Fatal Flowers. V. J. Banis

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      BORGO PRESS BOOKS BY VICTOR J. BANIS

      The Astral: Till the Day I Die

      Avalon

      Charms, Spells, and Curses for the Millions

      Color Him Gay: That Man from C.A.M.P.

      The Curse of Bloodstone: A Gothic Novel of Terror

      Darkwater: A Gothic Novel of Horror

      The Devil’s Dance

      Drag Thing; or, The Strange Tale of Jackle and Hyde

      The Earth and All It Holds

      Fatal Flowers: A Novel of Horror

      The Gay Dogs: That Man from C.A.M.P.

      The Gay Haunt

      The Glass House

      The Glass Painting: A Gothic Tale of Horror

      Goodbye, My Lover

      The Greek Boy

      The Green Rolling Hills: Writings from West Virginia (editor)

      Kenny’s Back

      Life and Other Passing Moments: A Collection of Short Writings

      The Lion’s Gate

      Moon Garden

      The Pot Thickens: Recipes from Writers and Editors (editor)

      San Antone

      The Second House: A Novel of Terror

      The Second Tijuana Bible Reader (editor)

      Spine Intact, Some Creases: Remembrances of a Paperback Writer

      Stranger at the Door: A Novel of Suspense

      Sweet Tormented Love: A Novel of Romance

      The Sword and the Rose: An Historical Novel

      This Splendid Earth

      The Tijuana Bible Reader (editor)

      The WATERCRESS File: That Man from C.A.M.P.

      A Westward Love: An Historical Romance

      The Wine of the Heart: A Novel of Romance

      The Wolves of Craywood: A Novel of Terror

      The Why Not

      COPYRIGHT INFORMATION

      Copyright © 1973, 2012 by V. J. Banis

      Originally published under the title The Fatal Flower under the pseudonym, Lynn Benedict

      Published by Wildside Press LLC

      www.wildsidebooks.com

      DEDICATION

      I am deeply indebted to my friend, Heather, for all the help she has given me in getting these early works of mine reissued.

      And I am grateful as well to Rob Reginald, for all his assistance and support.

      CHAPTER ONE

      I first saw Sarah from the window of a train—a train taking me to a house where I was not welcome.

      I had been in a nearly fatal airplane crash and now I was coming to visit the mother who had abandoned me years ago. I no longer thought of her as my mother. She was just a woman I didn’t know and hadn’t seen in almost twenty years.

      But there was something about the brightness of the early morning sun that did wonders for my low spirits. Even the food tasted better and the plaster cast on my leg felt less weighty.

      The waiter put my check discreetly at the edge of the table and refilled my cup.

      “We’ll be arriving at Gulf Point in about five minutes, Miss Whelan,” he said.

      I smiled. “Thank you. I’m all ready.”

      He bowed slightly and left me to my thoughts.

      The dining car was practically deserted. Not very many people came to this part of Florida at this time of year. I’d been warned that it would be hot and muggy and swarming with insects. That didn’t bother me half as much as the thought of having to live under the same roof with her—the great Diana Hamilton of stage, screen, radio, and television.

      Who would, of course, prefer to forget the radio part of that. It was her obsession with staying young that had meant keeping my existence a secret. Diana Hamilton couldn’t afford to have a grown daughter. Her public might lose interest, especially her young public.

      “There is a very obvious generation gap, and rightfully so,” she had said in a teenage fan magazine interview. “And the young among us want to be free of the old ways and old ideas....”

      I shook my head. She had to be forty at least, but she deceived herself so much that I think she actually believed herself to be young.

      Daddy used to tell me about her—how beautiful she was, how talented, how impossible to live with. He likened her to a little girl who refused to grow up. She couldn’t accept the fact that she was aging.

      When I was three, she abandoned us. At nine I found myself an orphan and it was then that I’d had my last contact with her, of an indirect sort—a letter from a law firm informing me that I would be amply provided for financially. I was to be placed under the supervision of guardians, and it was made plain enough that Diana Hamilton wanted no further association with me.

      The woman across the aisle rattled her newspaper and began to eye me. I could tell by her look exactly which page of her paper she was reading. My picture was on that inside page, and the picture of Diana Hamilton was next to mine. And I knew the caption well. I’d seen it often enough of late. It read: “Long lost daughter of actress lone survivor of plane crash.”

      When I chanced a glance toward my dining companion, she looked at me over the edge of the paper and gave a faint smile. I looked away immediately in order to discourage any conversation. Everyone who recognized me said the same things. “Wasn’t it lucky for you that they found out your true identity? You must be so happy.”

      I wasn’t happy—I’d always known my identity—and I wasn’t a long lost daughter. I wanted to tell them all just how the great Diana Hamilton really had abandoned me, refused to recognize me as her own flesh and blood, because a grown daughter might tarnish her youthful image. She didn’t want me now any more than she ever had. She’d been forced to accept me when fingerprints taken while I was unconscious had identified me. My birth certificate came to light. Sharp reporters were quick to put names together.

      It was only then that the talented Diana played her most dramatic scene. Her poor, dear, lost daughter, she had told the reporters. Her first husband had disappeared, taking their little child СКАЧАТЬ