous gown Miss Sewell has made, and at Mrs. Charrington's "at home," too.'

      'How many people were affected by this sad occurrence?' asked Audrey scornfully. 'My dear Gage, your tone is truly tragical. Was it my clothes or me—poor little me!—that Mrs. Charrington invited and wanted to see? Do you know, Michael,' for that young man was present, 'I have such a grand idea for the future; a fashion to come in with Wagner's music, and æsthetics, and female lawyers—in fact, an advanced theory worthy of the nineteenth century. You know how people hate "at homes," and how bored they are, and how they grumble at the crush and the crowd.'

      'Well, I do believe they are hideous products of civilisation,' he returned with an air of candour.

      'Just so; well, now for my idea. Oh, I must send it to Punch, I really must. My proposition is that people should send their card by their lady's-maid, and also the toilette intended for that afternoon, to be inspected by the hostess. Can you not imagine the scene? First comes the announcement by the butler: "Lady Fitzmaurice's clothes." Enter smiling lady's-maid, bearing a wondrously braided skirt with plush mantle and bonnet with pheasant's wing. Hostess bows, smiles, and inspects garments through her eyeglasses. "Charming! everything Lady Fitzmaurice wears is in such perfect taste. My dear Cecilia, that bonnet would just suit me—make a note of it, please. My compliments to her ladyship." Now then for Mrs. Grenville, and so on. Crowds still, you see, but no hand-shaking, no confusion of voices; and then, the wonderful economy: no tea and coffee, no ices, no professional artistes, only a little refreshment perhaps in the servants' hall.'

      'Audrey, how can you talk such nonsense?' returned her sister severely.

      But Captain СКАЧАТЬ