The Religion of Babylonia and Assyria. Morris Jastrow

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СКАЧАТЬ This consort appears to have been no other than Erua. It will be recalled that up to very late times the tradition survived that her dwelling-place was Borsippa.[136] This is never said of Sarpanitum. Despite, therefore, the amalgamation of Sarpanitum and Erua, the association of the latter with Nabu's dwelling-place remains impressed upon the memory of the Babylonian scholars, at least. Nabu's consort having thus been transferred to Marduk, a new mate had to be found for the former, when once his rivalry was no longer to be dreaded, and his cult again rose to prominence. 'Tashmitum' is an abstract noun in Assyrian, signifying 'revelation.' As such, it is bestowed in historical texts upon Nabu himself, who is called itu tashimêti, 'god of revelation.' Nabu is, above all, a 'revealing' god—revealing knowledge, the art of writing, and the method of ruling. The appellation is therefore a most appropriate one, and there seems little reason to question that Tashmitum was originally nothing but one of the terms by which Nabu was designated, just as he was called Papsukal in his rôle as 'messenger' of the gods—the messenger of his father Marduk and of his grandfather Ea, in particular. But Tashmitum, being feminine in gender, as an abstract noun, seemed appropriate as the designation of a goddess. It would appear, then, that 'Revelation,' from being so constantly associated with Nabu, was personified, dissociated from him, as it were, through the conception of a distinct goddess bearing the name of 'Tashmitum.' This process of thought, in giving rise to a new goddess, may have been, in part, a popular one. The translation of a metaphor into reality is a phenomenon that may be observed in almost all religions of antiquity. But the process, whatever its course in detail may have been, was not uninfluenced by the theological dogma whereby a god was supposed to have a 'reflection' who was pictured as his consort. Through this conception, as we have already seen, many a goddess once ruling in her own right, and enjoying an independent existence, degenerated into a mere shadow of some male deity, though, on the other hand, it must be borne in mind that these female deities would have disappeared altogether but for the opportunity thus afforded them of becoming 'attachées' to some male deity. This theory of the quasi-artificial character and origin of Tashmit finds support in the manner in which the mention of her name is entwined with that of Nabu. Sarpanitum, bound up as the goddess is with Marduk, has at least a shrine of her own, and occasionally she is spoken of in the texts without her husband Marduk.[137] The mention of Tashmitum, however, invariably follows that of Nabu. It is always 'Nabu and Tashmitum,' and it is never Tashmitum without Nabu. While the creation of Tashmitum may be a product of Babylonian religious thought, it is in Assyrian texts that her name is chiefly found. The great Ashurbanabal, in the conventional subscript attached to his tablet, is particularly fond of coupling Tashmitum with Nabu, as the two deities who opened his ears to understanding and prompted him to gather in his palace the literary treasures produced by the culture that flourished in the south. Tashmit has no shrine or temple, so far as known, either in Borsippa or in any of the places whither the Nabu cult spread. She has no attributes other than those that belong to Nabu, and, what is very remarkable, the later Babylonian kings, such as Nebuchadnezzar II., when they deem it proper to attach a consort to Nabu call her Nanâ,[138] i.e., simply the lady, and not Tashmitum, a proof, how little hold the name had taken upon the Babylonian populace. If to this it be added, that in by far the greater number of instances, no reference whatsoever to a consort is made when Nabu is spoken of, an additional reason is found for the unreal, the shadowy character of this goddess.

Ea.

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      In treating of the position occupied by Ea in the oldest period of Babylonian history (see above, pp. 61−64), it has already been mentioned that he grows to much larger proportions under the influence of a more fully developed theological system. Indeed, there is no god who shows such profound traces of having been submitted to a theological treatment, and indirectly, therefore, furnishes so distinct a proof of the existence of theological schools in the ancient centers of Babylonian culture, as Ea. The question may with propriety be here discussed, to what period we are to attribute the completion of the process, which, to summarize his position, made Ea the special god of humanity, the father of Marduk, the third in a great triad, of which the other two members were Anu, the god of heaven, and Bel, the god of earth. Already, in the days preceding the union of the Babylonian states under one head, we have had occasion to see traces of an attempt to systematize the relations existing between the gods. A high degree of culture, such as the existence of a perfected form of writing, an advanced form of architecture, and commercial enterprise reflect, cannot be dissociated from a high degree of activity in the domain of philosophic or religious thought. Accordingly, we are in no danger of attributing too great an antiquity to the beginnings of theological speculation in Babylonia. Be it remembered that from the earliest to the latest days, the priests were the scribes and that in their capacity as writers of the texts, they would be enjoying the advantages of an intellectual impulse. But they were also the composers of the texts, as well as the writers, and the prominence given to the gods in texts of whatever description, would inevitably lead their thoughts to speculations regarding the attributes of the gods. The attempt would at an early period be made to find some unifying principles in the tangled mass of gods. By the time that Hammurabi appears on the scene, we have every reason to believe that some of the ancient libraries of the south, whither Ashurbanabal sent his scribes, were already well stocked, and that a goodly portion of the Babylonian literature known to us already existed. What these portions were, we will have occasion to point out when we come to discuss the literature of Babylonia. On the other hand, this literature would not only necessarily increase as long as any degree of intellectual activity existed in the country, but this activity would also manifest itself in transforming this literature, so as to adapt it to the thoughts and aspirations of a later age. Especially would this be the case in the purely religious divisions of literature. The ancient traditions, legends, and myths, once committed to writing, would serve as a point of departure for further speculations. The existence of a text to which any measure of value is attached, is bound to give rise to various attempts at interpretation, and if this value be connected with the religion of a people, the result is, invariably, that the ancient words are invested with a meaning conformable to a later age. Each generation among a people characterized by intellectual activity has a signature of its own, and it will seek to give to the religious thoughts of the time its own particular impress. Since, however, the material upon which any age works is not of its own making, but is furnished by a preceding one, it follows that much of the intellectual activity of an age manifests itself in a transformation of its literary or speculative heritage. This process was constantly going on in Babylonia, and had we more material—and older material—at our disposal, we would be able to trace more clearly than we can at present, the various stages that led to the system of theology, as embodied in the best productions of the ancient Babylonian schoolmen.

The days of Hammurabi, as they were politically of great importance, also appear to have ushered in a new era in the religious life of the people. Stirring political events are always apt to bring in their wake intellectual movements, and in a country like Babylonia, where politics react so forcibly on religious conditions, the permanent establishment of the supremacy of the city of Babylon would be fraught with important consequences for the cult. The main change brought about by this new epoch of Babylonian history was, as we have seen, the superior position henceforth accorded in the pantheon to Marduk as the patron deity of Babylon; but this change entailed so many others, that it almost merits being termed a revolution. In order to ensure Marduk's place, the relations of the other deities to him had to be regulated, the legends and traditions of the past reshaped, so as to be brought into consistent accord with the new order of things, and the cult likewise to be, at least in part, remodelled, so as to emphasize the supremacy of Marduk. This work, which was an inevitable one, was primarily of an intellectual order. We are justified, then, in looking for traces of this activity in the remains that have been recovered of ancient Babylonian literature. We know from direct evidence that the commercial life of Babylonia СКАЧАТЬ