The Greatest Empires & Civilizations of the Ancient East: Egypt, Babylon, The Kings of Israel and Judah, Assyria, Media, Chaldea, Persia, Parthia & Sasanian Empire. George Rawlinson

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       SPEARING THE CROCODILE.

      Amenemhat I. is the only Egyptian king who makes a boast of his hunting prowess. "I hunted the lion," he says, "and brought back the crocodile a prisoner." Lions do not at the present time frequent Egypt, and, indeed, are not found lower down the Nile valley than the point where the Great Stream receives its last tributary, the Atbara. But anciently they seem to have haunted the entire desert tracts on either side of the river. The Roman Emperor Hadrian is said to have hunted one near Alexandria, and the monuments represent lions as tamed and used in the chase by the ancient inhabitants. Sometimes they even accompanied their masters to the battlefield. We know nothing of Amenemhat's mode of hunting the king of beasts, but may assume that it was not very different from that which prevailed at a later date in Assyria. There, dogs and beaters were employed to rouse the animals from their lairs, while the king and his fellow-sportsmen either plied them with flights of arrows, or withstood their onset with swords and spears. The crocodile was certainly sometimes attacked while he was in the water, the hunters using a boat, and endeavouring to spear him at the point where the head joins the spine; but this could not have been the mode adopted by Amenemhat, since it would have resulted in instant death, whereas he tells us that he "brought the crocodile home a prisoner." Possibly, therefore, he employed the method which Herodotus says was in common use in his day. This was to bait a hook with a joint of pork and throw it into the water at a point where the current would carry it out into mid-stream; then to take a live pig to the river-side, and belabour him well with a stick till he set up the squeal familiar to most ears. Any crocodile within hearing was sure to come to the sound, and falling in with the pork on the way, would instantly swallow it down. Upon this the hunters hauled at the rope to which the hook was attached, and, notwithstanding his struggles, drew "leviathan" to shore. Amenemhat, having thus "made the crocodile a prisoner," may have carried his captive in triumph to his capital, and exhibited him before the eyes of the people.

      Amenemhat, having reigned as sole king for twenty years, was induced to raise his eldest son, Usurtasen, to the royal dignity, and associate him with himself in the government of the empire. Usurtasen was a prince of much promise, He "brought prosperity to the affairs of his father. He was, as a god, without fears; before him was never one like to him. Most skilful in affairs, beneficent in his mandates, both in his going out and in his coming in he made Egypt flourish." His courage and his warlike capacity were great. Already, in the lifetime of his father, he had distinguished himself in combats with the Petti and the Sakti. When he was settled upon the throne, he made war upon the Cushite tribes who bordered Egypt upon the south, employing the services of a general named Ameni, but also taking a part personally in the campaign. The Cushites or Ethiopians, who in later times became such dangerous neighbours to Egypt, were at this early period weak and insignificant. After the king had made his expedition, Ameni was able with a mere handful of four hundred troops to penetrate into their country, to "conduct the golden treasures" which it contained to the presence of his master, and to capture and carry off a herd of three thousand cattle.

      It was through his sculptures and his architectural works that the first Usurtasen made himself chiefly conspicuous. Thebes, Abydos, Heliopolis or On, the Fayoum and the Delta, were equally the scenes of his constructive activity, and still show traces of his presence. At Thebes, he carried to its completion the cell, or naos, of the great temple of Ammon, in later times the innermost sanctuary of the building, and reckoned so sacred, that when Thothmes III. rebuilt and enlarged the entire edifice he reproduced the structure of Usurtasen, unchanged in form, and merely turned from limestone into granite. At Abydos and other cities of Middle Egypt, he constructed temples adorned with sculptures, inscriptions, and colossal statues. At Tanis, he set up his own statue, exhibiting himself as seated upon his throne. In the Fayoum he erected an obelisk forty-one feet high to the honour of Ammon, Phthah, and Mentu, which now lies prone upon the ground near the Arab village of Begig. Indications of his ubiquitous activity are found also at the Wady Magharah, in the Sinaitic peninsula, and at Wady Haifa in Nubia, a little above the Second Cataract; but his grandest and most elaborate work was his construction of the great temple of the Sun at Heliopolis, and his best memorial is that tall finger pointing to the sky which greets the traveller approaching Egypt from the east as the first sample of its strange and mystic wonders. This temple the king began in his third year. After a consultation with his lords and counsellors, he issued the solemn decree: "It is determined to execute the work; his majesty chooses to have it made. Let the superintendent carry it on in the way that is desired; let all those employed upon it be vigilant; let them see that it is made without weariness; let every due ceremony be performed; let the beloved place arise." Then the king rose up, wearing a diadem, and holding the double pen; and all present followed him. The scribe read the holy book, and extended the measuring cord, and laid the foundations on the spot which the temple was to occupy. A grand building arose; but it has been wholly demolished by the ruthless hand of time and the barbarity of conquerors. Of all its glories nothing now remains but the one taper obelisk of pink granite, which rises into the soft sleepy air above the green cornfields of Matariyeh, no longer tipped with gold, but still catching on its summit the earliest and latest sun-rays, while wild-bees nestle in the crannies of the weird characters cut into the stone.