Автор: George Rawlinson
Издательство: Bookwire
Жанр: Документальная литература
isbn: 9788027244256
isbn:
A third industry greatly affected by the Phoenicians was the manufacture of glass. According to Pliny,828 the first discovery of the substance was made upon the Phoenician coast by a body of sailors whom he no doubt regarded as Phoenicians. These persons had brought a cargo of natrum, which is the subcarbonate of soda, to the Syrian coast in the vicinity of Acre, and had gone ashore at the mouth of the river Belus to cook their dinner. Having lighted a fire upon the sand, they looked about for some stones to prop up their cooking utensils, but finding none, or none convenient for the purpose, they bethought themselves of utilising for the occasion some of the blocks of natrum with which their ship was laden. These were placed close to the fire, and the heat was sufficient to melt a portion of one of them, which, mixing with the siliceous sand at its base, produced a stream of glass. There is nothing impossible or even very improbable in this story; but we may question whether the scene of it is rightly placed. Glass was manufactured in Egypt many centuries before the probable date of the Phoenician occupation of the Mediterranean coast; and, if the honour of the invention is to be assigned to a particular people, the Egyptians would seem to have the best claim to it. The process of glass-blowing is represented in tombs at Beni Hassan of very great antiquity,829 and a specimen of Egyptian glass is in existence bearing the name of a Usurtasen, a king of the twelfth dynasty.830 Natrum, moreover, was an Egyptian product, well known from a remote date, being the chief ingredient used in the various processes of embalming.831 Phoenicia has no natrum, and not even any vegetable alkali readily procurable in considerable quantity. There may have been an accidental discovery of glass in Phoenicia, but priority of discovery belonged almost certainly to Egypt; and it is, upon the whole, most probable that Phoenicia derived from Egypt her knowledge both of the substance itself and of the method of making it.
Still, there can be no doubt that the manufacture was one on which the Phoenicians eagerly seized, and which they carried out on a large scale and very successfully. Sidon, according to the ancients,832 was the chief seat of the industry; but the best sand is found near Tyre, and both Tyre and Sarepta also seem to have been among the places where glassworks were early established. At Sarepta extensive banks of débris have been found, consisting of broken glass of many colours, the waste beyond all doubt of a great glass manufactory;833 at Tyre, the traces of the industry are less extensive,834 but on the other hand we have historical evidence that it continued to be practised there into the middle ages.835
The glass produced by the Phoenicians was of three kinds: first, transparent colourless glass, which the eye could see through; secondly, translucent coloured glass, through which light could pass, though the eye could not penetrate it so as to distinguish objects; and, thirdly, opaque glass, scarcely distinguishable from porcelain. Transparent glass was employed for mirrors, round plates being cast, which made very tolerable looking-glasses,836 when covered at the back by thin sheets of metal, and also for common objects, such as vases, urns, bottles, and jugs, which have been yielded in abundance by tombs of a somewhat late date in Cyprus.837 No great store, however, seems to have been set upon transparency, in which the Oriental eye saw no beauty; and the objects which modern research has recovered under this head at Tyre, in Cyprus, and elsewhere, seem the work of comparatively rude artists, and have little æsthetic merit. The shapes, however, are not inelegant.
The most beautiful of the objects in glass produced by the Phoenicians are the translucent or semi-transparent vessels of different kinds, most of them variously coloured, which have been found in Cyprus, at Camirus in Rhodes, and on the Syrian coast, near Beyrout and elsewhere.838 These comprise small flasks or bottles, from three to six inches long, probably intended to contain perfumes; small jugs (oenochoæ) from three inches in height to five inches; vases of about the same size; amphoræ pointed at the lower extremity; and other varieties. They are coloured, generally, either in longitudinal or in horizontal stripes and bands; but the bands often deviate from the straight line into zig-zags, which are always more or less irregular, like the zig-zags of the Norman builders, while sometimes they are deflected into crescents, or other curves, as particularly one resembling a willow-leaf. The colours are not very vivid, but are pleasing and well-contrasted; they are chiefly five—white, blue, yellow, green, and a purplish brown. Red scarcely appears, except in a very pale, pinkish form; and even in this form it is uncommon. Blue, on the other hand, is greatly affected, being sometimes used in the patterns, often taken for the ground, and occasionally, in two tints, forming both groundwork and ornamentation.839 It is not often that more than three hues are found on the same vessel, and sometimes the hues employed are only two. There are instances, however, and very admirable instances, of the employment, on a single vessel, of four hues.840
The colours were obtained, commonly, at any rate, from metallic oxides. The ordinary blue employed is cobalt, though it is suspected that there was an occasional use of copper. Copper certainly furnished the greens, while manganese gave the brown, which shades off into purple and into black. The beautiful milky white which forms the ground tint of some vases is believed to have been derived from the oxide of tin, or else from phosphate of chalk. It is said that the colouring matter of the patterns does not extend through the entire thickness of the glass, but lies only on the outer surface, being a later addition to the vessels as first made.
Translucent coloured glass was also largely produced by the Phoenicians for beads and other ornaments, and also for the imitation of gems. The huge emerald of which Herodotus speaks,841 as “shining with great brilliancy at night” in the temple of Melkarth at Tyre, was probably a glass cylinder, into which a lamb was introduced by the priests. In Phoenician times the pretended stone is quite as often a glass paste as a real gem, and the case is the same with the scarabs so largely used as seals. In Phoenician necklaces, glass beads alternate frequently with real agates, onyxes, and crystals; while sometimes glass in various shapes is the only material employed. A necklace found at Tharros in Sardinia, and now in the collection of the Louvre, which is believed to be of Phoenician manufacture, is composed of above forty beads, two cylinders, four pendants representing heads of bulls, and one representing the face of a man, all of glass.842 Another, found by M. Renan in Phoenicia itself, is made up of glass beads imitating pearls, intermixed with beads of cornaline and agate.843
Another class of glass ornaments consists of small flat plaques or plates, pierced with a number of fine holes, which appear to have been sewn upon garments. These are usually patterned, sometimes with spirals, sometimes with rosettes, occasionally, though rarely, with figures. Messrs. Perrot and Chipiez represent one in their great work upon ancient art,844 where almost the entire field is occupied by a winged griffin, standing upright on its two hind legs, and crowned with a striped cap, or turban.
Phoenician opaque glass is comparatively rare, and possesses but little beauty. It was rendered opaque in various ways. Messrs. Perrot and Chipiez found that in a statue of Serapis, which they analysed, the glass was mixed with bronze in the proportions of ten to three. An opaque material of a СКАЧАТЬ