The Sonnets, Triumphs, and Other Poems of Petrarch. Francesco Petrarca

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СКАЧАТЬ taking even his foibles into the account. They re-admitted their oligarchs; and, if they repented of it, as they did, they are scarcely entitled to our commiseration.

      Petrarch had set out late in 1347 to visit Italy for the fifth time. He arrived at Genoa towards the end of November, 1347, on his way to Florence, where he was eagerly expected by his friends. They had obtained from the Government permission for his return; and he was absolved from the sentence of banishment in which he had been included with his father. But, whether Petrarch was offended with the Florentines for refusing to restore his paternal estate, or whether he was detained by accident in Lombardy, he put off his expedition to Florence and repaired to Parma. It was there that he learned the certainty of the Tribune's fall.

      From Parma he went to Verona, where he arrived on the evening of the 25th of January, 1348. His son, we have already mentioned, was placed at Verona, under the tuition of Rinaldo di Villa Franca. Here, soon after his arrival, as he was sitting among his books, Petrarch felt the shock of a tremendous earthquake. It seemed as if the whole city was to be overturned from its foundations. He rushed immediately into the streets, where the inhabitants were gathered together in consternation; and, whilst terror was depicted in every countenance, there was a general cry that the end of the world was come. All contemporary historians mention this earthquake, and agree that it originated at the foot of the Alps. It made sad ravages at Pisa, Bologna, Padua, and Venice, and still more in the Frioul and Bavaria. If we may trust the narrators of this event, sixty villages in one canton were buried under two mountains that fell and filled up a valley five leagues in length. A whole castle, it is added, was exploded out of the earth from its foundation, and its ruins scattered many miles from the spot. The latter anecdote has undoubtedly an air of the marvellous; and yet the convulsions of nature have produced equally strange effects. Stones have been thrown out of Mount Ætna to the distance of eighteen miles.

      The earthquake was the forerunner of awful calamities; and it is possible that it might be physically connected with that memo[Pg lxviii]rable plague in 1348, which reached, in succession, all parts of the known world, and thinned the population of every country which it visited. Historians generally agree that this great plague began in China and Tartary, whence, in the space of a year, it spread its desolation over the whole of Asia. It extended itself over Italy early in 1348; but its severest ravages had not yet been made, when Petrarch returned from Verona to Parma in the month of March, 1348. He brought with him his son John, whom he had withdrawn from the school of Rinaldo di Villa Franca, and placed under Gilberto di Parma, a good grammarian. His motive for this change of tutorship probably was, that he reckoned on Parma being henceforward his own principal place of residence, and his wish to have his son beside him.

      Petrarch had scarcely arrived at Parma when he received a letter from Luchino Visconti, who had lately received the lordship of that city. Hearing of Petrarch's arrival there, the Prince, being at Milan, wrote to the poet, requesting some orange plants from his garden, together with a copy of verses. Petrarch sent him both, accompanied with a letter, in which he praises Luchino for his encouragement of learning and his cultivation of the Muses.

      The plague was now increasing in Italy; and, after it had deprived Petrarch of many dear friends, it struck at the root of all his affections by attacking Laura. He describes his apprehensions on this occasion in several of his sonnets. The event confirmed his melancholy presages; for a letter from his friend Socrates informed him that Laura had died of the plague on the 1st of April, 1348. His biographers may well be believed, when they tell us that his grief was extreme. Laura's husband took the event more quietly, and consoled himself by marrying again, when only seven months a widower.

      Petrarch, when informed of her death, wrote that marginal note upon his copy of Virgil, the authenticity of which has been so often, though unjustly, called in question. His words were the following:—

      "Laura, illustrious for her virtues, and for a long time celebrated in my verses, for the first time appeared to my eyes on the 6th of April, 1327, in the church of St. Clara, at the first hour of the day. I was then in my youth. In the same city, and at the same hour, in the year 1348, this luminary disappeared from our world. I was then at Verona, ignorant of my wretched situation. Her chaste and beautiful body was buried the same day, after vespers, in the church of the Cordeliers. Her soul returned to its native mansion in heaven. I have written this with a pleasure mixed with bitterness, to retrace the melancholy remembrance of 'my great loss.' This loss convinces me that I have nothing now left worth living for, since the strongest cord of my life is broken. By the grace of God, I shall easily renounce a world where my hopes have been vain and perishing. It is time for me to fly from Babylon when the knot that bound me to it is untied."

      This copy of Virgil is famous, also, for a miniature picture expressing the subject of the Æneid; which, by the common consent of connoisseurs in painting, is the work of Simone Memmi. Mention has already been made of the friendly terms that subsisted between that painter and our poet; whence it may be concluded that Petrarch, who received this precious MS. in 1338, requested of Simone this mark of his friendship, to render it more valuable.

      When the library of Pavia, together with the city, was plundered by the French in 1499, and when many MSS. were carried away to the library of Paris, a certain inhabitant of Pavia had the address to snatch this copy of Virgil from the general rapine. This individual was, probably, Antonio di Pirro, in whose hands or house the Virgil continued till the beginning of the sixteenth century, as Vellutello attests in his article on the origin of Laura. From him it passed to Antonio Agostino; afterwards to Fulvio Orsino, who prized it very dearly. At Orsino's death it was bought at a high price by Cardinal Federigo Borromeo, and placed in the Ambrosian library, which had been founded by him with much care and at vast expense.

      Until the year 1795, this copy of Virgil was celebrated only on account of the memorandum already quoted, and a few short marginal notes, written for illustrations of the text; but, a part of the same leaf having been torn and detached from the cover, the librarians, by chance, perceived some written characters. Curiosity urged them to unglue it with the greatest care; but the parchment was so conglutinated with the board that the letters left their impression on the latter so palely and weakly, that the librarians had great difficulty in making out the following notice, written by Petrarch himself: "Liber hic furto mihi subreptus fuerat, anno domini mcccxxvi., in Kalend. Novembr., ac deinde restitutus, anno mcccxxxvii., die xvii. Aprilis, apud Aivin^o."

      Then follows a note by the poet himself, regarding his son: "Johannes noster, natus ad laborem et dolorem meum, et vivens gravibus atque perpetuis me curis exercuit, et acri dolore moriens vulneravit, qui cum paucos et lætos dies vidisset in vita sua, decessit in anno domini 1361, ætatis suæ xxv., die Julii x. seu ix. medio noctis inter diem veneris et sabbati. Rumor ad me pervenerat xiii^o mensis ad vesperam, obiit autem Mlni illo publico excidio pestis insolito, quæ urbem illam, hactenus immunem, talibus malis nunc reperit atque invasit. Rumor autem primus ambiguus 8^vo. Augusti, eodem anno, per famulum meum Mlno redeuntem, mox certus, per famulum Domⁿⁱ Theatini Roma venientem 18^me. mensis ejusdem Mercurii, sero ad me pervenit de obitu Socratis mei amici, socii fratrisque optimi, qui obiisse dicitur Babilone seu Avenione, die mense Maii proximo. Amisi comitem ac solatium vitæ meæ. Recipe Xte Ihu, hos duos et reliquos quinque in eterna tabernacula tua."[K] He alludes to the death of other friends; but the entire note is too long to be quoted, and, in many places, is obscured by contractions which make its meaning doubtful.

      The perfect accordance of these memoranda with the other writings of the poet, conjoined with historical facts, show them incontestably to have come from the hand of Petrarch.

      The precious MS. of Virgil, containing the autograph of Petrarch, is no longer in Italy. Like many other relics held sacred by the Italians, it was removed by the French during the last conquest of Italy.

      Among the incidents of Petrarch's life, in 1348, we ought to notice his visits to Giacomo da Carrara, whose family had supplanted the Della Scalas at Padua, and to Manfredi Pio, the Padrone of Carpi, a beautiful СКАЧАТЬ