An Unexplained Death. Mikita Brottman
Чтение книги онлайн.

Читать онлайн книгу An Unexplained Death - Mikita Brottman страница 5

Название: An Unexplained Death

Автор: Mikita Brottman

Издательство: Ingram

Жанр: Биографии и Мемуары

Серия:

isbn: 9781786892645

isbn:

СКАЧАТЬ owned the building for the next fifteen years; under his ownership and with the guidance of managers John F. Letton and William J. Quinn, the place finally started to turn a profit. This was also due to the war. Celebrities like Mary Pickford would come to the Belvedere to help sell war bonds, and after the opening of Fort Meade a contingent of dashing British and French officers, sent to instruct Americans in the art of modern warfare, would drink in the hotel bar in their off hours, attracting a steady stream of female attention.

      Consolvo spent most of the year traveling on business; nonetheless, he took over the entire second floor of the Belvedere and stayed there whenever he was in town, along with his second wife, the former Blanche Hardy Hecht, an opera singer thirteen years her husband’s junior. When she was in town, this bohemian lady had the habit of walking around her rooms in the buff while singing the “Habanera” from Carmen (her mezzo-soprano voice was, according to the Virginian-Pilot, “smooth, and of good quality and range”). Accompanying this interesting pair was the colonel’s “mentally subnormal” “adopted” son (who may have been Consolvo’s natural child).

      In Italy in early 1922, Mrs. Consolvo, thirty-seven, drew the admiration of Count Manfredi Cariaggi, thirty-two, a major in the Italian army. On May 8 of that year, she obtained a quickie divorce in Reno, Nevada, and was married in Fredericksburg, Virginia, five days later, thus progressing from an honorary American colonel to a real Italian count. She left with her new husband for Italy, sailing on May 23.

      All ties between Colonel Consolvo and the Belvedere ended in 1936, and although it continued to operate under the able management of Albert Fox, ownership was turned over to the bank. In 1946, the financially troubled Belvedere was offered up in an arranged marriage to the Sheraton Hotel Corporation, making her the Sheraton-Belvedere. It was a match made for money, not love—nobody liked to see the grande dame becoming part of a corporate chain—but, like many arranged marriages, it worked surprisingly well. For the next twenty-two years, business was good and finances stable. The week before Christmas 1954, Albert Fox opened the doors to African-American guests. His decision was a bold one, but it was felt to be the right time, and business increased—despite pressure from the conservative Baltimore Hotel Association. Two months later, after media scrutiny, the hotel association changed its restrictive guest policies, and other hotels in the city gradually began to accept African-American clients.

      Thanks to the proximity of Johns Hopkins University, the Belvedere has hosted some prestigious intellectual guests. The poet Marianne Moore arrived in Baltimore on a summer afternoon in June 1960. “Never felt such oven heat as in the taxi to the Belvedere,” she wrote to a friend. “I had waited in the sun but the hotel is very cool even with no air conditioner, which I turned off immediately. A better hotel than the Ritz in this respect; the coat hangers are not locked to the rod and the bathroom would satisfy Nero—either scented or unscented soap—huge towel racks peopled with bath towels—and on another wall, linen—well it is crucial.” Staying with Moore at the hotel were Margaret Mead and Hannah Arendt; the three women had come to receive honorary degrees from Johns Hopkins. (Afterward, Arendt described it as “an idiotic affair,” calling Moore “an angel” and Mead “a monster.”)

Magazine advertisement

       Magazine advertisement for the Belvedere Hotel, 1936

      Six years later, over the weekend of October 18–21, 1966, Johns Hopkins again relied on the Belvedere to accommodate various academic luminaries, this time those attending the inaugural conference of the Johns Hopkins Humanities Center. Guests at the hotel that weekend included Roland Barthes, Jacques Lacan, Paul de Man, and Jacques Derrida, who, at age thirty-six, was just beginning to make a name for himself.

      Upon his arrival at the Belvedere, then, Derrida was surprised to learn that the charismatic and far more famous Lacan had already taken the liberty of requesting a deluxe room for the younger man. Over a buffet dinner in the hotel restaurant that evening, the two Frenchmen finally got the chance to discuss their ideas, but quickly found themselves at odds. Their argument remained unresolved. Lacan, who still had not written his conference paper, went to bed, then got up very early and wrote as he sat at his window watching dawn break over the city. Those who attended the conference recalled that, while all the other speakers spoke in elegant French and relied on the talented translators provided by the university, Lacan insisted on using his terrible English.

      “When I prepared this little talk for you, it was early in the morning,” the eccentric Frenchman began. “I could see Baltimore through the window, and it was a very interesting moment because it was not quite daylight, and a neon sign indicated to me every minute the change of time, and naturally there was heavy traffic.” He then declared, in a startling and bizarre insight, that “the best image to sum up the unconscious is Baltimore in the early morning.”

      This gathering of luminaries provided a last moment of glory for the hotel; in 1968, Sheraton sold it to Gotham Hotels, Inc., which in turn leased it to a shady corporation that rented it out, in September 1971, as a dormitory for students at all the colleges and universities in Baltimore.

      It was a stroke of genius that became a nightmare. Each university that sent students to the Belvedere assumed that the company would provide appropriate supervision for the hundreds of young men and women living in the old hotel, many of whom had arrived from small towns and were away from home for the first time. Their parents, who may have stayed at the hotel ten or fifteen years earlier, no doubt imagined their sons and daughters sipping tea in the John Eager Howard Room. But the truth could hardly have been more different.

      It was the tail end of the 1960s, and the hotel dorms were coed and unregulated. There were all kinds of drugs and plenty of sex. Every weekend, all-night parties took place in the ballrooms, at which drag queens would mix with locals who had walked in off the street in hopes of picking up a shy young student. These festivities would attract local underground celebrities like the movie star Divine, as well as street hustlers and drug dealers who came to prey on fresh meat.

      Those who lived through the four-month experiment all remember their majestic dorm rooms, the chandeliers, and the fancy furniture (although the meals, served in a cafeteria in the basement, were anything but fancy). The atmosphere was recalled as being pleasantly communal during the day, but it could get threatening at night. On the eighth floor, shy art students from the nearby Maryland Institute lived in uneasy harmony with the Morgan State University football team—a group of burly guys with little interest in abstract painting. The only supervisor anyone can remember seeing was a creepy guy with an artificial leg who was always hanging around at the parties, trying to pick up girls.

      By the time the first semester was drawing to a close, things had started to get seriously out of hand. Fights broke out in the hallways. Two rapes were reported. The trash went uncollected. Police raids became regular events. By January 1972, the city had announced that the building would be closed because of extensive code violations, and everyone had to get out. Some of the students, angry at their sudden eviction, retaliated with vandalism, destroying their rooms and the hallways; others took along a few fancy lamps and end tables with them when they moved, mementos of the hotel’s former majesty.

      Today, the Belvedere is a condominium complex. We live in an apartment that was originally two hotel suites, 501 and 502. The moment I laid eyes on the space, I fell in love with its shabby grandeur, the Swarovski chandeliers, the bare concrete floor, and the peeling paint. We’ve lived here for over ten years now, and our love is still strong. But as we soon discovered, there are drawbacks to living in a building constructed over a hundred years ago and designed as a hotel. The original kitchens are tiny, the windows almost impossible to clean; the air-conditioning system leaks, and until they were recently replaced, the elevators would regularly break down.

      Thanks to its location and lack of outdoor space, the Belvedere is СКАЧАТЬ