Beyond the Unexplored Space: The Philosophy & Science-Fiction Works of Olaf Stapledon. Olaf Stapledon
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      We need not dwell upon these multitudinous reiterations of culture, but must glance for a moment at the last phase of this sixth human species, so that we may pass on to the artificial species which it produced.

      Throughout their career the Sixth Men had often been fascinated by the idea of flight. The bird was again and again their most sacred symbol. Their monotheism was apt to be worship not of a god-man, but of a god-bird, conceived now as the divine sea eagle, winged with power, now as the giant swift, winged with mercy, now as a disembodied spirit of air, and once as the bird-god that became man to endow the human race with flight, physical and spiritual.

      It was inevitable that flight should obsess man on Venus, for the planet afforded but a cramping home for groundlings; and the riotous efflorescence of avian species shamed man’s pedestrian habit. When in due course the Sixth Men attained knowledge and power comparable to that of the First Men at their height, they invented flying machines of various types. Many times, indeed, mechanical flight was rediscovered and lost again with the downfall of civilization. But at its best it was regarded only as a makeshift. And when at length, with the advance of the biological sciences, the Sixth Men were in a position to influence the human organism itself, they determined to produce a true flying man. Many civilizations strove vainly for this result, sometimes half-heartedly, sometimes with religious earnestness. Finally the most enduring and brilliant of all the civilizations of the Sixth Men actually attained the goal.

      The Seventh Men were pigmies, scarcely heavier than the largest of terrestrial flying birds. Through and through they were organized for flight. A leathery membrane spread from the foot to the tip of the immensely elongated and strengthened ‘middle finger’. The three ‘outer’ fingers, equally elongated, served as ribs to the membrane; while the index, and thumb remained free for manipulation. The body assumed the stream-lines of a bird, and was covered with a deep quilt of feathery wool. This, and the silken down of the flight-membranes, varied greatly from individual to individual in colouring and texture. On the ground the Seventh Men walked much as other human beings, for the flight-membranes were folded close to the legs and body, and hung from the arms like exaggerated sleeves. In flight the legs were held extended as a flattened tail, with the feet locked together by the big toes. The breastbone was greatly developed as a keel, and as a base for the muscles of flight. The other bones were hollow, for lightness, and their internal surfaces were utilized as supplementary lungs. For, like the birds, these flying men had to maintain a high rate of oxidation. A state which others would regard as fever was normal to them.

      Their brains were given ample tracts for the organization of prowess in flight. In fact, it was found possible to equip the species with a system of reflexes for aerial balance, and a true, though artificial, instinctive aptitude for flight, and interest in flight. Compared with their makers their brain volume was of necessity small, but their whole neural system was very carefully organized. Also it matured rapidly, and was extremely facile in the acquirement of new modes of activity. This was very desirable; for the individual’s natural life period was but fifty years, and in most cases it was deliberately cut short by some impossible feat at about forty, or whenever the symptoms of old age began to be felt.

      Of all human species these bat-like Flying Men, the Seventh Men, were probably the most carefree. Gifted with harmonious physique and gay temperament, they came into a social heritage well adapted to their nature. There was no occasion for them, as there had often been for some others, to regard the world as fundamentally hostile to life, or themselves as essentially deformed. Of quick intelligence in respect of daily personal affairs and social organization, they were untroubled by the insatiable lust of understanding. Not that they were an unintellectual race, for they soon formulated a beautifully systematic account of experience. They clearly perceived, however, that the perfect sphere of their thought was but a bubble adrift in chaos. Yet it was an elegant bubble. And the system was true, in its own gay and frankly insincere manner, true as significant metaphor, not literally true. What more, it was asked, could be expected of human intellect? Adolescents were encouraged to study the ancient problems of philosophy, for no reason but to convince themselves of the futility of probing beyond the limits of the orthodox system. ‘Prick the bubble of thought at any point’, it was said, ‘and you shatter the whole of it. And since thought is one of the necessities of human life, it must be preserved.’

      Natural science was taken over from the earlier species with half-contemptuous gratitude, as a necessary means of sane adjustment to the environment. Its practical applications were valued as the ground of the social order; but as the millennia advanced, and society approached that remarkable perfection and stability which was to endure for many million years, scientific inventiveness became less and less needful, and science itself was relegated to the infant schools. History also was given in outline during childhood, and subsequently ignored.

      This curiously sincere intellectual insincerity was due to the fact that the Seventh Men were chiefly concerned with matters other than abstract thought. It is difficult to give to members of the first human species an inkling of the great preoccupation of these Flying Men. To say that it was flight would be true, yet far less than the truth. To say that they sought to live dangerously and vividly, to crowd as much experience as possible into each moment, would again be a caricature of the truth. On the physical plane, indeed, ‘the universe of flight’, with all the variety of peril and skill afforded by a tempestuous atmosphere, was every individual’s chief medium of self-expression. Yet it was not flight itself, but the spiritual aspect of flight which obsessed the species.

      In the air and on the ground the Seventh Men were different beings. Whenever they exercised themselves in flight they suffered a remarkable change of spirit. Much of their time had to be spent on the ground, since most of the work upon which civilization rested was impossible in the air. Moreover, life in the air was life at high pressure, and necessitated spells of recuperation on the ground. In their pedestrian phase the Seventh Men were sober folk, mildly bored, yet in the main cheerful, humorously impatient of the drabness and irk of pedestrian affairs, but ever supported by memory and anticipation of the vivid life of the air. Often they were tired, after the strain of that other life, but seldom were they despondent or lazy. Indeed, in the routine of agriculture and industry they were industrious as the wingless ants. Yet they worked in a strange mood of attentive absent-mindedness; for their hearts were ever in the air. So long as they could have frequent periods of aviation, they remained bland even on the ground. But if for any reason such as illness they were confined to the ground for a long period, they pined, developed acute melancholia, and died. Their makers had so contrived them that with the onset of any very great pain or misery their hearts should stop. Thus they were to avoid all serious distress. But, in fact, this merciful device worked only on the ground. In the air they assumed a very different and more heroic nature, which their makers had not foreseen, though indeed it was a natural consequence of their design.

      In the air the flying man’s heart beat more powerfully. His temperature rose. His sensation became more vivid and more discriminate, his intelligence more agile and penetrating. He experienced a more intense pleasure or pain in all that happened to him. It would not be true to say that he became more emotional; rather the reverse, if by emotionality is meant enslavement to the emotions. For the most remarkable feature of the aerial phase was that this enhanced power of appreciation was dispassionate. So long as the individual was in the air, whether in lonely struggle with the storm, or in the ceremonial ballet with sky-darkening hosts of his fellows; whether in the ecstatic love dance with a sexual partner, or in solitary and meditative circlings far above the world; whether his enterprise was fortunate, or he found himself dismembered by the hurricane, and crashing to death; always the gay and the tragic fortunes of his own person were regarded equally with detached aesthetic delight. Even when his dearest companion was mutilated or destroyed by some aerial disaster, СКАЧАТЬ