A Practical Enquiry into the Philosophy of Education. Gall James

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СКАЧАТЬ he never loses sight; for the varied operations of stapling and carding, of spinning and weaving, are nothing more than means which he employs for accomplishing his end. He knows the uses of the whole complicated operations; and he sees at a glance, and can tell in a moment, how each in its turn contributes to the great object of all—the production of a good and marketable cloth.

      Now this law ought to be applied with the utmost strictness to the art of teaching. For if teaching be really an art—that is, a successive combination of means—it should undoubtedly be a combination of means to some specific end. Nothing can be more obvious, than that a man who sits down to work, should know what he intends to do, and how he is to do it. Such a line of conduct should be imperatively demanded of the teacher, both on account of the importance of his work, and of the immense value of the material upon which he is to operate. The end he has in view, whatever that end may be, ought to be correctly defined before he begins; and no exercise should upon any account be prescribed or demanded from his pupils, which does not directly, or indirectly at least, conduce to its attainment. To do otherwise is both injudicious and unjust. For if the operations of the husbandman during spring have to be selected and curtailed with the strictest attention to time and the seasons, how carefully ought the energies and the time of youth to be economized, when they have but one short spring time afforded them, during which they are to sow the seed which shall produce good or evil fruit for eternity? As to what this great end which the teacher ought steadily to contemplate should be, we shall afterwards enquire; at present we are desirous only of establishing this general law in the art of teaching, that there should be an end accurately defined, and constantly kept in view; and for the attainment of which every exercise prescribed in the school should assist. The teacher who does otherwise is travelling in the dark, and compelling labour for labour's sake;—like the manufacturer who would keep all his machinery in motion, not to make cloth, but to appear to be busy.

      2. Another law adopted in the successful prosecution of the arts is, to use the best known means for attaining any particular end.—This law is well known in all the other arts, and success invariably depends upon its adoption. The fields are not now tilled by the hoe, nor is cotton spun by the hand. These modes of operating have no doubt the recommendation of antiquity; but here antiquity is always at a discount, and no one doubts the propriety of its being so. The arts are advancing; and they who would impede their progress on the plea of not departing from the usages of antiquity, would be pitied or laughed at.

      The art of teaching, like the other arts, depends for its success on a strict adherence to this law; and the fear of departing in this case from the particular usages of our ancestors is equally unreasonable. Soft ground in the valleys compelled them to travel their pack horses right over the hills, and the want of the "Jenny" made them spin their yarn by the hand; but still, the same principle which guided them in the adoption of those methods, was strictly the one which we are here recommending, that of "using the best known means for accomplishing the particular end." Those who adopt the principle do most honour to their sagacity; while their shallow admirers, by abandoning the principle, and clinging to their necessarily imperfect mode of applying it, at once libel their good sense, and dishonour those whom they profess to revere. As society is rapidly advancing, paternal affection would undoubtedly have prompted them to advise their descendants to take the benefits of every advance;—and it would be as reasonable for us to suppose, that if they were now alive, they would advise us to travel over the hills on their old roads, or make our cloth in the old way, as to think they would be gratified by our continuing to use exercises in education, which sound philosophy and experience have shewn to be fallacious and hurtful, or that they would be displeased by the use of those which extensive experiment has now proved to be natural, easy, and efficient.

      These ancestral trammels have all been shaken off, wherever the acquisition of money is concerned. The mechanical processes of his forefathers have no charm for the modern manufacturer, when he can attain his object more economically by a recent improvement. Neither does he go blindfold upon a mere chance—seldom even upon a sagacious conjecture—unless there be some good grounds for its formation. In every successive stage of his operations, he is awake to the slightest appearance of defect; and he hesitates not a moment in abandoning a lesser good for a greater, whenever he perceives it. He husbands time;—he husbands expense;—he husbands supervision and risk. Every step with him is a step in advance;—every operation has a design;—every movement has a meaning;—and he makes all unite for the attainment of one common object. Can we doubt that, in like manner, the most rigid economy of time and labour ought to be adopted in the art of teaching? When the end has once been distinctly defined, it ought steadily to be kept in view; and no exercise should be prescribed which does not contribute to its attainment. There should be no bustling about nothing; no busy idleness; no fighting against time; no unnecessary labour, nor useless exhaustion of the pupil's energies. The time of youth is so precious, and there is so much to be done during it, that economy here is perhaps of more importance than in any thing else. Every book or exercise, therefore, which has not a palpable tendency to forward the great object designed by education, should by the teacher be at once given up.

      3. Another law which experience has established as necessary for the perfecting of any of the arts is, a fair and honest application of the successive discoveries of science to its improvement.—This has been the uniform practice in those arts which have of late been making such rapid progress. The artist and mechanic are never indifferent to the various improvements which are taking place around them; nor do they ever stand apart, till they are forced upon their notice by third parties, or public notoriety. There is, in the case of the manufacturer, no nervous timidity about innovation; nor does he ever attempt to deceive himself by ignorantly supposing that the change can be no improvement.—Nor will he suffer himself to be deceived by others. His workmen are not allowed, to save themselves future trouble, to be careless or sinister in their trials of the improvement; for he knows, that however it may be with them, yet if his neighbour succeeds, and he fails, it may prove his ruin.

      Such also should be the conduct of the teacher. The time has now gone by when parents were ignorant, either of what was communicated at school, or the manner in which it was taught. The improvement of their children by education, has become a primary object with all sensible parents; and they will never again be satisfied with a school or a teacher, where solid instruction, and the most useful kind of knowledge are not imparted. Ameliorations in his art, therefore, is now as necessary to the teacher, as improvements in machinery are to the mechanic and the manufacturer. It will no longer do for him to say, "I can see no improvement in the change," if the parents of his pupils have been able to discover it; and the teacher who stands still in the present forward march of society, will soon find himself left alone. The practical Educationist, like the mechanician, ought no doubt to be cautious in adopting changes upon chance; but wherever an improvement in his art has been sufficiently proved by fair experiment or long experience, and particularly, when the principle upon which its success depends has been fully ascertained, his rejecting the change on the plea of inconvenience, or from the fear of trouble, is not only an act of injustice to the parents of his pupils, but is a wrong which will very soon begin to re-act upon his own interests. The effect of indifference to improvement in this, as in other arts, may not be felt for a time; but as soon as others have made themselves masters of the improvements which he has rejected, the successive departure of his pupils, and the melting away of his classes, will at last awaken him to a sense of his folly, when it may be too late. Such has usually been the effect of remissness in the other arts; and the present state of the public mind in regard to education, indicates a similar result in similar circumstances.

      In connection with this part of our subject, it may here be necessary to remark, that as the experience of all teachers may not be alike in the first working of a newly applied principle—the principle itself, when fully ascertained, is not on that account to be either belied or abandoned. There are many concurring circumstances, which may make an exercise that succeeds well in the hands of one person, fail in the hands of another; but to refuse credence to the principle itself, because he cannot as yet successfully apply it, is neither prudent nor wise. There are chemical experiments so exceedingly nice, and depending on so many СКАЧАТЬ