A Murder Among Friends. Ramona Richards
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Название: A Murder Among Friends

Автор: Ramona Richards

Издательство: HarperCollins

Жанр: Короткие любовные романы

Серия: Mills & Boon Love Inspired

isbn: 9781408967423

isbn:

СКАЧАТЬ of the dresser, the dirty into another. He sat on the squeaky bed, trying to ignore the smell of sour food and stale sweat in the cabin, and pulled a small notebook and a pen out of his jacket to look over the notes he’d taken so far. As he went through the list, his left heel bounced nervously against the floor, and the pen clicked as his thumb snapped up and down on its release.

      Aaron Jackson’s body showed that he had apparently died from a severe blow to the right side of his head, crushing his temple. He had been discovered by the estate manager, Maggie Weston, around midnight Monday, lying facedown on the back steps of the lodge house deck. His head was on the last step, his feet near the top. She was found about half an hour later by the groundskeeper, Tim Miller, sitting on the steps beside the body in total shock. He and another resident, Scott Jonas, had to carry her inside.

      The pen clicks picked up speed as he went down the list, and he paused, taking a deep breath, looking at his left hand. This is harder than I thought it would be. Even the pen brought back sharp memories that threatened to break through Fletcher’s tightly restrained emotions. Aaron had hated the clicking pen, recognizing it as one of Fletcher’s control mechanisms. The older man’s voice echoed in his head.

      “Why don’t you go ahead and just lose that Scottish temper, me boyo? Emotions are good! They make life more intriguing.”

      “I’m a cop. I can’t get emotionally involved with my cases.”

      Aaron clucked his tongue. “So you’re made of steel, are you?”

      Hardly, Fletcher thought, forcing his heel to stay flat on the floor and his feelings for Aaron to the far reaches of his mind. He took a deep breath. “Focus,” he murmured, looking down at the notebook again.

      Fletcher’s brief examination of the body at the coroner’s showed that the wound to Aaron’s head was rounded—not flat or sharp—which was the impression a step, or the edge of a step, would have left. His body position was also odd and not that of a man who had fallen down steps. Bits of blood had been found approximately six feet out from the deck, with a few smears between that had been hastily covered. The wound was dotted with tiny bits of some material the ME couldn’t identify and contained almost no sign of wooden slivers. The coroner’s preliminary findings had confirmed this. They were still waiting on a final report.

      Fletcher underlined his next note. So he was murdered and the body moved. No accident. Now, why would anyone want him dead? Fletcher took a deep breath and stood up, stretching, an odd weariness in his bones. He hadn’t slept well while he was at Korie and Aaron’s. Aaron was a midnight prowler, and Korie never seemed to shut up. No wonder Aaron spent dinnertime at the retreat with his writers and Maggie.

      He frowned. Korie and Maggie. Both had been involved with Aaron, and the contrast between the two women was so stark that it was ludicrous. Korie, the flamboyant flirt, was the wild party child in New York and a restless, wandering artist here in New Hampshire. Maggie was stronger, more reserved. He remembered meeting her five years ago, when she and Aaron had been lovers….

      Fletcher stood very still, a memory reaching through. An argument. Maggie and Aaron. About their relationship. Well, what else do couples fight about? But this had been different. How? Had Maggie still loved him? Was she jealous of Korie? Maybe. But Fletcher couldn’t remember anything else, and he shook his head to clear it.

      He sat back down, turned the page in his notebook, clicked the pen twice and started another list. “Who would hate him enough to kill him?” he asked aloud.

      “The list is endless,” Maggie said from the doorway.

      Fletcher stood, his eyebrows raised. “Is eavesdropping part of your job?” he asked.

      She smiled wryly. “When necessary.” She carried a large paper sack. “I brought you some things I thought you might need, since you aren’t one of our regular guests. They usually come prepared.” She set the bag on the desk and looked around at the small room, which had a tiny kitchenette in one end. The furnishings were simple: a desk with phone and computer ports, two comfy, overstuffed chairs, a bed, a dresser, a small eating table with two chairs. Maggie frowned at the bed.

      “I brought clean sheets, for starters.” She began emptying the bag. “Jamie left in something of a hurry, and he was notorious for being a slob. I found an extra phone in one of our guest rooms, so you won’t always have to use your cell. Some of them won’t pick up a signal here, anyway. And I’ve got towels and soap.”

      Fletcher stood back as she started stripping the sheets, wrinkling her nose. “Jamie was also notorious with the local girls. I just hope I don’t find one tied up in the bathroom.”

      “No, it’s clean,” Fletcher replied. She paused and looked up at him, doubtful. He shrugged. “Well, not clean exactly.”

      She laughed and tossed the dirty sheets into a pile. “I called the cleaning service and they should be here this afternoon. I’m sure Korie made promises to help, but she wouldn’t know which end of a broom to hold.” She grabbed the clean sheets and shook them out. Fletcher tucked his notebook back in his coat and reached to help her. “Thanks,” she said. “There’s a washer and dryer at the lodge if you need it. Have you looked over the brochure?”

      Fletcher shook his head, watching Maggie peripherally as he shoved the corners of the sheets under the mattress. Pleasant, but too efficient. Too cooperative. What are you up to, Maggie?

      “There aren’t a lot of rules around here,” she said, her voice taking on a routine note. He could tell she’d given this speech before. “But the ones we do have are enforced without fail.” She tucked a pillow under her chin and slid on a case. “One, everyone eats dinner in the lodge. Nights out have to be prearranged. You are on your own for breakfast and lunch. There are several restaurants in town, or you can keep groceries here, as long as you keep the place clean. No personal visitors except at the lodge, and no overnight guests who are not spouses. Aaron’s library, as well as the local public library, is available for research, and we ask that you make any long-distance calls from the lodge. There’s also an Internet connection, if your service doesn’t have a local number. There’s no long-distance service available in the cabins. We also keep up with the ones that are business and the ones that are personal. You won’t be charged for business calls. Cell phones, of course, are permitted, but they are not allowed at the dinner table.” The pillow landed on the bed with a fluff of scented air, and she went to the closet for blankets, her voice maintaining its monotone. “Please keep the thermostat at seventy-two degrees. You can come and go as you please, as long as you maintain the required production quota for the week. Aaron reviews everything on Saturday, so make sure you—”

      Maggie froze and her eyelids fluttered. “You’re not a writer. Sorry.” Fletcher watched as she blinked away the glassiness from her eyes and took a deep breath. She crossed her arms over her stomach and bit her lower lip. Fletcher thought again about the two women who had loved Aaron Jackson so passionately. Korie, told of Aaron’s death, had wailed and flailed for an hour or so, with nothing but polite tears since. Maggie’s grief ran deeper, more consuming, and it looked as if it was going to last for a long time.

      He gave her a moment, then spoke softly. “Tell me about the production requirements. Were they harsh?”

      Maggie took a deep breath and seemed grateful. She nodded, sniffed and spoke evenly. “Yes. The application to get in here discourages most writers from even trying. They must have at least one mainstream novel published, with more than five thousand copies sold, with good reviews. They have to produce at least two short stories or a hundred pages of a novel a week, with a rough draft of a book, play or script per quarter. Flighty temperaments—and that covers a СКАЧАТЬ