Название: Girl With a Pearl Earring
Автор: Tracy Chevalier
Издательство: HarperCollins
Жанр: Историческая литература
isbn: 9780007324361
isbn:
How Tracy controls the form is complex. It relates, once again to Vermeer himself and the gentle way in which the innocent maid, Griet, begins to understand his technique, which is unhurried and arduous. He moves people, objects and furniture around until he has found the combination that feels right to him. And Tracy does the same, giving us ever-changing alignments of the circumstances and the people who are going to shape Griet’s destiny. When Vermeer begins to paint, he does surprising things, laying on dull backgrounds before beginning to sketch in the figures. He explains to Griet that the colour white is almost never ‘pure’, but brought to purity, and brought to its crucial role in a painting (eventually the earring itself) by the presence of other tones within it.
And this is how Tracy shapes her narrative – by small, unexpected increments, often defined by colour (the red of the butcher’s blood under Pieter’s nails, the cloudy white of the laundry, the Delft blue of Griet’s father’s tiles, the flaming tones of Cornelia’s hair) laying them in sparingly and – most crucial of all – never anticipating for us too neatly what role they are going to play.
Tracy always researches her books very thoroughly. To write about quilt-making she makes quilts. To write about fossils, she gathers and studies them, thus giving great authenticity to the work. But in Girl with a Pearl Earring we experience a lot more than a feeling of a writer doing meticulous homework; we are led deep inside the strange, closed world of the artist and the innocent girl who, for a brief moment, moved him to a love he could only express through a picture. We are as captive to that world as Griet is captive to her master. This is one of those rare novels where all the decisions made by the author appear inevitable and right. And millions of readers agreed. They were perfectly at home in this book. They felt they were part of a timeless painting.
RT. 2018
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