Название: An Introduction to the Study of Robert Browning's Poetry
Автор: Robert Browning
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664654410
isbn:
Whence the imprisoned splendour may escape,
Than in effecting entry for a light
Supposed to be without. Watch narrowly
The demonstration of a truth, its birth,
And you trace back the effluence to its spring
And source within us, where broods radiance vast,
To be elicited ray by ray, as chance
Shall favour: chance—for hitherto, your sage
Even as he knows not how those beams are born,
As little knows he what unlocks their fount;
And men have oft grown old among their books
To die, case-hardened in their ignorance,
Whose careless youth had promised what long years
Of unremitted labour ne’er performed:
While, contrary, it has chanced some idle day,
That autumn-loiterers just as fancy-free
As the midges in the sun, have oft given vent
To truth—produced mysteriously as cape
Of cloud grown out of the invisible air.
Hence, may not truth be lodged alike in all,
The lowest as the highest? some slight film
The interposing bar which binds it up,
And makes the idiot, just as makes the sage
Some film removed, the happy outlet whence
Truth issues proudly? See this soul of ours!
How it strives weakly in the child, is loosed
In manhood, clogged by sickness, back compelled
By age and waste, set free at last by death:
Why is it, flesh enthralls it or enthrones?
What is this flesh we have to penetrate?
Oh, not alone when life flows still do truth
And power emerge, but also when strange chance
Ruffles its current; in unused conjuncture,
When sickness breaks the body—hunger, watching,
Excess, or languor—oftenest death’s approach—
Peril, deep joy, or woe. One man shall crawl
Through life, surrounded with all stirring things,
Unmoved—and he goes mad; and from the wreck
Of what he was, by his wild talk alone,
You first collect how great a spirit he hid.
Therefore set free the spirit alike in all,
Discovering the true laws by which the flesh
Bars in the spirit! …
I go to gather this
The sacred knowledge, here and there dispersed
About the world, long lost or never found.
And why should I be sad, or lorn of hope?
Why ever make man’s good distinct from God’s?
Or, finding they are one, why dare mistrust?
Who shall succeed if not one pledged like me?
Mine is no mad attempt to build a world
Apart from His, like those who set themselves
To find the nature of the spirit they bore,
And, taught betimes that all their gorgeous dreams
Were only born to vanish in this life,
Refused to fit them to this narrow sphere,
But chose to figure forth another world
And other frames meet for their vast desires—
Still, all a dream! Thus was life scorned; but life
Shall yet be crowned: twine amaranth! I am priest!”
And again:—
“In man’s self arise
August anticipations, symbols, types
Of a dim splendour ever on before,
In that eternal circle run by life:
For men begin to pass their nature’s bound,
And find new hopes and cares which fast supplant
Their proper joys and griefs; and outgrow all *
The narrow creeds of right and wrong, which fade
Before the unmeasured thirst for good; while peace
Rises within them ever more and more.
Such men are even now upon the earth,
Serene amid the half-formed creatures round,
Who should be saved by them and joined with them.”
In the last three verses is indicated the doctrine of the regenerating power of exalted personalities, so prominent in Browning’s poetry, and which is treated in the next paper.
—* proper: In the sense of the Latin PROPRIUS, peculiar, private, personal. —
There is no ‘tabula rasa’ doctrine in these passages, nor in any others, in the poet’s voluminous works; and of all men of great intellect and learning (it is always a matter of mere insulated intellect), born in England since the days of John Locke, no one, perhaps, has been so entirely untainted with this doctrine as Robert Browning. It is a doctrine which great spiritual vitality (and that he early possessed), reaching out, as it does, beyond all experience, beyond all transformation of sensations, and all conclusions of the discursive understanding, naturally and spontaneously rejects. It simply says, “I know better”, and there an end.
The great function of the poet, as poet, is, with Browning, to open out a way whence the imprisoned splendor may escape, not to effect entry for a light supposed to be without; to trace back the effluence to its spring and source within us, where broods radiance vast, to be elicited ray by ray.
In ‘Fifine at the Fair’, published thirty-seven years after ‘Paracelsus’, is substantially СКАЧАТЬ