La Grande Mademoiselle, 1627-1652. Barine Arvède

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СКАЧАТЬ to insinuate that her usefulness was at an end and that she had no reason for clinging to life. The Queen of France lived so eclipsed a life that to the world she was nothing but a pretty woman with a complexion of milk and roses. The people knew that she was unhappy, and they pitied her. They never learned her true character until she became Regent. Anne of Austria was not the only one to drain the cup of bitterness that year. Louis XIII. also was jealous of the maternity of Madame. It was a part of his nature to cherish evil sentiments, and his friends found some excuse for his faults in his misfortunes. Since Richelieu had attained power, Louis had succumbed to the exigencies of monarchical duty. His whole person betrayed his distress, exhaling constraint and anxiety. The most mirthful jester quailed at the sight of the long, livid face, so mournful, so expressive of the mental torment of the Prince who "knew that he was hated and who had no fondness for himself."

      Louis was timid and prudish, and, like his brother, he had sick nerves. Hérouard, who was his doctor when he was a child, exhibits the young Prince as a somnambulist, who slept with eyes open, and who arose in his sleep, walking and talking in a loud voice. Louis's doctors put an end to any strength that he may have had originally. In one year Bouvard bled him forty-seven times; and during that one twelvemonth the child was given twelve different kinds of medicines and two hundred and fifteen enemas. Is it credible that after such an experience the unhappy King merited the reproach of being "obstreperous in his intercourse with the medical faculty"?

      He had studied but little; he took no interest in the things that pleased the mind; his pastimes were purely animal. He liked to hunt, to work in his garden, to net pouches for fish and game, to make snares and arquebuses. He liked to make preserves, to lard meat, and to shave. Like his brother, he had one artistic quality: he loved music and composed it. "This was the one smile, the only smile of a natural ingrate."

      Louis XIII. was of a nature dry and hard. He detested his wife; he loved nothing on earth but his young favourites. He loved them; then, in an instant, without warning, he ceased to love them; and when he had ceased to love them he did not care what became of them—did not care whether they lived or died. Whenever he could witness the agony of death he did so, and turned the occasion into a picnic or a pleasure trip. He enjoyed watching the grimaces of the dying. His religious devotion was sincere, but it was narrow and sterile. He was jealous and suspicious, forgetful, frivolous, incapable of applying himself to anything serious.

      He had but one virtue, but that he carried to such lengths that it sufficed to embalm his memory. This virtue was the one which raised the family of Hohenzollern to power and to glory. The sombre soul of Louis XIII. was imbued with the imperious sentiment of royal duty—the professional duty of the man designed and appointed by Divine Providence to give account to God for millions of the souls of other men. He never separated either his own advantage or his own glory from the advantage and the glory of France. He forced his brother to marry, though he knew that the birth of a nephew would ulcerate his own flesh. He harboured Richelieu with despairing resolution because he believed that France could not maintain its existence without the hated ministry. He had the essential quality, the one quality which supplies the lack of other qualities, without which all other qualities, great and noble though they be, are useless before the State.

      Around these chiefs of the Court buzzed a swarm of ambitious rivals and whispering intriguers all animated by one purpose, to effect the discomfiture of Richelieu. The King's health was failing. The Cardinal knew that Louis "had not two days to live"; he was seen daily, steadily advancing toward the grave. In Michelet's writings there is a striking page devoted to the "great man of business wasting his time and strength struggling against I do not know how many insects which have stung him." Marie de Médicis was the only one who united with the King in defending Richelieu in the critical winter of 1626. The Cardinal was the Queen's creature. The pair had many memories in common—and of more than one kind. Some years previous Richelieu had taken the trouble to play lover to the portly quadragenarian, and he had brought to bear upon his effort all the courage requisite for such a suit. The Court of France had looked on while the Cardinal took lessons in lute playing, because the Queen-mother, notwithstanding her age and her proportions, had had a fancy to play the lute as she had done when a little girl. Marie de Médicis had given proof that she was not insensible to such delicate attentions, and she had forgotten nothing; but the moment was approaching when Richelieu would find that it had been to no purpose that he had shouldered the ridicule of France by sighing out his music at the feet of the fat Queen.

      That year a stranger would have said that the Court of France had never been more gay. Fête followed fête. In the winter there were two grand ballets at the Louvre, danced by the flower of the nobility, the King at their head. Louis XIII. adored such exhibitions, though they overthrow all modern ideas of a royal majesty.

      The previous winter he had invited the Bourgeoisie of Paris to the Hôtel-de-Ville to contemplate their ghastly monarch masked for the carnival, dancing his grand pas. "It is my wish," said he, "to confer honour upon the city by this action." The Bourgeoisie had accepted the invitation; man and wife had flocked to the appointed place at the appointed hour, and there they had waited from four o'clock in the afternoon until five o'clock in the morning, before the royal dancers had made their appearance. The dance had not ended until noon, when the honoured Bourgeoisie had returned to their homes.

      Monsieur took his full share of all official pleasures, and he had also some pleasures of his own—and purely personal they were. Some of them were infantine; some of them, marked by intelligence, were far in advance of the ideas of that epoch. Contemporary customs demanded that people of the world should relegate their serious affairs to the tender mercies of the professional keen wits, who made it their business to attend to such questions. Gaston used to convene the chosen of his lords and gentlemen, to argue subjects of moral and political import. In discussion Monsieur bore himself very gallantly. The resources of his wit were inexhaustible, and the justice of his judgment invariably evoked applause. He was a sleep-walker, because awake or asleep he was so restless that "he could not stay long in one place."[2] But he was not always asleep when he was met in the night groping his way through the noisome alleys. He used to jump from his bed, disguise himself, and run about in the night, leading a life like that of the wretched Gérard de Nerval, lounging on foot through the little streets of Paris which were very dark and suspiciously dirty. It amused him to enter strange houses and invite himself to balls and other assemblies. His behaviour in such places is not recorded, but the gentlemen who followed him (to protect him) let it be understood that there was "nothing good in it."

      Gaston of Orleans had all the traits common to those whom we call "degenerate." His chief characteristic was an active form of bare and shameless moral relaxation. He was the mainspring of many and various movements.

      One day when Richelieu was present, Louis XIII. twitted the Queen with her fancies. He said that she had "wished to prevent Monsieur from marrying so that she could marry him herself when she became a widow."

      Anne of Austria cried out: "I should not have gained much by the change!"

      (Neither would France have "gained much by the change," and it was fortunate for her that Louis was permitted to retain possession of his feeble rights.)

      The child so desired by some, so envied and so dreaded by others, entered the world May 29, 1627. Instead of a dauphin it was a girl—La Grande Mademoiselle. Seven days after the child was born the mother died.

      Louis XIII. gave orders for the provision of royal obsequies, and he himself sprinkled the bier with the blessed water, very grateful because Providence had not endowed him with a nephew. Anne of Austria, incognito, assisted at the funeral pomps. This act was received with various interpretations. The simple—the innocent-minded—said that it was a proof of the compassion inspired by Madame's sudden taking off; the malicious supposed that it was just as the King had said: "The Queen loved Monsieur; she rejoiced in his wife's death; she hoped to marry СКАЧАТЬ