Ashtanga Yoga. Gregor Maehle

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СКАЧАТЬ one time Daksha organized a great ceremony to which he invited all deities and dignitaries with the exception of Shiva and Sati. Against Shiva’s advice, Sati attended her father’s ceremony. Before the thousands of guests she asked her father why he had not invited her husband. Daksha responded by exclaiming that Shiva was a despicable character, an outcast who did not know the conventions of society.

      With this insult to her husband, Sati’s anger was so aroused that she burst into flames and was reduced to ashes. When Shiva, in his solitude, heard of Sati’s death he became terribly angry, jumped up and danced the dance of destruction.

      Eventually he tore out one of his jatars (dreadlocks) and smashed it to the ground. From the impact the terrible warriors Virabhadra and Bhadrakali arose. Shiva ordered them to proceed to Daksha’s festival, destroy the hall, kill everybody one by one, behead Daksha, drink his blood, and throw his head into the fire.

      The story continues, but as far as our posture is concerned we can leave it there. Virabhadrasana is dedicated to this terrible warrior.

       Pashimottanasana

      INTENSE WESTERN STRETCH¹²

      Drishti Toes

      As with all following asanas (excluding the finishing postures), here we pick up the vinyasa count at seven.

      Vinyasa Seven

      Inhaling, jump through to a seated position.

      At first you may execute this movement using momentum. With increased proficiency you will be able to jump through with little or no momentum while still clearing the floor. The key to effortless performance here is to connect the breath to the bandhas. As long as we are airborne in the jump, we must continue to inhale, as the inhalation has a lifting and carrying effect. Once the lift-through is complete we initiate the exhalation to lower down.

      To learn this movement it should be divided into two clearly distinguishable separate phases. Phase 1 is hopping forward into an arm balance with the shoulders over the wrists, and the hips and folded legs lifted high. Phase 2 consists of letting the torso and legs slowly swing through the arms, using the shoulders as an axis. As you swing through, suck the feet up into the abdomen and the knees into the chest to clear the floor. With the last of the inhalation, straighten the legs into Dandasana, still suspended in the air. With the exhalation, slowly lower down like a helicopter. Performing the movement in this way will establish a firm connection between breath and bandhas. It will also strengthen the abdomen and the low back, preparing for the challenging backbends and leg-behind-head postures in the later sequences.

      Sit in Dandasana for five breaths. Dandasana has no vinyasa count of its own: rather, the seventh vinyasa of Pashimottanasana is the state of Dandasana. Nevertheless Dandasana is the basic sitting posture. We will usually transit through Dandasana before and after each half vinyasa.

      

      Left to right, top to bottom, jump through to Dandasana

      Dandasana is like Samasthiti seated. The sit bones ground and the spine lengthens with the attempt to reproduce its natural curvature. The heart is lifted and buoyant, open in the front and broad and open in the back. The armpits lift in the front as the tops of the arm bones (humerus) are positioned in the center of the shoulder joints. Extend the arms and place the hands on the floor with the fingers pointing toward the feet. If your arms are longer than your torso, place the hands slightly behind the hips. The kneecaps are pulled up. Lengthen out through the base of the toes and spike the heels down into the floor to awaken the hamstrings. The gaze is toward the nose.

      

      Pashimottanasana, vinyasa eight

      Vinyasa Eight

      Exhaling, reach for the big toes. The low back must be kept flat. To round the back in a seated forward bend is the equivalent of bending down from a standing position to lift a heavy object off the floor while rounding the back and keeping the legs straight. To avoid the danger of disc bulge and prolapse (see page 37, and figure 6, page 38) it is necessary to keep the low back straight in any weight-bearing situation. This includes all forward bending postures and also leg-behind-head postures like Ekapada Shirshasana. In postures where gravity is the only load, such as Karnapidasana and Bujapidasana, the spine can be safely flexed.

      Without resorting to bending your back and/or using a strap, you have two options if you are too stiff to reach the big toes in Pashimottanasana. One is to bend the knees and take the toes. This enables the pelvis to tilt forward, which is the imperative first stage of a forward bend. Keeping the iliac crests (upper front of the hip bones) in close proximity to the thighs, work on slowly straightening out the legs. Press out through the base of the feet and, at the same time, reach the sit bones away from the feet. The pubic bone slips down between the thighs. The other option is to take hold of the shins, ankles, or whatever you can reach. With a firm grip, slowly work your way forward as the hamstrings lengthen.

      Some students will find their hamstrings so stiff that the pelvis tilts posteriorly when sitting on the floor with legs straight. This means that gravity is working against you. In this case, it is advisable to elevate the sit bones by sitting on a folded blanket. This helps to bring the pelvis upright, enabling proper alignment of the spine. Whichever approach you choose, with the inhalation lift the chest and straighten the arms.

      YOGIC CONTEXT

       The Use of Props

      All asanas are designed to form energetic cycles — especially postures like Pashimottan asana and Baddha Padmasana, where the hands are connected to the feet. The earth, being receptive, draws out our energy. These bound postures recycle energy that is otherwise lost. Yogis often meditate on a seat that consists of consecutive layers of kusha grass, deer or tiger skin, and cotton to insulate them from the earth. These energy cycles are thought to have a profound influence on the pranic sheath (pranamaya kosha), which is reduced when the energy flow is interrupted through belts and straps.

      The use of a strap or belt might seem like an easy solution for students with stiff ham-strings who find it difficult to reach their toes with their back straight. However, as Shri K. Pattabhi Jois has pointed out, the use of props interrupts the energy cycle of the posture.

      Look up between your eyebrows as you pull up on your kneecaps, and draw your shoulder blades down your back. Lengthen your waist, letting the lower ribs reach away from your hip bones by releasing the psoas muscle. The psoas is the only muscle that connects the lower extremities to the spine, which makes it an integral stabilizing core muscle.

       ANATOMICAL FOCUS

       Psoas — The Seat of the Soul

      The hip flexor muscle group includes the rectus femoris of the quadriceps, the sartorius, the tensor fascia latae, and the deeply internal psoas muscle. Continuing to contract СКАЧАТЬ