A Bibliographical, Antiquarian and Picturesque Tour in France and Germany, Volume Two. Thomas Frognall Dibdin

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СКАЧАТЬ mansion, with a parterre of blooming flowers in front--all manner of merchandize exposed in the open air--prints, muslins, kaleidoscopes, (they have just introduced them2) trinkets, and especially watch chains and strings of beads, spread in gay colours upon the ground--the undulations of the chaussée--and a bright blue sky above the green trees--all these things irresistibly rivet the attention and extort the admiration of a stranger. You may have your boots cleaned, and your breakfast prepared, upon these same boulevards. Felicitous junction of conveniences!

      This however is only a hasty sketch of what may be called a morning scene. AFTERNOON approaches: then, the innumerable chairs, which have been a long time unoccupied, are put into immediate requisition: then commences the "high exchange" of the loungers. One man hires two chairs, for which he pays two sous: he places his legs upon one of them; while his body, in a slanting position, occupies the other. The places, where these chairs are found, are usually flanked by coffee houses. Incessant reports from drawing the corks of beer bottles resound on all sides. The ordinary people are fond of this beverage; and for four or six sous they get a bottle of pleasant, refreshing, small beer. The draught is usually succeeded by a doze--in the open air. What is common, excites no surprise; and the stream of population rushes on without stopping one instant to notice these somniferous indulgences. Or, if they are not disposed to sleep, they sit and look about them: abstractedly gazing upon the multitude around, or at the heavens above. Pure, idle, unproductive listlessness is the necessary cause of such enjoyment.

      Evening approaches: when the Boulevards put on their gayest and most fascinating livery. Then commences the bustle of the Ice Mart: in other words, then commences the general demand for ices: while the rival and neighbouring caffés of TORTONI and RICHE have their porches of entrance choked by the incessant ingress and egress of customers. The full moon shines beautifully above the foliage of the trees; and an equal number of customers, occupying chairs, sit without, and call for ices to be brought to them. Meanwhile, between these loungers, and the entrances to the caffés, move on, closely wedged, and yet scarcely in perceptible motion, the mass of human beings who come only to exercise their eyes, by turning them to the right or to the left: while, on the outside, upon the chaussée, are drawn up the carriages of visitors (chiefly English ladies) who prefer taking their ice within their closed morocco quarters. The varieties of ice are endless, but that of the Vanille is justly a general favourite: not but that you may have coffee, chocolate, punch, peach, almond, and in short every species of gratification of this kind; while the glasses are filled to a great height, in a pyramidal shape, and some of them with layers of strawberry, gooseberry, and other coloured ice--looking like pieces of a Harlequin's jacket--are seen moving to and fro, to be silently and certainly devoured by those who bespeak them. Add to this, every one has his tumbler and small water-bottle by the side of him: in the centre of the bottle is a large piece of ice, and with a tumbler of water, poured out from it, the visitor usually concludes his repast. The most luxurious of these ices scarcely exceeds a shilling of our money; and the quantity is at least half as much again as you get at a certain well-known confectioner's in Piccadilly.

      It is getting towards MIDNIGHT; but the bustle and activity of the Boulevards have not yet much abated. Groups of musicians, ballad-singers, tumblers, actors, conjurors, slight-of-hand professors, and raree-shew men, have each their distinct audiences. You advance. A little girl with a raised turban (as usual, tastefully put on) seems to have no mercy either upon her own voice or upon the hurdy-gurdy on which she plays: her father shews his skill upon a violin, and the mother is equally active with the organ; after "a flourish"--not of "trumpets"--but of these instruments--the tumblers commence their operations. But a great crowd is collected to the right. What may this mean? All are silent; a ring is made, of which the boundaries are marked by small lighted candles stuck in pieces of clay. Within this circle stands a man--apparently strangled: both arms are extended, and his eyes are stretched to their utmost limits. You look more closely--and the hilt of a dagger is seen in his mouth, of which the blade is introduced into his stomach! He is almost breathless, and ready to faint--but he approaches, with the crown of a hat in one hand, into which he expects you should drop a sous. Having made his collection, he draws forth the dagger from its carnal sheath, and, making his bow, seems to anticipate the plaudits which invariably follow.3 Or, he changes his plan of operations on the following evening. Instead of the dagger put down his throat, he introduces a piece of wire up one nostril, to descend by the other--and, thus self-tortured, demands the remuneration and the applause of his audience. In short, from one end of the Boulevards to the other, for nearly two English miles, there is nought but animation, good humour, and, it is right to add, good order;--while, having strolled as far as the Boulevards de Bondy, and watched the moon-beams sparkling in the waters which play there within the beautiful fountain so called,--I retread my steps, and seek the quiet quarters in which this epistle is penned.

      The next out-of-door sources of gratification, of importance, are the Gardens of the Thuileries, the Champs Elysées, and the promenade within the Palais Royal; in which latter plays a small, but, in my humble opinion, the most beautifully constructed fountain which Paris can boast of. Of this, presently. The former of these spots is rather pretty than picturesque: rather limited than extensive: a raised terrace to the left, on looking from the front of the Thuileries, is the only commanding situation--from which you observe the Seine, running with its green tint, and rapid current, to the left--while on the right you leisurely examine the rows of orange trees and statuary which give an imposing air of grandeur to the scene. At this season of the year, the fragrance of the blossoms of the orange trees is most delicious. The statues are of a colossal, and rather superior kind … for garden decoration. There are pleasing vistas and wide gravel walks, and a fine evening usually fills them with crowds of Parisians. The palace is long, but rather too low and narrow; yet there is an air of elegance about it, which, with the immediately surrounding scenery, cannot fail to strike you very agreeably. The white flag of St. Louis floats upon the top of the central dome. The Champs Elysées consist of extensive wooded walks; and a magnificent road divides them, which serves as the great attractive mall for carriages--especially on Sundays--while, upon the grass, between the trees, on that day, appear knots of male and female citizens enjoying the waltz or quadrille. It is doubtless a most singular, and animated scene: the utmost order and good humour prevailing. The Place Louis Quinze, running at right angles with the Thuileries, and which is intersected in your route to the Rue de la Paix, is certainly a most magnificent front elevation; containing large and splendid houses, of elaborate exterior ornament. When completed, to the right, it will present an almost matchless front of domestic architecture, built upon the Grecian model. It was in this place, facing his own regal residence of the Thuileries, that the unfortunate Louis--surrounded by a ferocious and bloodthirsty mob--was butchered by the guillotine.

      Come back with me now into the very heart of Paris, and let us stroll within the area of the Palais Royal. You may remember that I spoke of a fountain, which played within the centre of this popular resort. The different branches, or jets d'eau, spring from a low, central point; and crossing each other in a variety of angles, and in the most pleasing manner of intersection, produce, altogether, the appearance of the blossom of a large flower: so silvery and transparent is the water, and so gracefully are its glassy petals disposed. Meanwhile, the rays of the sun, streaming down from above, produce a sort of stationary rainbow: and, in the heat of the day, as you sit upon the chairs, or saunter beneath the trees, the effect is both grateful and refreshing. The little flower garden, in the centre of which this fountain seems to be for ever playing, is a perfect model of neatness and tasteful disposition: not a weed dare intrude: and the earth seems always fresh and moist from the spray of the fountain--while roses, jonquils, and hyacinths scatter their delicious fragrance around. For one minute only let us visit the Caffé des Mille Colonnes: so called (as you well know) from the number of upright mirrors and glasses which reflect the small columns by which the ceiling is supported. Brilliant and singular as is this effect, it is almost eclipsed by the appearance of the Mistress of the House; who, decorated with rich and rare gems, and seated upon a sort of elevated throne--uniting great comeliness and (as some think) beauty of person--receives both the homage and (what is doubtless preferable to her) the francs of numerous customers and admirers. The "wealth of either Ind" sparkles upon СКАЧАТЬ