Название: When Ghost Meets Ghost
Автор: William De Morgan
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664610706
isbn:
The question made all clear. The answer was speculative. "Happen it might be his lordship's dog that came yesterday—feeling strange in a strange place belike?"
"No dog came yesterday. Lord Cumberworld hasn't a dog. I must know. Where is it?"
Oliver was not actor enough not to show that he was concealing wonderment at the young lady's vehemence. His eyes remained wide open in token thereof.
"In the stables, by the sound of it, my lady," was his answer.
His lady turned without a word, going straight for the stables; and he followed when, recollecting him, she looked back to say, "Yes—come!"
Grooms are early risers in a well-kept stable. There is always something to be done, involving pails, or straps, or cloths, or barrows, or brushes, even at five in the morning in July. When the young gardener, running on ahead, jangled at the side-gate yard-bell, more than one pair of feet was on the move within; and there was the cry of the dog, sure enough, almost articulate with keen distress about some unknown wrong.
"What is the dog, Archibald?—what is the dog?" The speaker was too anxious for the answer to frame her question squarely. But the old Scotch groom understood. "Wha can tell that?" says he. "He's just stra'ad away from his home, or lost the track of a new maister. They do, ye ken, even the collies on the hillsides. Will your ladyship see him?"
"Yes—yes! That is what I came for. Let me." A younger groom, awaiting this instruction, goes for the dog, whose clamour has increased tenfold, becoming almost frenzy when he sees his friend of the day before; for he is Achilles beyond a doubt. Achilles, mad with joy—or is it unendurable distress?—or both?
"Your leddyship will have seen him before, doubtless," says old Archibald. He does not say, but means:—"We are puzzled, but submissive, and look forward to enlightenment."
"Let him go—yes, I know him!—don't hold him. Oh, Achilles, you darling dog—it is you! … Yes—yes—let him go—he'll be all right. … Yes, dear, you shall kiss me as much as you like." Thia was in response to a tremendous accolade, after which the dog crouched humbly at his idol's feet; whimpering a little still, beneath his breath, about something he could not say. She for her part caressed and soothed the frightened creature, asking the while for information about the manner of his appearance the night before.
It seemed that on the previous evening about eight o'clock he had been found in the Park just outside the door of the walled garden south of the Castle, as though he was seeking to follow someone who had passed through. That at least was the impression of Margery, a kitchen-maid, whom inquiry showed to have been the source of the first person plural in the narrative of Tom Kettering, the young groom, who had come upon the dog crouched against this door; and, judging him to be in danger in the open Park, had brought him home to the stables for security.
How had the collie behaved when brought up to the stable? Well—he had been fair quiet—only that he was always for going out after any who were leaving, and always "wakeriff, panting, and watching like," till he, Tom Kettering, tied him up for the night. And then he started crying and kept on at it till they turned out, maybe half an hour since.
"He has not got his own collar," said the young lady suddenly. "Where is his own collar?"
"He had ne'er a one on his neck when I coom upon him," says Tom. "So we putten this one on for a makeshift."
"It's mair than leekly, my lady,"—thus old Archibald—"that he will have slipped from out his ain by reason of eempairfect workmanship of the clasp. Ye'll ken there's a many cheap collars sold. … " The old boy is embarking on a lecture on collar-structure, which, however, he is not allowed to finish. The young lady interrupts.
"I saw his collar," says she, "and it was not a collar like this"—that is, a metal one with a hasp—"it was a strap with a buckle, and his master said there was a cut in it. That was why it broke." Then, seeing the curiosity on the faces of her hearers, who would have thought it rather presumptuous to ask for an explanation, she volunteers a short one ending with:—"The question is now, how can we get him back to his master?" It never crossed her mind that any evil hap had come about. After all, the dog's excitement and distress were no more than his separation from his owner and his strange surroundings might have brought about in any case. The whole thing was natural enough without assuming disaster, especially as seen by the light of that cut in the strap. The dog was a town-bred dog, and once out of his master's sight, might get demoralised and all astray.
No active step for restoring Achilles to his owner seeming practicable, nothing was left but to await the action that gentleman was sure to adopt to make his loss known. Obviously the only course open to us now was to take good care of the wanderer, and keep an ear on the alert for news of his owner's identity. All seemed to agree to this, except Achilles.
During the brief consultation the young lady had taken a seat on a clean truss of hay, partly from an impulse most of us share, to sit or lie on fresh hay whenever practicable; partly to promote communion with the dog, who crouched at her feet worshipping, not quite with the open-mouthed, loose-tongued joy one knows so well in a perfectly contented dog, but now and again half-uttering a stifled sound—a sound that might have ended in a wail. When, the point seeming established that no further step could be taken at present, Lady Gwendolen rose to depart, a sudden frenzy seized Achilles. There is nothing more pathetic than a dog's effort to communicate his meaning—clear to him as to a man—and his inability to do it for want of speech.
"You darling dog!" said Gwendolen. "What can it be he wants? Leave him alone and let us see. … No—don't touch his chain!" For Achilles, crouched one moment at her feet, the next leaping suddenly away, seemed like to go mad with distress.
The young groom Tom said something with bated breath, as not presuming to advise too loud. His mistress caught his meaning, if not his words. "What!"—she spoke suddenly—"knows where he is—his master?" The thought struck a cold chill to her heart. It could only mean some mishap to the man of yesterday. What sort of mishap?
Some understanding seems to pass between the four men—Archibald, the two young grooms, and the gardener—something they will not speak of direct to her ladyship. "What?—what's that?" says she, impatient of their scrupulousness towards her sheltered inexperience of calamity. "Tell me straight out!"
Old Archibald takes upon himself, as senior, to answer her question. "I wouldna' set up to judge, my lady, for my ain part. But the lads are all of one mind—just to follow on the dog's lead, for what may come o't." Then he is going on "Ye ken maybe the mon might fall and be ill able to move. … " when he is caught up sharp by the girl's "Or be killed. Yes—follow the dog." Why should she be kept from the hearing of a mishap to this stranger, even of his death?
Old Stephen at the Lodge saw the party and came out in haste. He had his story to tell, and told it as one who had no blame for his own share in it. Why should he have any? He had only carried out his orders. Yes—that was the dog he drew trigger on. He could not be mistaken on that point.
"And you fired on the dog to kill it," says the young lady, flashing out into anger.
The old man stands his ground. "I had my orders, my lady," says he. "If I caught sight of e'er a dog unled—to shoot un."
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