Название: The Expositor's Bible: The Book of Joshua
Автор: William Garden Blaikie
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664561619
isbn:
But recent critics have taken a different view. Ewald maintained that, besides the Jehovist and Elohist writers of whose separate contributions in Genesis the evidence seems incontrovertible, there were three other authors of Joshua, with one or more redactors or revisers. The view of Kuenen and Wellhausen is similar, but with this difference, that the Book of Joshua shows so much affinity, both in object and style, to the preceding five books, that it must be classed with them, as setting forth the origin of the Jewish nation, which would not have been complete without a narrative of their settlement in their land. The composition of Joshua is therefore to be brought down to a late date; we owe it to the documents, writers, and editors concerned in the composition of the Pentateuch; and instead of following the Jews in classing the first five books by themselves, we ought to include Joshua along with them, and in place of the Pentateuch speak of the Hexateuch. Canon Driver substantially accepts this view; in his judgment, the first part of the book rests mainly on the JE (Jehovist-Elohist) document, with slight additions from P (the priestly code) and D2 (the second Deuteronomist). The second half of the book is derived mainly from the priestly code. But Canon Driver has the candour to say that much more difficult to distinguish the writers in Joshua than in the earlier books; and so little is he sure of his ground that even such important documents as J and E have to be designated by new letters, a and b. But, all the same, he goes right on with his scheme, furnishing us with tables all through, in which he shows that the Book of Joshua consists of ninety different pieces, no two consecutive pieces being by the same author. Most of it he refers to three earlier writings, but some of these were composite, and it is hard to say how many hands were engaged in putting together this simple story.
One is tempted to say of this complicated but confidently maintained scheme, that it is just too complete, too wonderfully finished, too clever by half. Allowing most cordially the remarkable ability and ingenuity of its authors, we can hardly be expected to concede to them the power of taking to pieces a book of such vast antiquity, putting it in a modern mincing machine, dividing it among so many supposed writers, and settling the exact parts of it written by each! Is there any ancient writing that might not yield a similar result if the same ingenuity were exercised upon it?
To judge of the source of writings by apparent varieties of style, and call in a different writer for every such variety, is to commit oneself to a very precarious rule. There are doubtless cases where the diversity of style is so marked that the inference is justified, but in these the evidence is unmistakably clear. Often the evidence against identity of authorship appears very clear, while it is absolutely worthless. Suppose that three thousand years hence an English book should be found, consisting, first, of an eloquent exposition of a parliamentary budget; secondly, a scheme for Home Rule in Ireland; thirdly, a dissertation on Homer; and fourthly, essays on the "Impregnable Rock of Holy Scripture"—how convincingly might the critics of the day demonstrate, beyond possibility of contradiction, that the book could not be the work of the single man who bore the name of William E. Gladstone! In like manner, it might be made very plain that Milton could never have written both "L'Allegro" and "Il Penseroso," or "Paradise Lost" and the "Defence of the English People." Cowper could not have written "John Gilpin" and "God moves in a mysterious way." Samuel Rutherford could not have written his "Letters" and his "Divine Right of Church Government." Moreover, in the course of years a writer may change his style, even when his subject is the same. The earlier essays of Mr. Carlyle show no traces of that most quaint, terse, graphic style which became one of his outstanding characteristics in later years. Perhaps the most remarkable instance of change of style in a great writer is that of Jeremy Bentham. In Sir James Mackintosh's Dissertation prefixed to the Encyclopædia Britannica (eighth edition) he says: "The style of Mr. Bentham underwent a more remarkable revolution than perhaps befell that of any other celebrated writer. In his early works, it was clear, free, spirited, often and seasonably eloquent. … He gradually ceased to use words for conveying his thoughts to others, but merely employed them as a short hand to preserve his meaning for his own purpose. It is no wonder that his language thus became obscure and repulsive. Though many of his technical terms are in themselves exact and pithy, yet the overflow of his vast nomenclature was enough to darken his whole diction."
If we compare the criticism of the Book of Joshua with that (let us say) of Genesis, the difference in the clearness of the conclusions is very great. By far the most striking basis of the criticism of Genesis is the feature that was noticed first—the occurrence of different Divine names, Elohim and Jehovah, in different portions of the book. Now, although it is held that the combined JE document was used in compiling Joshua, there is no trace of this distinction of names in that book. Nor is there much trace of other distinctions found in Genesis. So that it is no great wonder that Canon Driver is uncertain whether, after all, that was the document that was used in compiling Joshua. Then, as to the grounds on which the Deuteronomist is supposed to have had a share in the book. Wherever anything is said indicating that under Joshua the Divine purposes and ordinances enjoined by God on Moses were fulfilled, that is referred to the Deuteronomist writer, as if it would have been unnatural for an ordinary historian to call attention to such a circumstance. For instance, the remark of Rahab that as soon as the Canaanites heard what God had done to Egypt, and to the two kings of the Amorites on the other side of Jordan, their hearts fainted, is referred to the Deuteronomist, as if it had rather been an idea of his than a statement of Rahab's. It is strange that Canon Driver should not have seen that this is the very hinge of Rahab's speech, because it gives us the explanation of the remarkable faith that had taken possession of her polluted heart. The truth is, we can hardly conceive that any part of the book should have been written by one who did not connect Joshua with Moses, and both of them with the patriarchs, and who was not impressed by the vital connection of the earlier with the later transactions, and likewise by the single Divine purpose running through the whole history.
But we are far from thinking that there is no foundation for any of the conclusions of the critics regarding the Book of Joshua. What seems their great weakness is the confidence with which they assign this part to one writer and that part to another, and bring down the composition of the book to a late period of the history. That various earlier documents were made use of by the author of the book seems very plain. For instance, in the account of the crossing of the Jordan, use seems to have been made of two documents, not always agreeing in minute details, and pieced together in a primitive fashion characteristic of a very early period of literary composition. The record of the delimitation of the possessions of the several tribes must have been taken from the report of the men that were sent to survey the country, but it is not a complete record. There are other traces of different documents in other parts of the book, but any diversities between them are quite insignificant, and in no degree impair its historical trustworthiness.
As to the hand of a reviser or revisers in the book, we see no difficulty in allowing for such. We can conceive an authorized reviser expanding speeches, but thoroughly in the line of the speakers, or inserting explanatory remarks as to places, or as to practices that had prevailed "unto this day." But it is atrocious to be told of revisers colouring statements and modifying facts in the interests of religious parties, or even in the interest of truth itself. Any alterations in the way of revision seem to have been very limited, otherwise we should not find in the existing text those awkward joinings of different documents which are not in perfect accord. Whoever the revisers were, they seem to have judged it best to leave these things as they found them, rather than incur the responsibility of altering what had already been written.
It has generally been assumed by spiritual expositors that there must be something profoundly symbolical in a book that narrates the work of Joshua, or Jesus, the first, so far as we know, to bear the name that is "above every name." The subject is considered СКАЧАТЬ