The Ancient Law. Ellen Anderson Gholson Glasgow

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СКАЧАТЬ must have come a long way—haven't you? Mostly on foot?"

      "A good distance."

      "Why did you select Tappahannock? Was there any reason?"

      "I wanted to try the town, that was all."

      "Well, I tell you what, my man," concluded the manager, while his rage boiled over in the added instants of his delay; "there have been a blamed sight too many of your kind trying Tappahannock of late—and the best thing you can do is to move on to a less particular place. When we want bookkeepers here we don't pick 'em up out of the road."

      Ordway swallowed hard, and his hands clinched in a return of one of his boyish spasms of temper. His vision of the new life was for an instant defaced and clouded; then as he met the angry little eyes of the man before him, he felt that his rage went out of him as suddenly as it had come. Turning without a word, he passed through the entrance and out into the road, which led back, by groups of negro hovels, into the main street of the town.

      His anger gave place to helplessness; and it seemed to him, when he reached presently the larger dwellings upon the hill, and walked slowly past the squares of light that shone through the unshuttered windows, that he was more absolutely alone than if he had stood miles away from any human habitation. The outward nearness had become in his thoughts the measure of the inner distance. He felt himself to be detached from humanity, yet he knew that in his heart there existed a stronger bond than he had ever admitted in the years of his prosperity. The generous impulses of his youth were still there, but had not sorrow winnowed them from all that was base or merely selfish? Was the lesson that he had learned in prison to be wholly lost? Did the knowledge he had found there count for nothing in his life—the bitterness of shame, the agony of remorse, the companionship with misery? He remembered a Sunday in the prison when he had listened to a sermon from a misshapen little preacher, whose face was drawn sideways by a burn which he had suffered during an epileptic seizure in his childhood. In spite of his grotesque features the man had drawn Ordway by some invisible power which he had felt even then to be the power of faith. Crippled, distorted, poorly clad, the little preacher, he felt, had found the great possession which he was still seeking—this man believed with a belief that was larger than the external things which he had lost. When he shut his eyes now he could still see the rows of convicts in the chapel, the pale, greenish light in which each face resembled the face of a corpse, the open Bible in its black leather binding, and beside it the grotesque figure of the little preacher who had come, like his Master, to call not the righteous but sinners to repentance.

      The sun had dropped like a ball below the gray horizon, and the raw March wind, when it struck him now, brought no longer the exhilaration of the afternoon. A man passed him, comfortable, well-fed, wheezing slightly, with his fat neck wrapped in a woollen muffler, and as he stopped before a whitewashed gate, which opened into the garden surrounding a large, freshly painted house, Ordway touched his arm and spoke to him in a voice that had fallen almost to a whisper.

      At his words, which were ordinary enough, the man turned on him a face which had paled slightly from surprise or fear. In the twilight Ordway could see his jaw drop while he fumbled awkwardly with his gloved hands at the latch of the gate.

      "I don't know what you mean—I don't know" he repeated in a wheezing voice, "I'm sorry, but I really don't know," he insisted again as if in a helpless effort to be understood. Once inside the garden, he closed the gate with a bang behind him, and went rapidly up the gravelled walk to the long piazza where the light of a lamp under a red shade streamed through the open door.

      Turning away Ordway followed the street to the end of the town, where it passed without distinct change of character into the country road. On this side the colour of the soil had paled until it looked almost blanched under the rising moon. Though the twilight was already in possession of the fields a thin red line was still visible low in the west, and beneath this the scattered lights in negro cabins shone like obscure, greenish glow-worms, hidden among clumps of sassafras or in stretches of dried broomsedge. As Ordway looked at these humble dwellings, it seemed to him that they might afford a hospitality denied him by the more imposing houses of the town. He had already eaten of the Negro's charity, and it was possible that before dawn he might be compelled to eat of it again.

      Beneath his feet the long road called to him as it wound a curving white line drawn through the vague darkness of the landscape. Somewhere in a distant pasture a bull bellowed, and the sound came to him like the plaintive voice of the abandoned fields. While he listened the response of his tired feet to the road appeared to him as madness, and stopping short, he turned quickly and looked back in the direction of Tappahannock. But from the spot on which he stood the lights of the town offered little promise of hospitality, so after an uncertain glance, he moved on again to a bare, open place where two roads met and crossed at the foot of a blasted pine. A few steps farther he discovered that a ruined gate stood immediately on his right, and beyond the crumbling brick pillars, he made out dimly the outlines of several fallen bodies, which proved upon nearer view to be the prostrate forms of giant cedars. An avenue had once led, he gathered, from the gate to a house situated somewhere at the end of the long curve, for the great trees lying across the road must have stood once as the guardians of an estate of no little value. Whether the cedars had succumbed at last to age or to the axe of the destroyer, it was too dark at the moment for him to ascertain; but the earth had claimed them now, magnificent even in their ruin, while under the dim tent of sky beyond, he could still discern their living companions of a hundred years. So impressive was the past splendour of this approach that the house seemed, when he reached it, almost an affront to the mansion which his imagination had reared. Broad, low, built of brick, with two long irregular wings embedded in English ivy, and a rotting shingled roof that sloped over dormered windows, its most striking characteristic as he first perceived it under the moonlight was the sentiment which is inevitably associated with age and decay. Never imposing, the dwelling was now barely habitable, for the roof was sagging in places over the long wings, a chimney had fallen upon one of the moss-covered eaves, the stone steps of the porch were hollowed into dangerous channels, and the ground before the door was strewn with scattered chips from a neighbouring wood pile.

      The air of desolation was so complete that at first Ordway supposed the place to be uninhabited, but discovering a light presently in one of the upper windows, he ascended the steps and beat with the rusted knocker on the panel of the door. For several minutes there was no answer to his knock. Then the sound of shuffling footsteps reached him from the distance, drawing gradually nearer until they stopped immediately beyond the threshold.

      "I ain' gwine open dis yer do' ef'n hits oner dem ole hants," said a voice within, while a sharp point of light pierced through the keyhole.

      An instant later, in response to Ordway's assurance of his bodily reality, the bolt creaked back with an effort and the door opened far enough to admit the slovenly head and shoulders of an aged negress.

      "Miss Meely she's laid up en she cyar'n see ner comp'ny, Marster," she announced with the evident intention of retreating as soon as her message was delivered.

      Her purpose, however, was defeated, for, slipping his heavy boot into the crack of the door, Ordway faced her under the lamp which she held high above her head. In the shadows beyond he could see dimly the bare old hall and the great winding staircase which led to the painted railing of the gallery above.

      "Can you give me shelter for the night?" he asked, "I am a stranger in the county, and I've walked thirty miles to-day."

      "Miss Meely don' wan'ner comp'ny," replied the negress, while her head, in its faded cotton handkerchief, appeared to swing like a pendulum before his exhausted eyes.

      "Who is Miss Meely?" he demanded, laying his hand upon her apron as she made a sudden terrified motion of flight.

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