The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition. Robert Browning

Чтение книги онлайн.

СКАЧАТЬ for this year, as it assuredly is—and I shall be worried no more, and let walk in the garden, and go to bed at ten o'clock, and get done with what is most expedient to do, and my 'flesh shall come again like a little child's,' and one day, oh the day, I shall see you with my own, own eyes ... for, how little you understand me; or rather, yourself,—if you think I would dare see you, without your leave, that way! Do you suppose that your power of giving and refusing ends when you have shut your room-door? Did I not tell you I turned down another street, even, the other day, and why not down yours? And often as I see Mr. Kenyon, have I ever dreamed of asking any but the merest conventional questions about you; your health, and no more?

      I will answer your letter, the last one, to-morrow—I have said nothing of what I want to say.

      Ever yours

      R.B.

      R.B. to E.B.B.

      Tuesday Morning.

       [Post-mark, May 13, 1845.]

      Did I thank you with any effect in the lines I sent yesterday, dear Miss Barrett? I know I felt most thankful, and, of course, began reasoning myself into the impropriety of allowing a 'more' or a 'most' in feelings of that sort towards you. I am thankful for you, all about you—as, do you not know?

      Thank you, from my soul.

      Now, let me never pass occasion of speaking well of Horne, who deserves your opinion of him,—it is my own, too.—He has unmistakable genius, and is a fine, honest, enthusiastic chivalrous fellow—it is the fashion to affect to sneer at him, of late, I think—the people he has praised fancying that they 'pose' themselves sculpturesquely in playing the Greatly Indifferent, and the other kind shaking each other's hands in hysterical congratulations at having escaped such a dishonour: I feel grateful to him, I know, for his generous criticism, and glad and proud of in any way approaching such a man's standard of poetical height. And he might be a disappointed man too,—for the players trifled with and teased out his very nature, which has a strange aspiration for the horrible tin-and-lacquer 'crown' they give one from their clouds (of smooth shaven deal done over blue)—and he don't give up the bad business yet, but thinks a 'small' theatre would somehow not be a theatre, and an actor not quite an actor ... I forget in what way, but the upshot is, he bates not a jot in that rouged, wigged, padded, empty-headed, heartless tribe of grimacers that came and canted me; not I, them;—a thing he cannot understand—so, I am not the one he would have picked out to praise, had he not been loyal. I know he admires your poetry properly. God help him, and send some great artist from the country, (who can read and write beside comprehending Shakspeare, and who 'exasperates his H's' when the feat is to be done)—to undertake the part of Cosmo, or Gregory, or what shall most soothe his spirit! The subject of your play is tempting indeed—and reminds one of that wild Drama of Calderon's which frightened Shelley just before his death—also, of Fuseli's theory with reference to his own Picture of Macbeth in the witches' cave ... wherein the apparition of the armed head from the cauldron is Macbeth's own.

      'If you ask me, I must ask myself'—that is, when I am to see you—I will never ask you! You do not know what I shall estimate that permission at,—nor do I, quite—but you do—do not you? know so much of me as to make my 'asking' worse than a form—I do not 'ask' you to write to me—not directly ask, at least.

      I will tell you—I ask you not to see me so long as you are unwell, or mistrustful of—

      No, no, that is being too grand! Do see me when you can, and let me not be only writing myself

      Yours

      R.B.

      A kind, so kind, note from Mr. Kenyon came. We, I and my sister, are to go in June instead.... I shall go nowhere till then; I am nearly well—all save one little wheel in my head that keeps on its

      Music: bass clef, B-flat, sostenuto

      That you are better I am most thankful.

      'Next letter' to say how you must help me with all my new Romances and Lyrics, and Lays and Plays, and read them and heed them and end them and mend them!

      E.B.B. to R.B.

      Thursday.

       [Post-mark, May 16, 1845.]

      But how 'mistrustfulness'? And how 'that way?' What have I said or done, I, who am not apt to be mistrustful of anybody and should be a miraculous monster if I began with you! What can I have said, I say to myself again and again.

      One thing, at any rate, I have done, 'that way' or this way! I have made what is vulgarly called a 'piece of work' about little; or seemed to make it. Forgive me. I am shy by nature:—and by position and experience, ... by having had my nerves shaken to excess, and by leading a life of such seclusion, ... by these things together and by others besides, I have appeared shy and ungrateful to you. Only not mistrustful. You could not mean to judge me so. Mistrustful people do not write as I write, surely! for wasn't it a Richelieu or Mazarin (or who?) who said that with five lines from anyone's hand, he could take off his head for a corollary? I think so.

      Well!—but this is to prove that I am not mistrustful, and to say, that if you care to come to see me you can come; and that it is my gain (as I feel it to be) and not yours, whenever you do come. You will not talk of having come afterwards I know, because although I am 'fast bound' to see one or two persons this summer (besides yourself, whom I receive of choice and willingly) I cannot admit visitors in a general way—and putting the question of health quite aside, it would be unbecoming to lie here on the sofa and make a company-show of an infirmity, and hold a beggar's hat for sympathy. I should blame it in another woman—and the sense of it has had its weight with me sometimes.

      For the rest, ... when you write, that I do not know how you would value, &c. nor yourself quite, you touch very accurately on the truth ... and so accurately in the last clause, that to read it, made me smile 'tant bien que mal.' Certainly you cannot 'quite know,' or know at all, whether the least straw of pleasure can go to you from knowing me otherwise than on this paper—and I, for my part, 'quite know' my own honest impression, dear Mr. Browning, that none is likely to go to you. There is nothing to see in me; nor to hear in me—I never learnt to talk as you do in London; although I can admire that brightness of carved speech in Mr. Kenyon and others. If my poetry is worth anything to any eye, it is the flower of me. I have lived most and been most happy in it, and so it has all my colours; the rest of me is nothing but a root, fit for the ground and the dark. And if I write all this egotism, ... it is for shame; and because I feel ashamed of having made a fuss about what is not worth it; and because you are extravagant in caring so for a permission, which will be nothing to you afterwards. Not that I am not touched by your caring so at all! I am deeply touched now; and presently, ... I shall understand. Come then. There will be truth and simplicity for you in any case; and a friend. And do not answer this—I do not write it as a fly trap for compliments. Your spider would scorn me for it too much. Also, ... as to the how and when. You are not well now, and it cannot be good for you to do anything but be quiet and keep away that dreadful musical note in the head. I entreat you not to think of coming until that is all put to silence satisfactorily. When it is done, ... you must choose whether you would like best to come with Mr. Kenyon or to come alone—and if you would come alone, you must just tell me on what day, and I will see you on any day unless there should be an unforeseen obstacle, ... any day after two, or before six. And my sister will bring you up-stairs to me; and we will talk; or you will talk; and you will try to be indulgent, and like me as well as you can. If, on the other СКАЧАТЬ