Название: The Religion of Babylonia and Assyria
Автор: Morris Jastrow
Издательство: Bookwire
Жанр: Документальная литература
isbn: 4057664627629
isbn:
Innanna.
The secondary position held by the female deities in the Babylonian pantheon has been repeatedly referred to. This trait of the religion finds an illustration not only in the 'shadowy' character of the consorts of the gods, but also in the manner in which goddesses, originally distinct from one another and enjoying an existence independent of any male consort, lose their individuality, as it were, and become merely so many forms of one and the same deity. Indeed, as we approach the moment when the gods of the Babylonian pantheon are ranged into a system, the tendency becomes pronounced to recognize only one goddess, representative of the principle of generation—one 'great mother,' endowed with a variety of traits according to the political and social conditions prevailing at different times in Babylonia and Assyria. In the earliest period which we are now considering, we can still distinguish a number of goddesses who afterwards became merged into this one great goddess. These are Ninni (or Innanna), Nanâ, and Anunit.
Ninni and Innanna are names that appear to have a common origin.[63] Both embody the notion of 'ladyship.' The worship of this goddess centers in the district of Lagash. Ur-Bau (c. 3000 B.C.), who addresses her as 'glorious and supreme,' builds a temple in her honor at Gishgalla, and Gudea refers to a temple known as E-anna, i.e., heavenly house in Girsu.[64] For Gudea, Ninni is the "mistress of the world." Another ruler of Lagash whose name is doubtfully read as E-dingir-ra-na-gin,[65] but who is even earlier than Ur-Bau, declares that he has been 'called' by Innanna to the throne. She is mentioned by the side of Nin-khar-sag. We are still in the period where local associations formed a controlling factor in ensuring the popularity of a deity, and while the goddesses attached to the gods of the important centers are still differentiated, the tendency already exists to designate the female consorts simply as the 'goddess,'—to apply to all, the traits that may once have been peculiar to one. As we pass from one age to the other, there is an increasing difficulty in keeping the various local 'goddesses' apart. Even the names become interchangeable; and since these goddesses all represented essentially the same principle of generation and fertility, it was natural that with the union of the Babylonian states they should become merged into one great mother-goddess. A 'local' goddess who retains rather more of her individuality than others, is
Nanâ.
Her name is again playfully interpreted by the Babylonians—through association with Nin—as 'the lady' par excellence. She was the chief goddess of the city of Uruk. Her temple at Uruk is first mentioned by Ur-Gur, of the second dynasty of Ur. It is restored and enlarged by Dungi, the successor of Ur-Bau, and so thoroughly is she identified with her edifice known as E-anna (again a play upon her name), that she becomes known as the Lady of E-anna.[66] She appears to have had a temple also at Ur, and it is to this edifice that later rulers of Larsa—Kudur-Mabuk and Rim-Sin, as well as the kings of the Isin dynasty, Gamil-Ninib, Libit-Ishtar, and Ishme-Dagan—refer in their inscriptions.
The members of the Isin dynasty pride themselves upon their control over Uruk, and naturally appear as special devotees to Nanâ, whose chosen "consort" they declare themselves to be, wielding the sceptre, as it were, in union with her. Already at this period, Nanâ is brought into connection with the moon-god, being called by Kudur-Mabuk the daughter of Sin. The relationship in this case indicates, primarily, the supremacy exercised by Ur, and also a similarity in the traits of the two deities. In the fully developed cosmology, Nanâ is the planet Venus, whose various aspects, as morning and evening star, suggested an analogy with the phases of the moon.
Venus, like the moon, served as a guide to man, while her inferiority in size and importance to the former, would naturally come to be expressed under the picture of father and daughter. In a certain sense, all the planets appearing at the same time and in the same region with the moon were the children of the latter. Sin, therefore, is appropriately called the father of gods, just as Anu, the personification of the heaven itself, is the supreme father of Sin and Shamash, and of all the heavenly bodies. The metaphorical application of 'father' as 'source,' throughout Oriental parlance, must be kept in mind in interpreting the relationship between the gods. Still another name of the goddess is Anunit, which appears to have been peculiar to the North Babylonian city Agade, and emphasizes her descent from "Anu," the god of heaven. Her temple at Agade, known as E-ul-mash, is the object of Sargon's devotion, which makes her, with Bel and Shamash, the oldest triad of gods mentioned in the Babylonian inscriptions. But the name which finally displaces all others, is
Ishtar.
Where the name originated has not yet been ascertained, as little as its etymology,[67] but it seems to belong to Northern Babylonia rather than to the south.
In time, all the names that we have been considering—Innanna, Nanâ, and Anunit—became merely so many designations of Ishtar. She absorbs the titles and qualities of all, and the tendency which we have pointed out finds its final outcome in the recognition of Ishtar as the one and only goddess endowed with powers and an existence independent of association with any male deity, though even this independence does not hinder her from being named at times as the associate of the chief god of Assyria—the all-powerful Ashur. The attempt has been made by Sayce and others to divide the various names of Ishtar among the aspects of Venus as morning and evening star, but there is no evidence to show that the Babylonians distinguished the one from the other so sharply as to make two goddesses of one and the same planet.
It is more in accord with what, as we have seen, has been the general character of the Babylonian pantheon, to account for the identification of Ninni, Nanâ, and Anunit with Ishtar on the supposition that the different names belonged originally to different localities. Ishtar was appropriately denominated the brilliant goddess. She is addressed as the mother of gods, which signals her supreme position among the female deities. 'The mistress of countries' alternating with 'the mistress of mountains,'[68] is one of her common titles; and as the growing uniqueness of her position is one of the features of the Babylonian-Assyrian religion, it is natural that she should become simply the goddess. This was especially the case with the Assyrians, to whom Ishtar became a goddess of war and battle, the consort, at times, of the chief god of the Assyrian pantheon. At the same time it is important to note that СКАЧАТЬ