The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition. Robert Browning

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СКАЧАТЬ . I do not understand how to separate the substance from the form in true poetry… . If the message be not well delivered, it does not constitute literature. But if it be well delivered, the primary concern of the poet lay with the message after all!’

      More cogent objection has been taken to the character of the ‘message’ as judged from a philosophic point of view. It is the expression or exposition of a vivid a priori religious faith confirmed by positive experience; and it reflects as such a double order of thought, in which totally opposite mental activities are often forced into cooperation with each other. Mr. Sharp says, this time quoting from Mr. Mortimer (‘Scottish Art Review’, December 1889):

      ‘His position in regard to the thought of the age is paradoxical, if not inconsistent. He is in advance of it in every respect but one, the most important of all, the matter of fundamental principles; in these he is behind it. His processes of thought are often scientific in their precision of analysis; the sudden conclusion which he imposes upon them is transcendental and inept.’

      This statement is relatively true. Mr. Browning’s positive reasonings often do end with transcendental conclusions. They also start from transcendental premises. However closely his mind might follow the visible order of experience, he never lost what was for him the consciousness of a Supreme Eternal Will as having existed before it; he never lost the vision of an intelligent First Cause, as underlying all minor systems of causation. But such weaknesses as were involved in his logical position are inherent to all the higher forms of natural theology when once it has been erected into a dogma. As maintained by Mr. Browning, this belief held a saving clause, which removed it from all dogmatic, hence all admissible grounds of controversy: the more definite or concrete conceptions of which it consists possessed no finality for even his own mind; they represented for him an absolute truth in contingent relations to it. No one felt more strongly than he the contradictions involved in any conceivable system of Divine creation and government. No one knew better that every act and motive which we attribute to a Supreme Being is a virtual negation of His existence. He believed nevertheless that such a Being exists; and he accepted His reflection in the mirror of the human consciousness, as a necessarily false image, but one which bears witness to the truth.

      His works rarely indicate this condition of feeling; it was not often apparent in his conversation. The faith which he had contingently accepted became absolute for him from all practical points of view; it became subject to all the conditions of his humanity. On the ground of abstract logic he was always ready to disavow it; the transcendental imagination and the acknowledged limits of human reason claimed the last word in its behalf. This philosophy of religion is distinctly suggested in the fifth parable of ‘Ferishtah’s Fancies’.

      But even in defending what remains, from the most widely accepted point of view, the validity of Mr. Browning’s ‘message’, we concede the fact that it is most powerful when conveyed in its least explicit form; for then alone does it bear, with the full weight of his poetic utterance, on the minds to which it is addressed. His challenge to Faith and Hope imposes itself far less through any intellectual plea which he can advance in its support, than through the unconscious testimony of all creative genius to the marvel of conscious life; through the passionate affirmation of his poetic and human nature, not only of the goodness and the beauty of that life, but of its reality and its persistence.

      We are told by Mr. Sharp that a new star appeared in Orion on the night on which Robert Browning died. The alleged fact is disproved by the statement of the Astronomer Royal, to whom it has been submitted; but it would have been a beautiful symbol of translation, such as affectionate fancy might gladly cherish if it were true. It is indeed true that on that twelfth of December, a vivid centre of light and warmth was extinguished upon our earth. The clouded brightness of many lives bears witness to the poet spirit which has departed, the glowing human presence which has passed away. We mourn the poet whom we have lost far less than we regret the man: for he had done his appointed work; and that work remains to us. But the two beings were in truth inseparable. The man is always present in the poet; the poet was dominant in the man. This fact can never be absent from our loving remembrance of him. No just estimate of his life and character will fail to give it weight.

The Brownings: Their Life and Art

       Table of Contents

       Foreword

       Illustrations

       Chapter I

       Chapter II

       Chapter III

       Chapter IV

       Chapter V

       Chapter VI

       Chapter VII

       Chapter VIII

       Chapter IX

       Chapter X

       Chapter XI

       Chapter XII

       Index

      ROBERT BROWNING

       From a drawing made by Field Talfourd, in Rome, 1855

      FOREWORD

       Table of Contents

      The present volume was initiated in Florence, and, from its first inception, invested with the cordial assent and the sympathetic encouragement of Robert Barrett Browning. One never-to-be-forgotten day, all ethereal light and loveliness, has left its picture in memory, when, in company with Mr. Browning and his life-long friend, the Marchesa Peruzzi di’ Medici (náta Story), the writer of this biography strolled with them under the host’s orange trees and among the riotous roses of his Florentine villa, “La Torre All’ Antella,” listening to their sparkling conversation, replete with fascinating reminiscences. To Mr. Browning the tribute of thanks, whose full scope is known to the Recording Angel alone, is here offered; and there is the blending of both privilege and duty in grateful acknowledgements to Messrs. Smith, Elder, & Company for their courtesy in permitting the somewhat liberal drawing on their СКАЧАТЬ