GOTHIC CRIME MYSTERIES: The Phantom of the Opera, The Secret of the Night, The Mystery of the Yellow Room,The Man with the Black Feather & Balaoo. Gaston Leroux

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СКАЧАТЬ of truth, and is not that of an executioner. If you are just, Monsieur, you will see that I am right. You can now understand why I refrained until this hour to divulge the name. I gave Larsan time to catch the 4:17 train for Paris, where he would know where to hide himself, and leave no traces. You will not find Frederic Larsan,” declared Rouletabille, fixing his eyes on Monsieur Robert Darzac. “He is too cunning. He is a man who has always escaped you and whom you have long searched for in vain. If he did not succeed in outwitting me, he can yet easily outwit any police. This man who, four years ago, introduced himself to the Surete, and became celebrated as Frederic Larsan, is notorious under another name—a name well known to crime. Frederic Larsan, Monsieur President, is Ballmeyer!”

      “Ballmeyer!” cried the President.

      “Ballmeyer!” exclaimed Robert Darzac, springing to his feet. “Ballmeyer!—It was true, then!”

      “Ah! Monsieur Darzac; you don’t think I am mad, now!” cried Rouletabille.

      Ballmeyer! Ballmeyer! No other word could be heard in the courtroom. The President adjourned the hearing.

      Those of my readers who may not have heard of Ballmeyer will wonder at the excitement the name caused. And yet the doings of this remarkable criminal form the subject-matter of the most dramatic narratives of the newspapers and criminal records of the past twenty years. It had been reported that he was dead, and thus had eluded the police as he had eluded them throughout the whole of his career.

      Ballmeyer was the best specimen of the high-class “gentleman swindler.” He was adept at sleight of hand tricks, and no bolder or more ruthless crook ever lived. He was received in the best society, and was a member of some of the most exclusive clubs. On many of his depredatory expeditions he had not hesitated to use the knife and the mutton-bone. No difficulty stopped him and no “operation” was too dangerous. He had been caught, but escaped on the very morning of his trial, by throwing pepper into the eyes of the guards who were conducting him to Court. It was known later that, in spite of the keen hunt after him by the most expert of detectives, he had sat that same evening at a first performance in the Theatre Francais, without the slightest disguise.

      He left France, later, to “work” America. The police there succeeded in capturing him once, but the extraordinary man escaped the next day. It would need a volume to recount the adventures of this master-criminal. And yet this was the man Rouletabille had allowed to get away! Knowing all about him and who he was, he afforded the criminal an opportunity for another laugh at the society he had defied! I could not help admiring the bold stroke of the young journalist, because I felt certain his motive had been to protect both Mademoiselle Stangerson and rid Darzac of an enemy at the same time.

      The crowd had barely recovered from the effect of the astonishing revelation when the hearing was resumed. The question in everybody’s mind was: Admitting that Larsan was the murderer, how did he get out of The Yellow Room?

      Rouletabille was immediately called to the bar and his examination continued.

      “You have told us,” said the President, “that it was impossible to escape from the end of the court. Since Larsan was leaning out of his window, he had left the court. How did he do that?”

      “He escaped by a most unusual way. He climbed the wall, sprang onto the terrace, and, while we were engaged with the keeper’s body, reached the gallery by the window. He then had little else to do than to open the window, get in and call out to us, as if he had just come from his own room. To a man of Ballmeyer’s strength all that was mere child’s play. And here, Monsieur, is the proof of what I say.”

      Rouletabille drew from his pocket a small packet, from which he produced a strong iron peg.

      “This, Monsieur,” he said, “is a spike which perfectly fits a hole still to be seen in the cornice supporting the terrace. Larsan, who thought and prepared for everything in case of any emergency, had fixed this spike into the cornice. All he had to do to make his escape good was to plant one foot on a stone which is placed at the corner of the chateau, another on this support, one hand on the cornice of the keeper’s door and the other on the terrace, and Larsan was clear of the ground. The rest was easy. His acting after dinner as if he had been drugged was make believe. He was not drugged; but he did drug me. Of course he had to make it appear as if he also had been drugged so that no suspicion should fall on him for my condition. Had I not been thus overpowered, Larsan would never have entered Mademoiselle Stangerson’s chamber that night, and the attack on her would not have taken place.”

      A groan came from Darzac, who appeared to be unable to control his suffering.

      “You can understand,” added Rouletabille, “that Larsan would feel himself hampered from the fact that my room was so close to his, and from a suspicion that I would be on the watch that night. Naturally, he could not for a moment believe that I suspected him! But I might see him leaving his room when he was about to go to Mademoiselle Stangerson. He waited till I was asleep, and my friend Sainclair was busy trying to rouse me. Ten minutes after that Mademoiselle was calling out, “Murder!”

      “How did you come to suspect Larsan?” asked the President.

      “My pure reason pointed to him. That was why I watched him. But I did not foresee the drugging. He is very cunning. Yes, my pure reason pointed to him; but I required tangible proof so that my eyes could see him as my pure reason saw him.”

      “What do you mean by your pure reason?”

      “That power of one’s mind which admits of no disturbing elements to a conclusion. The day following the incident of ‘the inexplicable gallery,’ I felt myself losing control of it. I had allowed myself to be diverted by fallacious evidence; but I recovered and again took hold of the right end. I satisfied myself that the murderer could not have left the gallery, either naturally or supernaturally. I narrowed the field of consideration to that small circle, so to speak. The murderer could not be outside that circle. Now who was in it? There was, first, the murderer. Then there were Daddy Jacques, Monsieur Stangerson, Frederic Larsan, and myself. Five persons in all, counting in the murderer. And yet, in the gallery, there were but four. Now since it had been demonstrated to me that the fifth could not have escaped, it was evident that one of the four present in the gallery must be a double—he must be himself and the murderer also. Why had I not seen this before? Simply because the phenomenon of the double personality had not occurred before in this inquiry.

      “Now who of the four persons in the gallery was both that person and the assassin? I went over in my mind what I had seen. I had seen at one and the same time, Monsieur Stangerson and the murderer, Daddy Jacques and the murderer, myself and the murderer; so that the murderer, then, could not be either Monsieur Stangerson, Daddy Jacques, or myself. Had I seen Frederic Larsan and the murderer at the same time?—No!—Two seconds had passed, during which I lost sight of the murderer; for, as I have noted in my papers, he arrived two seconds before Monsieur Stangerson, Daddy Jacques, and myself at the meeting-point of the two galleries. That would have given Larsan time to go through the ‘off-turning’ gallery, snatch off his false beard, return, and hurry with us as if, like us, in pursuit of the murderer. I was sure now I had got hold of the right end in my reasoning. With Frederic Larsan was now always associated, in my mind, the personality of the unknown of whom I was in pursuit—the murderer, in other words.

      “That revelation staggered me. I tried to regain my balance by going over the evidences previously traced, but which had diverted my mind and led me away from Frederic Larsan. What were these evidences?

      “1st. I had seen the unknown in Mademoiselle Stangerson’s chamber. On going to Frederic Larsan’s room, I had found Larsan sound asleep.

      “2nd. The СКАЧАТЬ