Death Mask. Alex Archer

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СКАЧАТЬ time’s the one thing I don’t have.”

      “This is personal now. Trust me. I’ll get you what you need. There’s something I can tell you right now, though.”

      “What’s that?”

      “You were watching a recording. It wasn’t a video chat.”

       5

      21:05—Valladolid

      Plaza Mayor was already a hive of early-morning activity, bustling with tourists and locals when Annja reached Valladolid.

      Even with the steady hubbub, the huge plaza still felt like a wide-open space in the claustrophobic Old Town. The city wasn’t what she’d been hoping to find, even if she wasn’t entirely sure what that had been. The buildings might not have been as thoroughly modern as many of the cities she’d visited around the world—all glass, concrete and steel—but everything here was still far too new to be hiding any ancient secrets. Almost all of the buildings appeared to have been built in the past hundred and fifty years. There was absolutely nothing amid all of the banks, gift shops, cafés and restaurants that could have been standing even two hundred years after Torquemada’s death, never mind the early days of the Inquisition.

      Annja slammed down the kickstand and parked the bike up. She walked around the outskirts of the plaza, taking a closer look at each building, but no matter how desperately she willed it, she found nothing of interest. Feeling her mood darkening, she realized she hadn’t eaten all day. She didn’t want to stop the search, not when time was so short, but she wasn’t going to be any use to Garin if she starved herself, so she went inside the nearest café and ordered a coffee and a Caesar salad. It would be enough to keep her going.

      There were a dozen metal tables and chairs outside the café, so she picked one and, like a tourist, stretched out her legs to ease the cramped muscles and soak up the sun while she waited for her meal. On any other day, she could have happily wasted a couple of hours just drinking in the ambience, but today wasn’t a day like any other. Today she had a job to do. She pulled out her phone and called Roux. She knew he’d be in the air. All she wanted to do was leave a voice mail he could check as he landed. Her message was to the point. “I’m in Valladolid. Following leads I picked up at Ávila. Everything points to this place being central to Torquemada’s tale. I’m not sure what I’m looking for. I’m just hoping I’ll recognize it when I see it.” She killed the call.

      A flyer on the table caught her eye. She picked it up. The flyer showed the same image as the billboard outside a theater on the opposite side of the square—a woman dressed in nothing but black underwear, smoking a cigarette from a long holder, obviously advertising some kind of burlesque show. It seemed out of place among the restrained buildings. It took Annja a moment to realize that the woman was actually a man. That brought a smile to her lips; clearly things weren’t always what they seemed to be. There was a good lesson there. First impressions could be deceptive. She flipped the leaflet over and read the small blurb that explained the show was taking place at the Teatro Zorrilla.

      “It’s very good, even if you can’t speak Spanish.” Annja looked up to see a waitress clearing plates from one of the neighboring tables. She was surprised that the waitress spoke to her in English until she realized she must have overheard at least part of the message she left for Roux.

      “I’m afraid I’m not going to be around long enough to take in a show.”

      “Ah, that’s a shame.”

      The girl smiled and started back toward the door, balancing a tray of dirty cups.

      “I know this might seem like a stupid question,” Annja said. “But I don’t suppose you know where the Convent of San Francisco used to be?”

      The girl shrugged. “Sorry. Was it around here?”

      “I was really hoping so, but I can’t see anything to even suggest where it might have been.”

      “Well, it depends how old it is. Most of the buildings around the plaza were built in the 1800s, I think, and some of it is more modern than that. A lot of the old buildings that were here before that were demolished to make way for the new. There’s some kind of plaque on the theater—one of those historic-landmark things—but I can’t remember what it says. Sorry.”

      “That’s okay. Thanks, anyway,” Annja said. “I’ll go take a look.”

      The theater was closed, its front doors locked and everything inside dark. Even the box office. The plaque was on the wall beside the main door. It detailed how the Zorrilla had been built on the original site of the Convent of San Francisco.

      A dead end, Annja thought miserably, realizing how much time she’d wasted only to reach a standstill.

      She was already three hours down and all she had to show for it was a burlesque theater built on the site of an old convent. That wasn’t going to help Garin.

      Or was it?

      That very much depended upon what had happened to the convent and whether the theater had been constructed in its place or on top of its partial remains. She’d seen enough buildings that had been built directly on top of previous ones to know that there was a chance the foundations and any lower levels might—just might—have survived beneath the new one. There was an entire city beneath Chicago, for instance, not that you could access it. Annja had no guarantee that there was anything of the convent left, not even a few broken stones. There was a chance, though, and in the absence of any other leads, she was going to take it and hope the old builders had simply chosen to bury the convent, or the cellars and mausoleum level at least, rather than waste time and resources demolishing it. Hell, it was even possible the lower levels had been used in the construction of the theater’s foundations, but she doubted she’d be that lucky. Given the way her day had been going thus far, the place had probably burned to the ground.

      Hammering on the front door brought no response.

      She headed around the side of the building in search of the stage door, hoping there’d be someone inside the building who’d let her in, assuming she could make herself understood—though how convincing her Spanish would be was anyone’s guess.

      Unsurprisingly, though, the side door was locked, as were some larger doors at the rear where stage equipment was likely delivered.

      Having exhausted her options at ground level, Annja looked up. There was a small window ajar more than twenty feet above her, so she couldn’t simply make a jump for it, but there was an inviting drainpipe that would take her up to a ledge from which she could probably reach it. The drainpipe flaked paint and rust when she tested it, but she thought it might just hold her weight. She glanced back down the alleyway and into the plaza to be sure no one was watching her, then she shimmied up the pipe. A small boy turned in her direction, an ice cream in one hand, his mother holding the other one. He gave her a white-smeared smile and then disappeared, dragged out of sight by Mom.

      Annja hauled herself up, finding her first foothold in the grouting as she scrambled upward. Less than thirty seconds later, she was inching along the ledge. She pressed up against the glass and reached inside to open the window wide enough to flop inside.

      She found herself in a janitor’s cupboard, full to overflowing with the clutter of cleaning supplies—buckets, brushes and disinfectants all promising the reek of summer forests and autumn meadows, and enough toilet СКАЧАТЬ