The Sonnets, Triumphs, and Other Poems of Petrarch. Francesco Petrarca

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СКАЧАТЬ prodigious wealth. Scandalous emoluments, also, which arose from the sale of indulgences, were enlarged, if not invented, under his papacy, and every method of acquiring riches was justified which could contribute to feed his avarice. By these sordid means, he collected such sums, that, according to Villani, he left behind him, in the sacred treasury, twenty-five millions of florins, a treasure which Voltaire remarks is hardly credible.

      The luxury and corruption which reigned in the Roman court at Avignon are fully displayed in some letters of Petrarch's, without either date or address. The partizans of that court, it is true, accuse him of prejudice and exaggeration. He painted, as they allege, the popes and cardinals in the gloomiest colouring. His letters contain the blackest catalogue of crimes that ever disgraced humanity.

      Petrarch was twenty-two years of age when he settled at Avignon, a scene of licentiousness and profligacy. The luxury of the cardinals, and the pomp and riches of the papal court, were displayed in an extravagant profusion of feasts and ceremonies, which attracted to Avignon women of all ranks, among whom intrigue and gallantry were generally countenanced. Petrarch was by nature of a warm temperament, with vivid and susceptible passions, and strongly attached to the fair sex. We must not therefore be surprised if, with these dispositions, and in such a dissolute city, he was betrayed into some excesses. But these were the result of his complexion, and not of deliberate profligacy. He alludes to this subject in his Epistle to Posterity, with every appearance of truth and candour.

      From his own confession, Petrarch seems to have been somewhat vain of his personal appearance during his youth, a venial foible, from which neither the handsome nor the homely, nor the wise nor the foolish, are exempt. It is amusing to find our own Milton betraying this weakness, in spite of all the surrounding strength of his character. In answering one of his slanderers, who had called him pale and cadaverous, the author of Paradise Lost appeals to all who knew him whether his complexion was not so fresh and blooming as to make him appear ten years younger than he really was.

      Petrarch, when young, was so strikingly handsome, that he was frequently pointed at and admired as he passed along, for his features were manly, well-formed, and expressive, and his carriage was graceful and distinguished. He was sprightly in conversation, and his voice was uncommonly musical. His complexion was between brown and fair, and his eyes were bright and animated. His countenance was a faithful index of his heart.

      He endeavoured to temper the warmth of his constitution by the regularity of his living and the plainness of his diet. He indulged little in either wine or sleep, and fed chiefly on fruits and vegetables.

      In his early days he was nice and neat in his dress, even to a degree of affectation, which, in later life, he ridiculed when writing to his brother Gherardo. "Do you remember," he says, "how much care we employed in the lure of dressing our persons; when we traversed the streets, with what attention did we not avoid every breath of wind which might discompose our hair; and with what caution did we not prevent the least speck of dirt from soiling our garments!"

      This vanity, however, lasted only during his youthful days. And even then neither attention to his personal appearance, nor his attachment to the fair sex, nor his attendance upon the great, could induce Petrarch to neglect his own mental improvement, for, amidst all these occupations, he found leisure for application, and devoted himself to the cultivation of his favourite pursuits of literature.

      Inclined by nature to moral philosophy, he was guided by the reading of Cicero and Seneca to that profound knowledge of the human heart, of the duties of others and of our own duties, which shows itself in all his writings. Gifted with a mind full of enthusiasm for poetry, he learned from Virgil elegance and dignity in versification. But he had still higher advantages from the perusal of Livy. The magnanimous actions of Roman heroes so much excited the soul of Petrarch, that he thought the men of his own age light and contemptible.

      His first compositions were in Latin: many motives, however, induced him to compose in the vulgar tongue, as Italian was then called, which, though improved by Dante, was still, in many respects, harsh and inelegant, and much in want of new beauties. Petrarch wrote for the living, and for that portion of the living who were least of all to be fascinated by the language of the dead. Latin might be all very well for inscriptions on mausoleums, but it was not suited for the ears of beauty and the bowers of love. The Italian language acquired, under his cultivation, increased elegance and richness, so that the harmony of his style has contributed to its beauty. He did not, however, attach himself solely to Italian, but composed much in Latin, which he reserved for graver, or, as he considered, more important subjects. His compositions in Latin are—Africa, an epic poem; his Bucolics, containing twelve eclogues; and three books of epistles.

      Petrarch's greatest obstacles to improvement arose from the scarcity of authors whom he wished to consult—for the manuscripts of the writers of the Augustan age were, at that time, so uncommon, that many could not be procured, and many more of them could not be purchased under the most extravagant price. This scarcity of books had checked the dawning light of literature. The zeal of our poet, however, surmounted all these obstacles, for he was indefatigable in collecting and copying many of the choicest manuscripts; and posterity is indebted to him for the possession of many valuable writings, which were in danger of being lost through the carelessness or ignorance of the possessors.

      Petrarch could not but perceive the superiority of his own understanding and the brilliancy of his abilities. The modest humility which knows not its own worth is not wont to show itself in minds much above mediocrity; and to elevated geniuses this virtue is a stranger. Petrarch from his youthful age had an internal assurance that he should prove worthy of estimation and honours. Nevertheless, as he advanced in the field of science, he saw the prospect increase, Alps over Alps, and seemed to be lost amidst the immensity of objects before him. Hence the anticipation of immeasurable labours occasionally damped his application. But from this depression of spirits he was much relieved by the encouragement of John of Florence, one of the secretaries of the Pope, a man of learning and probity. He soon distinguished the extraordinary abilities of Petrarch; he directed him in his studies, and cheered up his ambition. Petrarch returned his affection with unbounded confidence. He entrusted him with all his foibles, his disgusts, and his uneasinesses. He says that he never conversed with him without finding himself more calm and composed, and more animated for study.

      The superior sagacity of our poet, together with his pleasing manners, and his increasing reputation for knowledge, ensured to him the most flattering prospects of success. His conversation was courted by men of rank, and his acquaintance was sought by men of learning. It was at this time, 1326, that his merit procured him the friendship and patronage of James Colonna, who belonged to one of the most ancient and illustrious families of Italy.

      "About the twenty-second year of my life," Petrarch writes to one of his friends, "I became acquainted with James Colonna. He had seen me whilst I resided at Bologna, and was prepossessed, as he was pleased to say, with my appearance. Upon his arrival at Avignon, he again saw me, when, having inquired minutely into the state of my affairs, he admitted me to his friendship. I cannot sufficiently describe the cheerfulness of his temper, his social disposition, his moderation in prosperity, his constancy in adversity. I speak not from report, but from my own experience. He was endowed with a persuasive and forcible eloquence. His conversation and letters displayed the amiableness of his sincere character. He gained the first place in my affections, which he ever afterwards retained."

Such is the portrait which our poet gives of James Colonna. A faithful and wise friend is among the most precious gifts of fortune; but, as friendships cannot wholly feed our affections, the heart of Petrarch, at this ardent age, was destined to be swayed by still tenderer feelings. He had nearly finished his twenty-third year without having ever seriously known the passion of love. In that year he first saw Laura. Concerning this lady, at one time, when no life of Petrarch had been yet written that was not crude and inaccurate, his biographers launched into the wildest speculations. One author considered her as an allegorical being; another discovered СКАЧАТЬ