The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг
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      The sight seemed to have a curious effect on Master Simon, as he squeezed my arm, and, altering his course, sheered wide of the porch as though he had not had any idea of entering. This evident evasion induced me to notice the orator more particularly. He was meagre, but active in his make, with a long, pale, bilious face; a black, ill-shaven beard, a feverish eye, and a hat sharpened up at the sides into a most pragmatical shape. He had a newspaper in his hand, and seemed to be commenting on its contents, to the thorough conviction of mine host.

      At sight of Master Simon the landlord was evidently a little flurried, and began to rub his hands, edge away from his corner, and make several profound publican bows; while the orator took no other notice of my companion than to talk rather louder than before, and with, as I thought, something of an air of defiance. Master Simon, however, as I have before said, sheered off from the porch, and passed on, pressing my arm within his, and whispering as we got by, in a tone of awe and horror, “That’s a radical! he reads Cobbett!”

      I endeavoured to get a more particular account of him from my companion, but he seemed unwilling even to talk about him, answering only in general terms, that he was “a cursed busy fellow, that had a confounded trick of talking, and was apt to bother one about the national debt, and such nonsense;” from which I suspected that Master Simon had been rendered wary of him by some accidental encounter on the field of argument: for these radicals are continually roving about in quest of wordy warfare, and never so happy as when they can tilt a gentleman logician out of his saddle.

      On subsequent inquiry my suspicions have been confirmed. I find the radical has but recently found his way into the village, where he threatens to commit fearful devastations with his doctrines. He has already made two or three complete converts, or new lights; has shaken the faith of several others; and has grievously puzzled the brains of many of the oldest villagers, who had never thought about politics, or scarce anything else, during their whole lives.

      He is lean and meagre from the constant restlessness of mind and body; worrying about with newspapers and pamphlets in his pockets, which he is ready to pull out on all occasions. He has shocked several of the staunchest villagers by talking lightly of the squire and his family; and hinting that it would be better the park should be cut up into small farms and kitchen gardens, or feed good mutton instead of worthless deer.

The Village Politician

      He is a great thorn in the side of the squire, who is sadly afraid that he will introduce politics into the village, and turn it into an unhappy, thinking community. He is a still greater grievance to Master Simon, who has hitherto been able to sway the political opinions of the place, without much cost of learning or logic; but has been very much puzzled of late to weed out the doubts and heresies already sown by this champion of reform. Indeed, the latter has taken complete command at the taproom of the tavern, not so much because he has convinced, as because he has out-talked all the established oracles. The apothecary, with all his philosophy, was as nought before him. He has convinced and converted the landlord at least a dozen times; who, however, is liable to be convinced and converted the other way by the next person with whom he talks. It is true the radical has a violent antagonist in the landlady, who is vehemently loyal, and thoroughly devoted to the king, Master Simon, and the squire. She now and then comes out upon the reformer with all the fierceness of a cat-o’-mountain, and does not spare her own soft-headed husband, for listening to what she terms such “low-lived politics.” What makes the good woman the more violent, is the perfect coolness with which the radical listens to her attacks, drawing his face up into a provoking supercilious smile; and when she has talked herself out of breath, quietly asking her for a taste of her home-brewed.

The Landlady

      The only person who is in any way a match for this redoubtable politician is Ready-Money Jack Tibbets, who maintains his stand in the taproom, in defiance of the radical and all his works. Jack is one of the most loyal men in the country, without being able to reason about the matter. He has that admirable quality for a tough arguer, also, that he never knows when he is beat. He has half a dozen old maxims, which he advances on all occasions, and though his antagonist may overturn them never so often, yet he always brings them anew into the field. He is like the robber in Ariosto, who, though his head might be cut off half a hundred times, yet whipped it on his shoulders again in a twinkling, and returned as sound a man as ever to the charge.

      Whatever does not square with Jack’s simple and obvious creed, he sets down for “French politics;” for, notwithstanding the peace, he cannot be persuaded that the French are not still laying plots to ruin the nation, and to get hold of the Bank of England. The radical attempted to overwhelm him one day by a long passage from a newspaper; but Jack neither reads nor believes in newspapers. In reply he gave him one of the stanzas which he has by heart from his favourite, and indeed only author, old Tusser, and which he calls his Golden Rules:

      “Leave Princes’ affairs undescanted on,

       And tend to such doings as stand thee upon;

       Fear God, and offend not the King nor his laws,

       And keep thyself out of the magistrate’s claws.”

      When Tibbets had pronounced this with great emphasis, he pulled out a well-filled leathern purse, took out a handful of gold and silver, paid his score at the bar with great punctuality, returned his money, piece by piece, into his purse, his purse into his pocket, which he buttoned up, and then giving his cudgel a stout thump upon the floor, and bidding the radical “Good morning, sir!” with the tone of a man who conceives he has completely done for his antagonist, he walked with lion-like gravity out of the house. Two or three of Jack’s admirers who were present, and had been afraid to take the field themselves, looked upon this as a perfect triumph, and winked at each other when the radical’s back was turned. “Ay, ay!” said mine host, as soon as the radical was out of hearing, “let old Jack alone; I’ll warrant he’ll give him his own!”

The Antagonists
The Rookery

      THE ROOKERY.

       Table of Contents

      But cawing rooks, and kites that swim sublime

       In still repeated circles, screaming loud,

       The jay, the pie, and e’en the boding owl,

       That hails the rising moon, have charms for me.

      COWPER.

      In a grove of tall oaks and beeches, that crowns a terrace walk, just on the skirts of the garden, is an ancient rookery, which is one of the most important provinces in the squire’s rural domains. The old gentleman sets great store by his rooks, and will not suffer one of them to be killed, in consequence of which they have increased amazingly; the tree tops are loaded with their nests; they have encroached upon the great avenue, and have even established, in times long past, a colony among the elms and pines of the churchyard, which, like other distant colonies, has already thrown off allegiance to the mother-country.

      The rooks are looked upon by the squire as a very ancient and honourable line of gentry, highly aristocratical in their notions, fond of place, and attached to church and state; as their building so loftily, keeping about churches СКАЧАТЬ