The Hungry Stones, and Other Stories. Rabindranath Tagore

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      At last the Brahman's son became very impatient, and said: "If you do not tell me to-day who you are, O beautiful lady, I will leave this palace with the seven wings." Then the princess said: "I will certainly tell you to-morrow."

      Next day the Brahman's son, as soon as he came home from school, said: "Now, tell me who you are." The princess said: "To-night I will tell you after supper, when you are in bed."

      The Brahman's son said: "Very well "; and he began to count the hours in expectation of the night. And the princess, on her side, spread white flowers over the golden bed, and lighted a gold lamp with fragrant oil, and adorned her hair, and dressed herself in a beautiful robe of blue, and began to count the hours in expectation of the night.

      That evening when her husband, the Brahman's son, had finished his meal, too excited almost to eat, and had gone to the golden bed in the bed-chamber strewn with flowers, he said to himself: "To-night I shall surely know who this beautiful lady is in the palace with the seven wings."

      The princess took for her the food that was left over by her husband, and slowly entered the bed-chamber. She had to answer that night the question, which was the beautiful lady who lived in the palace with the seven wings. And as she went up to the bed to tell him she found a serpent had crept out of the flowers and had bitten the Brahman's son. Her boy-husband was lying on the bed of flowers, with face pale in death.

      My heart suddenly ceased to throb, and I asked with choking voice: "What then?"

      Grannie said; "Then … "

      But what is the use of going on any further with the story? It would only lead on to what was more and more impossible. The boy of seven did not know that, if there were some "What then?" after death, no grandmother of a grandmother could tell us all about it.

      But the child's faith never admits defeat, and it would snatch at the mantle of death itself to turn him back. It would be outrageous for him to think that such a story of one teacherless evening could so suddenly come to a stop. Therefore the grandmother had to call back her story from the ever-shut chamber of the great End, but she does it so simply: it is merely by floating the dead body on a banana stem on the river, and having some incantations read by a magician. But in that rainy night and in the dim light of a lamp death loses all its horror in the mind of the boy, and seems nothing more than a deep slumber of a single night. When the story ends the tired eyelids are weighed down with sleep. Thus it is that we send the little body of the child floating on the back of sleep over the still water of time, and then in the morning read a few verses of incantation to restore him to the world of life and light.

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