The Complete Poetical Works of Oliver Goldsmith. Оливер Голдсмит

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СКАЧАТЬ WEST CHURCH. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811). HAWTHORN TREE. From the same. SOUTH VIEW FROM GOLDSMITH'S MOUNT. From the same … To face p. 183. [This picture is unavailable.] THE SCHOOL HOUSE. From the same. PORTRAIT OF GOLDSMITH. Drawn by Henry William Bunbury and etched by James Bretherton. From the Haunch of Venison, 1776. PORTRAIT OF GOLDSMITH. From a silhouette by Ozias Humphry, R.A., in the National Portrait Gallery. LISSOY (OR LISHOY) MILL. From an aquatint by S. Alken of a sketch by R. H. Newell (Goldsmith's Poetical Works, 1811). THE PARSONAGE. From the same.

       Introduction

      Poetical Works of Goldsmith / Contents / Chronology /

       page ix

INTRODUCTION

       Table of Contents

      Two of the earlier, and, in some respects, more important Memoirs of Oliver Goldsmith open with a quotation from one of his minor works, in which he refers to the generally uneventful life of the scholar. His own chequered career was a notable exception to this rule. He was born on the 10th of November, 1728, at Pallas, a village in the county of Longford in Ireland, his father, the Rev. Charles Goldsmith, being a clergyman of the Established Church. Oliver was the fifth of a family of five sons and three daughters. In 1730, his father, who had been assisting the rector of the neighbouring parish of Kilkenny West, succeeded to that living, and moved to Lissoy, a hamlet in Westmeath, lying a little to the right of the road from Ballymahon to Athlone. Educated first by a humble relative named Elizabeth Delap, the boy passed subsequently to the care of Thomas Byrne, the village schoolmaster, an old soldier who had fought Queen Anne's battles in Spain, and had retained from those experiences a wandering and unsettled spirit, which he is thought to have communicated to one at least of his pupils. After an attack of confluent small-pox, which scarred him for life, Oliver was transferred from the care of this not-uncongenial preceptor to a school at Elphin. From Elphin he passed to Athlone; from Athlone to Edgeworthstown, where he remained until he was thirteen or fourteen years of age. The accounts of these early days are contradictory. By his schoolfellows he seems to have been regarded as stupid and heavy—'little better than a fool'; but they

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      admitted that he was remarkably active and athletic, and that he was an adept in all boyish sports. At home, notwithstanding a variable disposition, and occasional fits of depression, he showed to greater advantage. He scribbled verses early; and sometimes startled those about him by unexpected 'swallow- flights' of repartee. One of these, an oft-quoted retort to a musical friend who had likened his awkward antics in a hornpipe to the dancing of Aesop—

      Heralds! proclaim aloud! all saying,

       See Aesop dancing, and his monkey playing—

      reads more like a happily-adapted recollection than the actual impromptu of a boy of nine. But another, in which, after a painful silence, he replied to the brutal enquiry of a ne'er-do-well relative as to when he meant to grow handsome, by saying that he would do so when the speaker grew good—is characteristic of the easily-wounded spirit and 'exquisite sensibility of contempt' with which he was to enter upon the battle of life.

      In June, 1744, after anticipating in his own person, the plot of his later play of She Stoops to Conquer by mistaking the house of a gentleman at Ardagh for an inn, he was sent to Trinity College, Dublin. The special dress and semi-menial footing of a sizar or poor scholar—for his father, impoverished by the imprudent portioning of his eldest daughter, could not afford to make him a pensioner—were scarcely calculated to modify his personal peculiarities. Added to these, his tutor elect, Dr. Theaker Wilder, was a violent and vindictive man, with whom his ungainly and unhopeful pupil found little favour. Wilder had a passion for mathematics which was not shared by Goldsmith, who, indeed, spoke contemptuously enough of that science in after life. He could, however, he told Malone, 'turn an Ode of Horace into English better than any of them.' But his academic career was not a success.

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PANE OF GLASS WITH GOLDSMITH'S AUTOGRAPH (Trinity College, Dublin)

      In May, 1747, the year in which his father died—an event that further contracted his already slender means—he became involved in a college riot, and was publicly admonished. From this disgrace he recovered to some extent in the following month by obtaining a trifling money exhibition, a triumph which he unluckily celebrated by a party at his rooms. Into these festivities, the heinousness of which was aggravated by the fact that they included guests of both sexes, the exasperated Wilder made irruption, and summarily terminated the proceedings by knocking down the host. The disgrace was too much for the poor lad. He forthwith sold his books and belongings, and ran away, vaguely bound for America. But after considerable privations, including the achievement of a destitution so complete that a handful of grey peas, given him by a girl at a wake, seemed a banquet, he turned his steps homeward, and, a reconciliation having been patched up with his tutor, he was received once more at college. In February, 1749, he took his degree, a low one, as B.A., and quitted the university, leaving behind him, for relics of that time, a scratched signature upon a window-pane, a folio Scapula scored liberally with 'promises to pay,' and a reputation for much loitering at the college gates in the study of passing humanity. Another habit which his associates recalled was his writing of ballads when in want of funds. These he would sell at five shillings apiece; and would afterwards steal out in the twilight to hear them sung to the indiscriminate but applauding audience of the Dublin streets.

      What was to be done with a genius so unstable, so erratic? Nothing, apparently, but to let him qualify for orders, and for this he is too young. Thereupon ensues a sort of 'Martin's summer' in his changing life—a disengaged, delightful time when 'Master Noll' wanders

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      irresponsibly from house to house, fishing and flute-playing, or, of winter evenings, taking the chair at the village inn. When at last the moment came for his presentation to the Bishop of Elphin, that prelate, sad to say, rejected him, perhaps because of his college reputation, perhaps because of actual incompetence, perhaps even, as tradition affirms, because he had the bad taste to appear before his examiner in flaming scarlet breeches. After this rebuff, tutoring was next tried. But he had no sooner saved some thirty pounds by teaching, than he threw up his engagement, bought a horse, and started once more for America, by way of Cork. In six weeks he had returned penniless, having substituted for his roadster a sorry jade, to which he gave the contemptuous name of Fiddleback. He had also the simplicity to wonder, on this occasion, that his mother was not rejoiced to see him again. His next ambition was to be a lawyer; and, to this end, a kindly Uncle Contarine equipped him with fifty pounds for preliminary studies. But on his way to London he was decoyed into gambling, lost every farthing, and came home once more in bitter self-abasement. Having now essayed both divinity and law, his next СКАЧАТЬ