Plume. Will Wiles
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Название: Plume

Автор: Will Wiles

Издательство: HarperCollins

Жанр: Контркультура

Серия:

isbn: 9780008194420

isbn:

СКАЧАТЬ were on the sixth storey of an eight-storey building, and the windows on my side faced east, ‘offering’, as Wolfe / De Chauncey would put it, ‘panoramic views of east London and Docklands’. In the foreground were the roofs and tower cranes of Shoreditch; much further away, to the right, were the towers of Canary Wharf, and behind those the yellow masts of the O2 Arena; to the left, at about the same remove, you could make out a little of the Olympic Park. On a clear day you could see a distant, dark line of hills on the far right and in places the mercury glimmer of the river. But in winter a grimy white dome, twin to the Teflon tent in Greenwich, was clamped down on the city.

      Today, however, a new landmark had appeared. A column of black smoke rose from the ill-defined low-rise muddle of the horizon city. Further out than the skyscrapers on the Isle of Dogs, it nevertheless bested them in height and weight. While their glass and steel edges blurred in the cold grey air, the smoke tower was crisp and shocking, appearing as the most solid structure in sight, an impression only strengthened by its slow distensions and convolutions. It was blackening the dome, pumping darkness into the pallid sky.

      ‘Not City,’ a voice said behind us. The other Ray, man Ray, was hunched at his Mac. ‘It’s on the BBC, just a couple of lines: fuel depot in Barking. Explosion and fire. Oh, that’s awful. It says here people are being evacuated.’

      ‘Better than being in danger,’ Polly said.

      Ray shook his head. ‘But people aren’t evacuated. Places, buildings, neighbourhoods are evacuated. Evacuating people would mean scooping out their insides.’

      ‘And that’s the BBC?’ the other Ray asked. ‘Really, you expect better.’

      Man Ray shook his head in sad agreement.

      ‘Are we in danger?’ Kim from promotions asked. ‘From – I don’t know – gases.’

      ‘I doubt it,’ Polly said. ‘It’s a good long way away. If they were evacuating here, they’d be evacuating half of London. It’s just a fire, a big fire.’

      ‘It’s drifting this way,’ Kim from promotions said.

      ‘It’s just smoke,’ Mohit said.

      ‘When did it happen?’ I asked. I had reached my desk, which put me to the rear of the group, and I don’t think that any of them noticed my approach. Their eyes were on the plume.

      ‘When did what happen?’

      ‘Ray said it was an explosion …’

      ‘It doesn’t say,’ Ray said. ‘This morning.’

      ‘I think I …’ How to explain about the bubbles? If I said I saw the explosion I would sound ridiculous. ‘I think I felt it … The vibration …’

      ‘The earth moved for you?’ Kay asked, and a couple of people chuckled, Mohit and a golf wanker.

      ‘Now you mention it,’ Ray – woman Ray – said, ‘I think I felt it too.’

      This prompted a more general and impossible-to-transcribe group conversation about who thought they had heard or felt what, whether it was possible to feel anything at this distance, and so on. I didn’t contribute much, and the group’s focus, such as it was, broke away from me. But Polly was still looking at me, and I frowned back, trying to figure out what I had said or done to earn this special attention. Her eyes darted down to my desk, which I was leaning against. My right hand was resting on one of the stacks of papers that are permanently encroaching on my keyboard and work space. It was this heap that Polly had glanced at, just a pile of torn-off notes, newspapers and magazines like the others, but I saw the top sheet, the one pinned under my hand, was not in fact mine at all. It was a yellow leaf from an American legal pad, and it was clipped, with many others like it, to a steel clipboard, which must have been left there by its owner while she was distracted by the drama at the window.

      ‘Excuse me,’ Polly said, and she grabbed her clipboard out from under my hand just as I lifted it to see what was written on it. Then she flipped the pages that had been folded over the back of the board to cover the sheet I had seen. But I had seen it. Columns of numbers – dates, times. The lowest line, the only one I saw in detail, read:

      MONDAY: 10.11 12.05

      Then two blank columns. I knew immediately, instinctively, what was recorded there, and what it meant. It was the time I had arrived that morning, and the time I had left for lunch, with spaces left for the times I returned from lunch and left the office at the end of the day. Polly was recording my movements – my latenesses, my absences, the myriad small (and not so small) ways I was robbing the magazine of time. The purpose of this record was obvious: she was building a case for my dismissal.

      I did my best to hide the fact that I had seen the numbers and guessed their meaning. Grey oblivion enclosed my panicking mind on all sides, squeezing in. I pulled the chair from under my desk and sat down heavily. Polly was no longer looking at me. Instead she was staring fixedly out of the window, jaw tense, clipboard clutched to chest, being scrupulous about not looking at me. The grey closed in, appearing in my peripheral vision, cutting off my oxygen. I hit the space bar to rouse my computer and that small action felt like an immense drain on my resources. Fainting was a real possibility. No air. Horrible implications were spreading outwards from what I had seen, a thickening miasma of betrayal and threat. Firing an employee was cheaper than making them redundant – perhaps that was Polly’s game. Perhaps she was collecting a dossier against me to spare someone else, a friend, an ally: Freya? Kay? Mohit? But of those names, none was more clearly on the axe list than mine. If I was already doomed, and they could save themselves that redundancy payment into the bargain …

      Unread emails. Hundreds of new tweets. Fifty new Tumblr posts. I looked at the latter, not able to face the clamour of Twitter, and it was a good choice – calming. Attractive concrete ruins. Unusual bus shelters in Romania. Book covers from the 1970s. Silent gifs of pretty popstars. New Yorker cartoons. Feel-good homilies and great strings of people agreeing with heartfelt, bland statements against racism and injustice.

      But the smoke was there, too. A camera-phone photograph on the blog of another magazine, showing the same plume we could see but over a different roofline. A much better photograph from the feed of Bunk, F.A.Q.’s company, taken from a higher angle and showing the column’s base, orange destruction under buckling industrial roofs, in a necklace of emergency-service blue lights.

      More of my colleagues were returning from lunch, some unaware of what was going on in the east, others brimming with urgency, disappointed to find that we all knew about the fire already. There was a volatile, excitable atmosphere in the office. Having an unusual event like this, a news event, so very visible in front of us all was turning people into restless little broadcasters, vectors for the virus of knowing, eager to find audiences as yet uninfected with awareness of it. This floor of this building was dead, saturated, so the group broke up and the spectators went to their phones and their keyboards to email, tweet, update Tamesis, Facebook, Instagram, WhatsApp, Snapchat – transmit, transmit, tell, tell. And all with this weird glee, the perverse euphoria that accompanies any dramatic news event taking place nearby, even a terrible event. Any other day, I would be among them – I felt that rush, that fascination, but at a distance, behind a firewall of private pain – but all I could do was gaze at my screen, barely seeing, hand dead on my mouse.

      ‘Crazy.’

      Polly was at my side. I had no idea how long she had been standing there, but I knew I had done nothing in that time, not the slightest movement.

      ‘What?’

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