Old Court Life in Spain (Vol.1&2). Frances Minto Elliot

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      THE CLOISTERS, TOLEDO.

      Teodomir, a veteran general, comes next; as too rigid a disciplinarian for the degenerate times, he has somewhat fallen into neglect among the younger chiefs who have risen to power with the accession of the king. Teodomir is well past the prime of life, but retains the keen eye and stalwart limbs of youth, as at the head of an army he will show before many years are past. The historic warrior, Pelistes, is here too, already sunk into the vale of years, but, like Teodomir, strong and ready of hand and purpose, his grizzled hair shading a noble countenance. These two trusty chiefs, who present themselves in the antiquated armour of the Goths, were close friends of Roderich’s father, and were specially active in raising the hasty levies for the battle which placed his son on the throne; spite of which services, as time goes by, they find themselves somewhat disregarded by the young king, who listens to more flattering counsels and secretly laughs at the rustic virtues applauded in the days of Recaredo and Wamba.

      The royal lad Pelayo is also bidden, the son of that Favila, Dux of Cantabria, put to death by Witica, when he purposed to slaughter all of his blood. Pelayo stands somewhat back as becomes his youth, for who can guess that this beardless boy, with a smiling, artless face, and full blue Northern eyes will, by his fortitude, become the founder of a new race of Gothic kings, and by his endurance and valour raise up a native dynasty in Spain?

      A crowd of young courtiers, most careful of the adornment of their persons, fill up the space behind, apparelled in long embroidered mantles of many brilliant shades, held in by jewelled cinctures and buckles, elaborately worked caps upon their heads (the first idea of the later toque of the Renaissance)—fashions which have taken the place of the short tunic, leather girdle, and heavy head-piece of former times.

      Beside these stands one on whom all eyes are turned. Stern and composed of aspect, as if conscious of the possession of such power that he is cautious of displaying it. His name is Julian, and it is he who chiefly seconded the rising in favour of Roderich. Yet this man, Espatorios of Spain, Lord of Consuegra and Algeciras, commander of the Goths on the African seaboard, and governor of Ceuta, half royal himself, is a dangerous subject and a doubtful friend. Why he supported Roderich is the enigma of the day; he had but to stretch out his hand to seize the crown himself, and with a much more legitimate claim. The ambition of his wife Frandina is well known, and that she chafes at her inferior position, and shuns the Court of Toledo and the royal house since Egilona is the queen; yet, strange to say, Julian as yet, has never swerved in his allegiance to Roderich. If any dark purpose of treason is brooding in his soul, as yet it appears not. To this time he is faithful, and is now present at Cordoba to judge his own near kinsman Witica for divers misdeeds, but principally for his share in the death of Roderich’s father, Theodofredo.

      What that judgment will be is very plain to see. Rather to behold the wretched tyrant die than to judge him are they all assembled there, for the settled purpose in the mind of Roderich is revenge.

      If Julian is an enigma, much more so is his smooth-faced brother-in-law, Opas, Archbishop of Seville, brother of the fallen king, and his aider and abettor in all his vice and cruelty. A very Judas in cunning is Opas, who, with the fall of the supremacy of the Church has, for the sake of power, accommodated himself to the new ideas, and looks out now upon the course of events with a cold eye. What are his present motives? None can guess. Yet in the fiendish treachery and bitter hatred he came later to display towards Roderich some explanation may be found in the cruel punishment he inflicted on his unfortunate brother. But the present unnatural compliance of Opas, even in these rough days, is looked on with disgust. There he stands, however, scornfully indifferent to what men think, clothed in a rich cope and jewel-adorned dalmatica, a double tiara on his head, resplendent with gems, for as he is in the presence of one king, to judge another who has worn the crown, Opas has arrayed himself in the splendid paraphernalia of his double office of Archbishop of Seville and of Toledo. Attended by two deacons he presents the very picture of the prelate of the day, ready to lead in war, or govern in peace; a cross upon his neck, his waist girded with a sword, and his feet cased in steel.

      More than any one else present, however, the royal lad Pelayo, for whom so romantic a future is in store, is personally interested in the punishment of Witica, the murderer of his father; yet the composure of his face and the carelessness of his attitude, as he leans against one of the columns that uphold the raftered roof, are as if he were but one among the many. Outwardly he betrays no consciousness of his great wrong. Death and torture are familiar to the Gothic mind, and, like the rest, he appears prepared to abide by the judgment of the king.

      The heavy hangings shrouding the southern entrance to the hall are drawn aside, and, with a rush of sunshine and scent of aromatic herbs and odorous flowers, Witica appears, led in by slaves, heavy chains clanking at his feet, and manacles binding his arms. Common woollen garments of a dark colour cling to his emaciated frame, and his long, unkempt hair streams down to his waist. So greatly is he changed that it is almost impossible to recognise the lineaments of the jubilant and gross-featured voluptuary in this thin, care-ravaged face. As he slowly approaches the throne upon which Roderich is seated, he stops abruptly. The rude guards on either side push him on, and weighted by the grasp of the fetters he falls helplessly forward on his knees. Thus he remains motionless. No friendly hand is outstretched to help him—the miserable king. Not a single eye in that assembly softens with a pitying glance.

      A wan, craven look comes over his face as he raises his eyes beseechingly to the superb young monarch who has taken his place—so miserable an object, that whatever have been his crimes it seems impossible he can now inspire anything but pity. But Don Roderich thinks otherwise; he contemplates the wretched figure before him with a stern glance. Then, turning to the assembled chiefs and addressing himself more especially to Julian, standing as sword-bearer at the right of the throne, he speaks in a hard, resonant voice:

      “In this man you behold the butcher of my father. To amuse his caprice, he put out his eyes and imprisoned him in the dungeon of this castle until, worn out by suffering, he died. СКАЧАТЬ