Bad Blood: A Memoir. Lorna Sage

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СКАЧАТЬ all had the authors’ names and titles on their spines blacked out as a precaution against would-be borrowers who’d suddenly take a fancy to Dickens or Marie Corelli. His bedroom led off his study and was dark, under the yew tree’s shadow, and smelled like him. Across the landing was my mother’s room, where I slept too when I was small, and round a turn to the right my grandmother’s, with coal and sticks piled under the bed, redolent of Pond’s face cream, powder, scent, smelling salts and her town clothes in mothballs, along with a litter of underwear and stockings.

      On this floor, too, was a stately lavatory, wallpapered in a perching peacock design, all intertwined feathers and branches you could contemplate for hours – which I did, legs dangling from the high wooden seat. When the chain was pulled the water tanks on the attic floor gurgled and sang. In the other attics there were apples laid out on newspaper on the floors, gently mummifying. It just wasn’t a spooky house, despite the suggestive cellars, and the fact that we relied on lamps and candles. All of Hanmer did that, in any case, except for farmers who had their own generators. In the kitchen the teapot sat on the hob all day and everyone ate at different times.

      There was a word that belonged to the house: ‘dilapidations’. It was one of the first long words I knew, for it was repeated like a mantra. The Church charged incumbents a kind of levy for propping up its crumbling real estate and those five syllables were the key. If only Grandfather could cut down on the dilapidations there’d be a new dawn of amenity and comfort, and possibly some change left over. Leaks, dry rot, broken panes and crazy hinges (of which we had plenty) were, looked at rightly, a potential source of income. Whether he ever succeeded I don’t know. Since the word went on and on, he can’t have got more than a small rebate and no one ever plugged the leaks. What’s certain is that we were frequently penniless and there were always embarrassments about credit. Food rationing and clothes coupons must have been a godsend since they provided a cover for our indigence. As long as austerity lasted, the vicarage could maintain its shaky claims to gentility. There was virtue in shabbiness. Grandfather had his rusty cassock, Grandmother her mothballed wardrobe and my mother had one or two pre-war outfits that just about served. Underwear was yellowed and full of holes, minus elastic. Indoors, our top layers were ragged too: matted jumpers, socks and stockings laddered and in wrinkles round the ankles, safety pins galore. Outside we could pass muster, even if my overcoat was at first too big (I would grow into it), then all at once too small, without ever for a moment being the right size.

      In those years almost the whole country wore this ill-fitting uniform designed for non-combatants – serviceable colours, grating textures, tell-tale unfaded hems that had been let down, bulky tucks. Our true household craziness and indifference didn’t express itself in clothes, but in more intimate kinds of squalor: for instance, nearly never washing the bits no one could see. This was almost a point of vicarage principle, a measure of our hostility to the world outside and separateness from it. Inside our clothes civilisation had lapsed. And this wasn’t to do with money.

      Grandma had the scented soap, but she didn’t use it – she bought it for its smell, and kept it wrapped in tissue paper in drawers and trunks. Her line was that her skin was too sensitive for soap and water. We even had a bathroom, but somehow the only way to wash was to boil the kettle and fill a bowl, and do bits – very little bits and usually the same bits – at a time. The resulting tidemarks, in my case round my neck, wrists and legs, would be desperately scrubbed at from time to time. Hair was another problem, a tangle of troubles: brushing was usually felt to be enough of a trauma, without the business of tangling it up all over again with washing, so that my pigtails stayed plaited for days on end. Our secret grubbiness was yet another thing that set us apart. If other children were dirty, that meant they were common, their parents were foully neglectful and slummy, you could catch things from them. One of Grandma’s favourite terms of abuse, in fact, was ‘dirty’ – villagers were dirty, callers were dirty, I mustn’t play with dirty children. So there were two different kinds of dirt, theirs and ours. It was a most metaphysical distinction, as befitted the vicarage.

      As if to demonstrate the point, next door to us, also fronting on to the square, was a sixteenth-century tumbledown timber and brick cottage crammed with children I wasn’t supposed to mix with – the Duckets, one of Hanmer’s most shameless tribes. The wall that divided us from them provided me with a perch from which I could look down into their back garden. Our side had a lawn with borders and apple trees, and was neglected and overgrown and peaceful. Theirs was like a bomb-site, a muddy, cratered expanse with twisted pieces of old prams and bike frames, and shards of crockery embedded among straggly weeds and currant bushes. The Duckets epitomised what my grandmother meant by ‘dirty’: they were openly poor (the father was a farm labourer), they bred like rabbits and they spilled out of their house wearing their ragged hand-me-downs for all to see.

      The vicarage was a secret slum, but the Duckets’ doors were always open, so you could see Mrs Ducket with her hair in curlers running about bare-legged in slippers, or – even more scandalously – sitting down with a cup of tea and a fag. They had no secrets. Their kitchen drain (on the opposite side to us) disgorged a slow stream of soapy slime and tea-leaves into the open gutter that ran along the main village street. The Duckets kept yappy dogs and skinny cats, and had kittens and ferrets in their pockets; they didn’t go to church, although sometimes one or two of the children would be spruced up and sent to Sunday School. While I was forbidden the square, they were positively driven out of their house, back and front, in all weathers, clutching wedges of bread and damson jam. They reached over our wall and picked the apples, according to Grandma. And (the crowning horror) they had bugs in their hair.

      The Duckets made me feel lonely. Even the bugs were more fascinating than frightening. Once or twice I managed to ‘play’ with Edna, the girl nearest to my own age, through the crack in our side gate. She squatted in the square, I squatted in the vicarage kitchen yard; I squeezed my dolls through the gap one by one for her to look at and she squeezed them back. But otherwise I’d climb the wall and sit astride, watching Duckets in the plural, whenever I was left to my own devices. Which wasn’t often. Grandpa and I must have pottered about in church almost every day, and the echoing spaces, the stained glass and the smell of Brasso, chrysanthemums, damp pew-oak and iron mould from the choir’s surplices were heady compensations for isolation. He’d tell me stories and read me to sleep at night, when he’d often drop off first, stretched out on the couch, mouth open, snoring, his beaky profile lit up by the candle. In fact, he got so impatient with my favourite books (which both he and I knew by heart) that one momentous day, before I was four, he taught me to read in self-defence. This confirmed me as his creature.

      I knew my name came out of one of the blacked-out books – Lorna from Lorna Doone – and that he’d chosen it. Now he’d given me a special key to his world. We were even closer allies afterwards, so that when he took me with him in the rattling Singer to Whitchurch, and into the bar of the Fox and Goose down Green End, it never occurred to me to tell on him. There were several expeditions like that. He was well known in drinking circles and was looked on as something of a speciality act, a cynical and colourful talker, always with his dog-collar to set him apart. I was the perfect alibi, since neither my mother nor my grandmother had any idea that there were pubs so low and lawless that they would turn a blind eye to children. Few were willing to, however; and there were other times when I found myself sitting outside on the steps of one of his favourite haunts, an unfriendly place with a revolving door called the Lord Hill, in the company of streetwise kids a lot more scary than the Duckets. Perhaps I did tell about that, or perhaps someone spotted me: at any rate, the pub outings came to an end.

      Not the collusion, though. I’d kneel on the threadbare rug in his study while he worked on his sermon, or talked to the odd visitor, pulling out the books and puzzling over big words. Sometimes he’d show off my reading to strangers, but for the most part I was meant (this was the point of it, after all) to be quiet. When he was in very good moods he would draw pictures for me, starting mysteriously from the vanishing point and drawing out the rest into perspective. I learned that trick too, never very well, but well enough to disconcert people. Our mutual ‘minding’ turned by untidy stages into a СКАЧАТЬ