The Moonstone. Уилки Коллинз

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СКАЧАТЬ first looked up the road, and down the road, and made sure that they were alone. Then they all three faced about, and stared hard in the direction of our house. Then they jabbered and disputed in their own language, and looked at each other like men in doubt. Then they all turned to their little English boy, as if they expected him to help them. And then the chief Indian, who spoke English, said to the boy, "Hold out your hand."

      On hearing those dreadful words, my daughter Penelope said she didn't know what prevented her heart from flying straight out of her. I thought privately that it might have been her stays. All I said, however, was, "You make my flesh creep." (Nota bene: women like these little compliments.)

      Well, when the Indian said, "Hold out your hand," the boy shrunk back, and shook his head, and said he didn't like it. The Indian, thereupon, asked him (not at all unkindly), whether he would like to be sent back to London, and left where they had found him, sleeping in an empty basket in a market—a hungry, ragged, and forsaken little boy. This, it seems, ended the difficulty. The little chap unwillingly held out his hand. Upon that, the Indian took a bottle from his bosom, and poured out of it some black stuff, like ink, into the palm of the boy's hand. The Indian—first touching the boy's head, and making signs over it in the air—then said, "Look." The boy became quite stiff, and stood like a statue, looking into the ink in the hollow of his hand.

      (So far, it seemed to me to be juggling, accompanied by a foolish waste of ink. I was beginning to feel sleepy again, when Penelope's next words stirred me up.)

      The Indians looked up the road and down the road once ​more—and then the chief Indian said these words to the boy; "See the English gentleman from foreign parts."

      The boy said, "I see him."

      The Indian said, "Is it on the road to this house, and on no other, that the English gentleman will travel to-day?"

      The boy said, "It is on the road to this house, and on no other, that the English gentleman will travel to-day."

      The Indian put a second question—after waiting a little first. He said: "Has the English gentleman got It about him?"

      The boy answered—also, after waiting a little first—"Yes."

      The Indian put a third and last question: "Will the English gentleman come here, as he has promised to come, at the close of day?"

      The boy said, "I can't tell."

      The Indian asked why.

      The boy said, "I am tired. The mist rises in my head, and puzzles me. I can see no more to-day."

      With that the catechism ended. The chief Indian said something in his own language to the other two, pointing to the boy, and pointing towards the town, in which (as we afterwards discovered) they were lodged. He then, after making more signs on the boy's head, blew on his forehead, and so woke him up with a start. After that, they all went on their way towards the town, and the girls saw them no more.

      Most things they say have a moral, if you only look for it. What was the moral of this?

      The moral was, as I thought: First, that the chief juggler had heard Mr. Franklin's arrival talked of among the servants out-of-doors, and saw his way to making a little money by it. Second, that he and his men and boy (with a view to making the said money) meant to hang about till they saw my lady drive home, and then to come back, and foretell Mr. Franklin's arrival by magic. Third, that Penelope had heard them rehearsing their hocus-pocus, like actors rehearsing a play. Fourth, that I should do well to have an eye, that evening, on the plate-basket. Fifth, that Penelope would do well to cool down, and leave me, her father, to doze off again in the sun.

      That appeared to me to be the sensible view. If you know any thing of the ways of young women, you won't be surprised to hear that Penelope wouldn't take it. The moral of the thing was serious, according to my daughter. She ​particularly reminded me of the Indian's third question, Has the English gentleman got It about him? "Oh, father!" says Penelope, clasping her hands, "don't joke about this. What does 'It' mean?"

      "We'll ask Mr. Franklin, my dear," I said, "if you can wait till Mr. Franklin comes." I winked to show I meant that in joke. Penelope took it quite seriously. My girl's earnestness tickled me. "What on earth should Mr. Franklin know about it?" I inquired. "Ask him," says Penelope. "And see whether he thinks it a laughing matter, too." With that parting shot, my daughter left me.

      I settled it with myself, when she was gone, that I really would ask Mr. Franklin—mainly to set Penelope's mind at rest. What was said between us, when I did ask him, later on that same day, you will find set out fully in its proper place. But as I don't wish to raise your expectations and then disappoint them, I will take leave to warn you here—before we go any further—that you won't find the ghost of a joke in our conversation on the subject of the jugglers. To my great surprise, Mr. Franklin, like Penelope, took the thing seriously. How seriously, you will understand, when I tell you that, in his opinion, "It" meant the Moonstone.

      ​

      CHAPTER IV

      I am truly sorry to detain you over me and my bee-hive chair. A sleepy old man, in a sunny back-yard, is not an interesting object, I am well aware. But things must be put down in their places, as things actually happened—and you must please to jog on a little while longer with me, in expectation of Mr. Franklin Blake's arrival later in the day.

      Before I had time to doze off again, after my daughter Penelope had left me, I was disturbed by a rattling of plates and dishes in the servants' hall, which meant that dinner was ready. Taking my own meals in my own sitting-room, I had nothing to do with the servants' dinner, except to wish them a good stomach to it all round, previous to composing myself once more in my chair. I was just stretching my legs, when out bounced another woman on me. Not my daughter again; only Nancy, the kitchen-maid, this time. I was straight in her way out; and I observed, as she asked me to let her by, that she had a sulky face—a thing which, as head of the servants, I never allow, on principle, to pass me without inquiry.

      ​"What are you turning your back on your dinner for?" I asked. "What's wrong now, Nancy?"

      Nancy tried to push by, without answering; upon which I rose up, and took her by the ear. She is a nice plump young lass, and it is customary with me to adopt that manner of showing that I personally approve of a girl.

      "What's wrong now?" I said once more.

      "Rosanna's late again for dinner," says Nancy. "And I'm sent to fetch her in. All the hard work falls on my shoulders in this house. Let me alone, Mr. Betteredge!"

      The person here mentioned as Rosanna was our second house-maid. Having a kind of pity for our second house-maid (why, you shall presently know), and seeing in Nancy's face, that she would fetch her fellow-servant in with more hard words than might be needful under the circumstances, it struck me that I had nothing particular to do, and that I might as well fetch Rosanna myself; giving her a hint to be punctual in future, which I knew she would take kindly from me.

      "Where is Rosanna?" I inquired.

      "At the sands, of course!" says Nancy, with a toss of her head. "She had another of her fainting fits this morning, and she asked to go out and get a breath of fresh air. I have no patience with her!"

      "Go back to your dinner, my girl," I said. "I have patience with her, and I'll fetch her in."

      Nancy (who has a fine appetite) looked pleased. СКАЧАТЬ