The Great English Short-Story Writers - The Original Classic Edition. Brown John

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       For the imparting of atmosphere to his stories, a talent so conspicuously lacking not only in his predecessors, but also in many of his contemporaries, he had a native faculty. The author of Bonny Kilmeny could scarcely fail in this respect, when he turned his attention from poetry to prose. He had lived too close to nature to be able ever to keep the green and silver of woods and rivers far from his thoughts; they were the mirrors in which his fancy saw itself. Professor Wilson, who had known him as a friend, writing of him

       in Blackwood's after his death, says: "Living for years in solitude, he unconsciously formed friendships with the springs, the brooks, the caves, the hills, and with all the more fleeting and faithless pageantry of the sky, that to him came in place of those human affec-tions from whose indulgence he was debarred by the necessities that kept him aloof from the cottage fire and up among the mists of the mountain-top. The still green beauty of the pastoral hills and vales where he passed his youth inspired him with ever-brooding visions of fairyland, till, as he lay musing in his lonely shieling, the world of fantasy seemed, in the clear depths of his imagination, a lovelier reflection of that of nature, like the hills and heavens more softly shining in the water of his native lake."

       His taste is often defective, as is that of Burns on occasions. This is a fault which might be expected in a man of his training; but the vigor and essential worth of the matters which he relates are beyond all question. He did not always know where to begin his short-story, or where to terminate. Some of his tales, if edited with blue-pencil erasures, would be found to contain a nucleus-technique which, though far from perfect, is more than equal to that of Washington Irving, who, like Apuleius, "cared not how he loitered

       by the way," and very superior to that of most of his immediate successors in the art. His story here included, of The Mysterious Bride,[15] could scarcely be bettered in its method. To tell it in fewer words would be to obscure it; to tell it at greater length would be to rob it of its mystery and to make it obvious. Moreover, by employing atmosphere he tells it in such a way as to leave the reader with the impression that this occurrence, for all its magic, might not only be possible, but even probable--which achievement is the greatest triumph of the short-story writer's art.

       [Footnote 15: Compare with Kipling's treatment of a similar theme in The Brushwood Boy.]

       As this history of the evolution of the English short-story commenced with a poet, Chaucer,[16] who wrote all save two of his short-stories in poetry, so it fittingly closes with a poet, the Ettrick Shepherd, who wrote most of his short-stories in prose. It remained for yet another poet, Edgar Allan Poe, who may never have heard the name or have read a line from the writings of James Hogg, to bring to perfection the task on which he had spent his labor.

       [Footnote 16: The Gesta Romanorum was written in Latin.]

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       THE APPARITION OF MRS. VEAL Daniel Defoe (1661-1731)

       This thing is so rare in all its circumstances, and on so good authority, that my reading and conversation have not given me anything like it. It is fit to gratify the most ingenious and serious inquirer. Mrs. Bargrave is the person to whom Mrs. Veal appeared after her death; she is my intimate friend, and I can avouch for her reputation for these fifteen or sixteen years, on my own knowledge; and I can confirm the good character she had from her youth to the time of my acquaintance. Though, since this relation, she is calumni-ated by some people that are friends to the brother of Mrs. Veal who appeared, who think the relation of this appearance to be a reflection, and endeavor what they can to blast Mrs. Bargrave's reputation and to laugh the story out of countenance. But by the circumstances thereof, and the cheerful disposition of Mrs. Bargrave, notwithstanding the ill usage of a very wicked husband, there

       is not yet the least sign of dejection in her face; nor did I ever hear her let fall a desponding or murmuring expression; nay, not when actually under her husband's barbarity, which I have been a witness to, and several other persons of undoubted reputation.

       Now you must know Mrs. Veal was a maiden gentlewoman of about thirty years of age, and for some years past had been troubled with fits, which were perceived coming on her by her going off from her discourse very abruptly to some impertinence. She was maintained by an only brother, and kept his house in Dover. She was a very pious woman, and her brother a very sober man to all appearance; but now he does all he can to null and quash the story. Mrs. Veal was intimately acquainted with Mrs. Bargrave from

       her childhood. Mrs. Veal's circumstances were then mean; her father did not take care of his children as he ought, so that they were exposed to hardships. And Mrs. Bargrave in those days had as unkind a father, though she wanted neither for food nor clothing; while Mrs. Veal wanted for both, insomuch that she would often say, "Mrs. Bargrave, you are not only the best, but the only friend

       I have in the world; and no circumstance of life shall ever dissolve my friendship." They would often condole each other's adverse fortunes, and read together Drelincourt upon Death, and other good books; and so, like two Christian friends, they comforted each other under their sorrow.

       Some time after, Mr. Veal's friends got him a place in the custom-house at Dover, which occasioned Mrs. Veal, by little and little, to fall off from her intimacy with Mrs. Bargrave, though there was never any such thing as a quarrel; but an indifferency came on by degrees, till at last Mrs. Bargrave had not seen her in two years and a half, though above a twelvemonth of the time Mrs. Bargrave hath been absent from Dover, and this last half-year has been in Canterbury about two months of the time, dwelling in a house of her own.

       In this house, on the eighth of September, one thousand seven hundred and five, she was sitting alone in the forenoon, thinking over her unfortunate life, and arguing herself into a due resignation to Providence, though her condition seemed hard: "And," said she, "I have been provided for hitherto, and doubt not but I shall be still, and am well satisfied that my afflictions shall end when it is most

       fit for me." And then took up her sewing work, which she had no sooner done but she hears a knocking at the door; she went to see who was there, and this proved to be Mrs. Veal, her old friend, who was in a riding-habit. At that moment of time the clock struck twelve at noon.

       "Madam," says Mrs. Bargrave, "I am surprised to see you, you have been so long a stranger"; but told her she was glad to see her, and offered to salute her, which Mrs. Veal complied with, till their lips almost touched, and then Mrs. Veal drew her hand across her own eyes, and said, "I am not very well," and so waived it. She told Mrs. Bargrave she was going a journey, and had a great mind

       to see her first. "But," says Mrs. Bargrave, "how can you take a journey alone? I am amazed at it, because I know you have a fond brother." "Oh," says Mrs. Veal, "I gave my brother the slip, and came away, because I had so great a desire to see you before I took my journey." So Mrs. Bargrave went in with her into another room within the first, and Mrs. Veal sat her down in an elbow-chair, in which Mrs. Bargrave was sitting when she heard Mrs. Veal knock. "Then," says Mrs. Veal, "my dear friend, I am come to renew our old friendship again, and beg your pardon for my breach of it; and if you can forgive me, you are the best of women." "Oh," says Mrs. Bargrave, "do not mention such a thing; I have not had an uneasy thought about it." "What did you think of me?" says Mrs. Veal. Says Mrs. Bargrave, "I thought you were like the rest of the world, and that prosperity had made you forget yourself and me." Then Mrs. Veal reminded Mrs. Bargrave of the many friendly offices she did her in former days, and much of the conversation they had with each other in the times of their adversity; what books they read, and what comfort in particular they received from Drelincourt's Book of Death, which was the best, she said, on the subject ever wrote. She also mentioned Doctor Sherlock, and two Dutch books, which were translated, wrote upon death, and several others. But Drelincourt, she said, had the clearest notions of death and of the future state of any who had handled that subject. Then she asked Mrs. Bargrave whether she had Drelincourt. She said, "Yes." Says Mrs. Veal, "Fetch it." And so Mrs. Bargrave goes up-stairs and СКАЧАТЬ