Heroes: Saviours, Traitors and Supermen. Lucy Hughes-Hallett

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       III CATO

      LONDON, 1714. The first night of Joseph Addison’s tragedy, Cato, which was to enjoy such a triumph that Alexander Pope, who wrote the prologue, declared that ‘Cato was not so much the wonder of Rome in his days as he is of Britain in ours.’ The curtain rises on the last act. The hero is discovered ‘Solus, sitting in a thoughtful posture: in his hand Plato’s book on the Immortality of the Soul. A drawn sword on the table by him.’ The tableau – the sword, the book, the pensive hero – was repeated exactly in numerous neo-classical paintings. Its drama lies not in what is represented, but in what is still to come, the horror to which (as most male members of Addison’s classically educated eighteenth-century audience would have known) this tranquil scene is prelude. Before the night is out Cato will read the book through three times, and then, still serene, still ‘thoughtful’, drive the sword into his belly. When that first attempt to free himself from tyranny fails he will submit calmly while his friends bind up the dreadful wound and remove the weapon. Once more alone, he will tear open his body with his bare hands and resolutely disembowel himself.

      Cato, true until death. Cato, so inflexible in his righteousness that he was ready to kill himself not once, but twice. Cato, who had no self-pity, but grieved only for Rome and its venerable institutions. Cato, who, on the night of his death, read of the death of Socrates and who, like the Athenian philosopher, chose not to save himself from a death made inevitable by the mismatch between his own integrity and the imperfection of the world he inhabited. This Cato was venerated alike by pagan Rome and Christian Europe. Addison describes him as ‘godlike’, an epithet first applied to him by Lucan nearly seventeen hundred years earlier. Of his contemporaries, only Julius Caesar, whose most inveterate opponent he was, denied his virtue. Cicero and Brutus both eulogized him. Horace praised his ‘fierce heart’. Virgil imagined for him an illustrious afterlife as lawgiver to the virtuous dead. To later generations of Romans, especially to the Stoics who formed the opposition to Nero’s tyranny, he was an exemplar, a philosopher (though he left no philosophical writings), and the embodiment of their ideal. The Christian Fathers saw him as the paragon of pagan virtue. To Lactantius he was ‘the prince of Roman wisdom’. To Jerome he had a glory ‘which could neither be increased by praise nor diminished by censure’. Dante placed Brutus, who was Cato’s son-in-law and political heir, in the lowest circle of hell with Judas Iscariot, in the very mouth of Satan, to be eaten alive ceaselessly through all eternity, and he condemned others who had, like Cato, committed the sin of self-murder to an afterlife of unremitting mute agony in the form of trees whose twigs ooze blood. But Cato is exempt. Despite being a suicide and a pagan he is the custodian of Dante’s Purgatory and is destined eventually for a place in Paradise. In the Convivio Dante goes even further. Cato divorced his wife Marcia so that she could be married to his political ally Hortensius. After Hortensius’ death he remarried her. The story has proved troubling to most Christian moralists, but Dante treats the couple’s reunion as an allegory of the noble soul’s return to God: ‘And what man on earth is more worthy to signify God than Cato? Surely no one.’

      It was his intransigence that rendered Cato all but divine. Sophocles, Alcibiades’ contemporary and fellow Athenian, had described the tragic hero as one who refuses to compromise or conform but remains, however beset by trouble, as immovable as a rock pounded by stormy seas, or as the one tree which, when all the others preserve themselves by bending before a river in flood, stays rigidly upright and is therefore destroyed root and branch. Cato was as steadfast as that rock, as self-destructively stubborn as that tree. An Achilles, not an Odysseus, he was the antithesis of Alcibiades, the infinitely adaptable, infinitely persuasive charmer. Cato never charmed, never changed.

      He has been revered as a hero, but he put all his energies into thwarting the aspirations of the heroic great men among his contemporaries, and into attempting to save his fellow Romans from the folly of the hero-worship he so passionately denounced. The defining drama of his life was his resolute opposition to Julius Caesar. Friedrich Nietzsche considered Caesar to be one of the few people in human history to have rivalled Alcibiades’ particular claims to superman status, the two of them being Nietzsche’s prime examples of ‘those marvellously incomprehensible and unfathomable men, those enigmatic men predestined for victory and the seduction of others’. Cato was their opposite. Obstinately tenacious of a lost cause, he was predestined for defeat and temperamentally incapable of seduction.

      Caesar – adroit and charismatic politician, ruthless, brilliant conqueror – was a hero of an instantly recognizable type. Cato’s claim to heroic status is of quite a different nature. He is the willing sacrifice, the patiently enduring victim. His glory is not that of the brilliant winner but of the loser doggedly pursuing a course that leads inevitably to his own downfall. Small wonder that Christian theologians found his character so admirable, his story so inspiring. He embodied the values of asceticism and self-denial that Jesus Christ and his followers borrowed from pagan philosophers and, like Christ’s, his life can be seen with hindsight as a steady progress towards a martyr’s death.

      That death retrospectively invested his career and character with a melancholy grandeur that compensated for the glamour which, alive, he notably lacked. Curmudgeonly in manner, awkward and disobliging in his political dealings and his private relationships alike, he sought neither his contemporaries’ affection nor posterity’s admiration. Yet he received both. Cicero, who knew him well, wrote that he ‘alone outweighs a hundred thousand in my eyes’. ‘I crawl in earthly slime,’ wrote Michel de Montaigne, some sixteen hundred years after Cato’s death, ‘but I do not fail to note way up in the clouds the matchless heights of certain heroic souls’, the loftiest of them all being Cato, ‘that great man who was truly a model which Nature chose to show how far human virtue and fortitude can reach’.

      He had a personality of tremendous force. His contemporaries were awed and intimidated by him – not as the Athenians had feared the capricious bully Alcibiades, more nearly as the moneylenders in the Temple feared the righteous and indignant Christ. His mind was precise and vigorous and he was an orator of furious talent. He was deferred to, by the soldiers he commanded, by the crowds he stirred or subdued, by those of his peers who recognized and admired his selflessness and integrity; but he was also a troublemaker and an oddity. He was a well-known figure in Rome, but one who inspired irritation and ridicule as well as respect.

      He was a nuisance. He embarrassed and annoyed his peers by loudly denouncing corrupt practices that everyone else had come to accept as normal. He had no discretion, no urbanity. He looked peculiar. He habitually appeared in the Forum with bare feet and wearing no tunic beneath his toga, an outfit that seemed to his contemporaries at best indecorous, at worst indecent. When challenged about it he pointed to the statue of Romulus (represented similarly underdressed) and said that what was good enough for the founder of Rome was good enough for him. When he became praetor (a senior magistrate) his judgements were acknowledged СКАЧАТЬ