Stormswept. Helen Dunmore

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      Panting and wet, we haul ourselves up the last few metres, scramble up the slipway and collapse against the harbour wall, hoping no one will be about. But of course, Jago Faraday’s lounging around as usual, even though it’s now pouring with rain. There’s nothing he likes better than someone else having a bad time.

      “Cutting it a bit fine, my girl,” he says to me, frowning as if it’s all my fault that we nearly got caught by the tide. “You keep your sister away from the water.”

      To say that Jago has favourites is an understatement. He loves Jenna and hates me. He calls us the good ’un and the bad ’un. It’s supposed to be a joke – the kind of joke which is not funny when you are the butt of it.

      “You been getting your sister into trouble again.”

      Jenna is exactly the same age as me: in fact she is twelve minutes older. So how is it that I’m always supposed to be the one who leads her into trouble? But I don’t say this. Backchat will make him more likely to tell Mum and Dad that not only have I nearly drowned Jenna, but I gave him lip as well.

      “I shan’t tell your mum and dad,” says Jago, as if he’s read my mind. “I can keep a secret.”

      I’m relieved in a way, but I don’t want to share any secrets with Jago Faraday. He’s a spiteful, mean old man. But Jenna smiles at him, and then Jago’s face changes completely as he smiles the creaky old smile that only she ever gets. “You go on home and warm yourself, my maid,” he says to her, in his special Jenna voice. Never mind if I die of pneumonia, as long as Jenna’s warm. I look sidelong at Jenna, and pull a face, but unfortunately she is still smiling at Jago.

      Our school shoes are sodden, and our tights too. Our coats are not too bad.

      “If we stuff our shoes with newspaper and put them near the stove, they’ll dry out all right,” says Jenna. “Lucky it’s raining. Mum won’t notice.”

      “I should have skipped detention. No one except Mr Cadwallader would give a detention on the last day before half-term.”

      “You’d have got a double one.”

      “Yes, but I wouldn’t have had to do it for more than a week… Jenna? Have you ever had a detention?” I know she hasn’t.

      “Well… I haven’t yet,” says Jenna cautiously, because she doesn’t want to make me feel bad.

      “You haven’t ever, you mean. Do you realise how much easier my life would be if you weren’t so good?”

      “Mum won’t ask why we were late. We’ll just say we missed the boat.”

      “OK.”

      Mum will find out anyway at the end of term, when she sees my report. They always put detentions on reports, but that’s a good long way off and anything could happen before then. If only Jenna didn’t bring her report home at exactly the same time, mine wouldn’t look so bad. If my parents compared my report with Bran Helyer’s, for instance, they’d be quite happy. Ecstatic, even…

      “Couldn’t you throw a few crisp packets round the classroom, Jen? Or tell Mr Kernow you didn’t fancy doing your maths homework?”

      Jenna stares at me. “Why would anyone do that?” is written all over her face.

      “Bran was in detention today,” I say casually.

      Jenna’s face shadows. It’s complicated. All through primary school she and Bran were friends. No one else liked him, though he had a gang for a while. But the gang got too violent even for the people who were in it. Soon, Bran was a gang of one, and everybody left him alone.

      Mum used to say, “Bran doesn’t have much of a life, with that father of his,” as if she were sorry for him. No one else was: they were too scared of him. But then something changed between Jenna and Bran. People think that twins tell each other everything, but that’s not true. Jenna doesn’t need to tell me, anyway. I can feel the difference in her. She might not be friends with Bran any more, but if someone talks about him, Jenna always reacts. It’s not obvious, because nothing with Jenna is obvious, but it’s there. I can sense what Jenna’s thinking most of the time and I know from the way she looks at Bran (which, being Jenna, she rarely does any more) that even if they aren’t friends, there’s still a link between them. But Bran is too much of a bad boy for Jenna now.

      “Was he?” says Jenna now, in a carefully neutral voice.

      “What?”

      “In detention. Bran.”

      “Yeah. He walked out halfway through though. He’ll get suspended again, I think.”

      Jenna flinches.

      “Bran won’t care about a suspension, Jen.”

      “His dad hits him,” says Jenna in a low voice. She may not be friends with Bran any more, but she still knows a lot more about him than anyone else does. But the fact that Bran’s dad is violent isn’t exactly news. He used to live on the Island, when he was still married to Bran’s mum, because she’s an Islander, like us. She’s gone away, upcountry. I think Bran still sees her, but I’m not sure. I look at Jenna. She’s frowning and her face is full of worry. Jenna hates any kind of violence. Even the kind of fights boys have in primary school used to make her hide away in the girls’ toilets.

      Mum and Dad aren’t at home. Mum’s left a note telling us that they’re rehearsing with Ynys Musyk in the village hall. Digory’s gone with them and there’s a stew in the oven. Ynys Musyk is our island band. Everybody plays in it more or less, although not Jago Faraday. The only time he even sings is at funerals, very loud and very flat. There’s a reason why our band is so important, but it’s complicated. We don’t usually talk about it to outsiders, because they wouldn’t believe it. They’d probably think it’s just a legend, one of those stories for tourists.

      Digory is our little brother. He’s seven and he plays the violin. I do too, but Digory’s playing is something different. In the summer, when the visitors come, they hear Digory practising and they tell Mum and Dad that something ought to be done for him, as if Mum and Dad are too stupid to know how good Digory is. (Some tourists think that because there’s no mobile signal on the Island, and we don’t have broadband, that we are out of touch with the real world.) They say that Digory ought to go away to a music school on the mainland, to develop his talent. But Mum tells Digory to go and practise away down by the shore where nobody will hear him. She doesn’t want Digory leaving home, and nor do any of us. It’s bad enough that we have to go to school on the mainland once we’re past the Infants, because there aren’t enough of us to be educated here. At least we come home every night. The music school would be far away upcountry and Digory would have to board there. He would hate that.

      When you grow up on an island you don’t ever want to leave it. It gives you such a safe feeling when the water swirls all around and no one can get to you. No, not safe exactly… Complete. As if you have everything that you will ever need, and nothing that you don’t need. Even though a causeway connects us to the mainland at low tide, we are still a true island. Sometimes in winter, when there’s a storm, we can’t go to school for days. I love the season of storms. No one can reach us then. We are supposed to keep up with school worksheets and reading, but even Jenna doesn’t bother.

      Some people say that the sea is rising year by year, and the coastline will СКАЧАТЬ