The Complete Works of Washington Irving: Short Stories, Plays, Historical Works, Poetry and Autobiographical Writings (Illustrated). Вашингтон Ирвинг
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“That he’ll be one of the richest men in the place!” cried little Rollebuck.
The expiring Wolfert seemed to step back from the threshold of existence: his eyes again lighted up; he raised himself in his bed, shoved back his red worsted nightcap, and stared broadly at the lawyer.
“You don’t say so!” exclaimed he.
“Faith, but I do!” rejoined the other. “Why, when that great field and that piece of meadow come to be laid out in streets, and cut up into snug building lots — why, whoever owns them need not pull off his hat to the patroon!”
“Say you so?” cried Wolfert, half thrusting one leg out of bed, “why, then I think I’ll not make my will yet!”
To the surprise of everybody the dying man actually recovered. The vital spark which had glimmered faintly in the socket, received fresh fuel from the oil of gladness, which the little lawyer poured into his soul. It once more burnt up into a flame.
Give physic to the heart, ye who would revive the body of a spirit-broken man! In a few days Wolfert left his room; in a few days more his table was covered with deeds, plans of streets and building lots. Little Rollebuck was constantly with him, his right-hand man and adviser, and instead of making his will, assisted in the more agreeable task of making his fortune. In fact, Wolfert Webber was one of those worthy Dutch burghers of the Manhattoes whose fortunes have been made, in a manner, in spite of themselves; who have tenaciously held on to their hereditary acres, raising turnips and cabbages about the skirts of the city, hardly able to make both ends meet, until the corporation has cruelly driven streets through their abodes, and they have suddenly awakened out of a lethargy, and, to their astonishment, found themselves rich men.
Before many months had elapsed a great bustling street passed through the very centre of the Webber garden, just where Wolfert had dreamed of finding a treasure. His golden dream was accomplished; he did indeed find an unlooked-for source of wealth; for, when his paternal lands were distributed into building lots, and rented out to safe tenants, instead of producing a paltry crop of cabbages, they returned him an abundant crop of rents; insomuch that on quarter day, it was a goodly sight to see his tenants rapping at his door, from morning to night, each with a little round-bellied bag of money, the golden produce of the soil.
The ancient mansion of his forefathers was still kept up, but instead of being a little yellow-fronted Dutch house in a garden, it now stood boldly in the midst of a street, the grand house of the neighborhood; for Wolfert enlarged it with a wing on each side, and a cupola or tea room on top, where he might climb up and smoke his pipe in hot weather; and in the course of time the whole mansion was overrun by the chubby-faced progeny of Amy Webber and Dirk Waldron.
As Wolfert waxed old and rich and corpulent, he also set up a great gingerbread-colored carriage drawn by a pair of black Flanders mares with tails that swept the ground; and to commemorate the origin of his greatness he had for a crest a fullblown cabbage painted on the pannels, with the pithy motto Alles Kopf that is to say, ALL HEAD; meaning thereby that he had risen by sheer headwork.
To fill the measure of his greatness, in the fullness of time the renowned Ramm Rapelye slept with his fathers, and Wolfert Webber succeeded to the leathern-bottomed armchair in the inn parlor at Corlears Hook; where he long reigned greatly honored and respected, insomuch that he was never known to tell a story without its being believed, nor to utter a joke without its being laughed at.
3 Orchard Oreole.
4 The same, no doubt, of whom mention is made in the history of Dolph Heyliger.
5 The following note was found appended to this paper in the handwriting of Mr. Knickerbocker. “There has been much written against the divining rod by those light minds who are ever ready to scoff at the mysteries of nature, but I fully join with Dr. Knipperhausen in giving it my faith. I shall not insist upon its efficacy in discovering the concealment of stolen goods, the boundary-stones of fields, the traces of robbers and murderers, or even the existence of subterraneous springs and streams of water; albeit, I think these properties not easily to be discredited; but of its potency in discovering vein of precious metal, and hidden sums of money and jewels, I have not the least doubt. Some said that the rod turned only in the hands of persons who had been born in particular months of the year; hence astrologers had recourse to planetary influence when they would procure a talisman. Others declared that the properties of the rod were either an effect of chance, or the fraud of the holder, or the work of the devil. Thus sayeth the reverend Father Gaspard Schott in his Treatise on Magic. ‘Propter haec et similia argumenta audacter ego pronuncio vim conversivam virgulae befurcatae nequaquam naturalem esse, sed vel casa vel fraude virgulam tractantis vel ope diaboli,’ etc. “Georgius Agricula also was of opinion that it was a mere delusion of the devil to inveigle the avaricious and unwary into his clutches, and in his treatise ‘de re Metallica,’ lays particular stress on the mysterious words pronounced by those persons who employed the divining rod during his time. But I make not a doubt that the divining rod is one of those secrets of natural magic, the mystery of which is to be explained by the sympathies existing between physical things operated upon by the planets, and rendered efficacious by the strong faith of the individual. Let the divining rod be properly gathered at the proper time of the moon, cut into the proper form, used with the necessary ceremonies, and with a perfect faith in its efficacy, and I can confidently recommend it to my fellow-citizens as an infallible means of discovering the various places on the island of the Manhattoes where treasure hath been buried in the olden time. D.K.”
BRACEBRIDGE HALL
THE HUMORISTS, A MEDLEY