The Essential Works of George Rawlinson: Egypt, The Kings of Israel and Judah, Phoenicia, Parthia, Chaldea, Assyria, Media, Babylon, Persia, Sasanian Empire & Herodotus' Histories. George Rawlinson
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Автор: George Rawlinson
Издательство: Bookwire
Жанр: Документальная литература
isbn: 9788027244232
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Altogether, Egypt is a land of tranquil monotony. The eye commonly travels either over a waste of waters, or over a green plain unbroken by elevations. The hills which inclose the Nile valley have level tops, and sides that are bare of trees, or shrubs, or flowers, or even mosses. The sky is generally cloudless. No fog or mist enwraps the distance in mystery; no rainstorm sweeps across the scene; no rainbow spans the empyrean; no shadows chase each other over the landscape. There is an entire absence of picturesque scenery. A single broad river, unbroken within the limits of Egypt even by a rapid, two flat strips of green plain at its side, two low lines of straight-topped hills beyond them, and a boundless open space where the river divides itself into half a dozen sluggish branches before reaching the sea, constitute Egypt, which is by nature a southern Holland—-"weary, stale, flat and unprofitable." The monotony is relieved, however, in two ways, and by two causes. Nature herself does something to relieve it Twice a day, in the morning and in the evening, the sky and the landscape are lit up by hues so bright yet so delicate, that the homely features of the prospect are at once transformed as by magic, and wear an aspect of exquisite beauty. At dawn long streaks of rosy light stretch themselves across the eastern sky, the haze above the western horizon blushes a deep red; a ruddy light diffuses itself around, and makes walls and towers and minarets and cupolas to glow like fire; the long shadows thrown by each tree and building are purple or violet. A glamour is over the scene, which seems transfigured by an enchanter's wand; but the enchanter is Nature, and the wand she wields is composed of sun-rays. Again, at eve, nearly the same effects are produced as in the morning, only with a heightened effect; "the redness of flames" passes into "the redness of roses"—the wavy cloud that fled in the morning comes into sight once more—comes blushing, yet still comes on—comes burning with blushes, and clings to the Sun-god's side.3
Night brings a fresh transfiguration. The olive after-glow gives place to a deep blue-grey. The yellow moon rises into the vast expanse. A softened light diffuses itself over earth and sky. The orb of night walks in brightness through a firmament of sapphire; or, if the moon is below the horizon, then the purple vault is lit up with many-coloured stars. Silence profound reigns around. A phase of beauty wholly different from that of the day-time smites the sense; and the monotony of feature is forgiven to the changefulness of expression, and to the experience of a new delight.
Man has also done his part to overcome the dulness and sameness that brood over the "land of Mizraim." Where nature is most tame and commonplace, man is tempted to his highest flights of audacity. As in the level Babylonia he aspired to build a tower that should "reach to heaven" (Gen. xi. 4), so in Egypt he strove to startle and surprise by gigantic works, enormous undertakings, enterprises that might have seemed wholly beyond his powers. And these have constituted in all ages, except the very earliest, the great attractiveness of Egypt. Men are drawn there, not by the mysteriousness of the Nile, or the mild beauties of orchards and palm-groves, of well-cultivated fields and gardens—no, nor by the loveliness of sunrises and sunsets, of moonlit skies and stars shining with many hues, but by the huge masses of the pyramids, by the colossal statues, the tall obelisks, the enormous temples, the deeply-excavated tombs, the mosques, the castles, and the palaces. The architecture of Egypt is its great glory. It began early, and it has continued late. But for the great works, strewn thickly over the whole valley of the Nile, the land of Egypt would have obtained but a small share of the world's attention; and it is at least doubtful whether its "story" would ever have been thought necessary to complete "the Story of the Nations."
II.
The People of Egypt.
Where the Egyptians came from, is a difficult question to answer. Ancient speculators, when they could not derive a people definitely from any other, took refuge in the statement, or the figment, that they were the children of the soil which they had always occupied. Modern theorists may say, if it please them, that they were evolved out of the monkeys that had their primitive abode on that particular portion of the earth's surface. Monkeys, however, are not found everywhere; and we have no evidence that in Egypt they were ever indigenous, though, as pets, they were very common, the Egyptians delighting in keeping them. Such evidence as we have reveals to us the man as anterior to the monkey in the land of Mizraim Thus we are thrown back on the original question—Where did the man, or race of men, that is found in Egypt at the dawn of history come from?
It is generally answered that they came from Asia; but this is not much more than a conjecture. The physical type of the Egyptians is different from that of any known Asiatic nation. The Egyptians had no traditions that at all connected them with Asia. Their language, indeed, in historic times was partially Semitic, and allied to the Hebrew, the Phœnician, and the Aramaic; but the relationship was remote, and may be partly accounted for by later intercourse, without involving original derivation. The fundamental character of the Egyptian in respect of physical type, language, and tone of thought, is Nigritic. The Egyptians were not negroes, but they bore a resemblance to the negro which is indisputable. Their type differs from the Caucasian in exactly those respects which when exaggerated produce the negro. They were darker, had thicker lips, lower foreheads, larger heads, more advancing jaws, a flatter foot, and a more attenuated frame. It is quite conceivable that the negro type was produced by a gradual degeneration from that which we find in Egypt. It is even conceivable that the Egyptian type was produced by gradual advance and amelioration from that of the negro.
Still, whencesoever derived, the Egyptian people, as it existed in the flourishing times of Egyptian history, was beyond all question a mixed race, showing diverse affinities. Whatever the people was originally, it received into it from time to time various foreign elements, and those in such quantities as seriously to affect its physique—Ethiopians from the south, Libyans from the west, Semites from the north-east, where Africa adjoined on Asia. There are two quite different types of Egyptian form and feature, blending together in the mass of the nation, but strongly developed, and (so to speak) accentuated in individuals. One is that which we see in portraits of Rameses III, and in some of Rameses II.—a moderately high forehead, a large, well-formed aquiline nose, a well-shaped mouth with lips not over full, and a delicately rounded chin. The other is comparatively coarse—forehead low, nose depressed and short, lower part of the face prognathous and sensual-looking, chin heavy, jaw large, lips thick and projecting. The two types of face are not, however, accompanied by much difference of frame. The Egyptian is always slight in figure, wanting in muscle, flat in foot, with limbs that are too long, too thin, too lady-like. Something more of muscularity appears, perhaps, in the earlier than in the later forms; but this is perhaps attributable to a modification of the artistic ideal.
As Egypt presents us with two types of physique, so it brings before us two strongly different types of character. On the one hand we see, alike in the pictured scenes, in the native literary remains, and in the accounts which foreigners have left us of the people, a grave and dignified race, full of serious and sober thought, given to speculation and reflection, occupied rather with the interests belonging to another world than with those that attach to this present scene of existence, and inclined to indulge in a gentle and dreamy melancholy. The first thought of a king, when he began his reign, was to begin his tomb. The desire of the grandee was similar. It is a trite tale how at feasts a slave carried round to all the guests the representation of a mummied corpse, and showed it to each in turn, with the solemn words—"Look at this, and so eat and drink; for be sure that one day such as this thou shalt be." The favourite song of the Egyptians, according to Herodotus, was a dirge. The "Lay of Harper," which we subjoin, sounds a key-note that was very familiar, at any rate, to large numbers among the Egyptians.