THE MAN WITH THE BLACK FEATHER (Illustrated). Gaston Leroux

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СКАЧАТЬ irrefutable proofs in his Phædo that souls do not pass into eternal exile but return to animate new bodies."

      "Oh, if we could only have proofs of a fact like that!" cried Madame Sampic, the wife of the schoolmaster of Pont-aux-Dames, with enthusiasm.

      "If we had, I shouldn't mind dying one bit," said old Mlle. Taburet, who was in mortal fear of her approaching end.

      "There are proofs—irrefutable proofs," said Adolphe solemnly. "There are two: one drawn from the general order of Nature, one from human consciousness. Firstly, Nature is governed by the law of contradictions, says Plato, meaning by that that when we see in her bosom death succeed life we are compelled to believe that life succeeds death. Is that clear to you?"

      "Yes, yes," cried several of the guests, without understanding a word he was saying.

      "Moreover, Plato continues, since nothing can be born from nothing, if the beings we see die were never to return to life, everything would end by becoming absorbed in death, and Nature would be moving towards an eternal sleep. Have I made this first proof clear?"

      "Yes, yes: the second!" cried his fellow guests, quite untruthfully.

      "Secondly," said Adolphe, growing absolutely pontifical, "when, after having observed the general laws of the Universe, we descend into the depths of our own being, we find the same dogma confirmed by the fact of memory. 'To learn,' cries Plato to the Universe, 'To learn is nothing else but to remember.' Since our soul learns, it is that it remembers. And what does it remember if not that it has lived before, and that it has lived in another body? 'Why should we not believe that in quitting the body which it animates at the moment, it must animate several others in succession?' I am quoting Plato word for word," said Adolphe in a tone of ringing triumph.

      "And Plato is a person to be reckoned with," said Theophrastus warmly.

      "Charles Fourier says," said Adolphe, moving on to the modern, "Where is the old man who does not desire not to be certain of carrying into another life the experience he has acquired in this one? To assert that this desire can never be realised is to admit that the Deity would deceive us. We must then recognise that we have lived already, before being what we are to-day, and that many more lives await us. All these lives—Fourier adds with a precision for which we cannot be sufficiently thankful—to the number of a hundred and ten are distributed over five stages of unequal extent and cover a period of eighty-one thousand years."

      "Eighty-one thousand years! That's pretty filling!" interrupted M. Lopard.

      "We spend twenty-seven thousand of them on our planet and the other fifty-four thousand elsewhere," explained Adolphe.

      "And how long is it before we come back into another body?" asked Madame Bache.

      "At least two or three thousand years, if we are to believe Allan Kardec, always supposing that we have not died a violent death. Then, especially if one has been executed, one may be reincarnated at the end of two hundred years," said Adolphe.

      "That's it! They must have hanged me," said Theophrastus to himself. "Or if they didn't hang a man of my quality, they beheaded me. All the same," he went on to think, with a natural pride, "if these people here knew that they were sitting with a favourite of the Regent, or perhaps a Prince of Royal blood, how astonished and respectful they'd be! But not a bit of it: they are merely saying to themselves, 'It's Theophrastus Longuet, manufacturer of rubber stamps'; and that's enough for them."

      The advent of the two waiters with the champagne cut short the dissertation of Adolphe; and though everyone had been deeply impressed by it, now they only wished to be amused.

      It was then that Marceline turned to Theophrastus and begged him to sing the song with which he was wont to delight their ears at dessert on each anniversary of their wedding-day. He had sung it on their wedding-day itself; and thanks to its charm and freshness, it had been a great success. It was Beranger's Lisette.

      But what was the amazement of Marceline and all the guests, when Theophrastus sprang to his feet, threw his napkin on the table, and bawled to the mistress of the house:

      "As you will, Marie-Antoinette! I can refuse you nothing!"

      "Gracious goodness! That voice of his has come back!" gasped Marceline.

      The guests had not recovered from the shock when Theophrastus bawled to an old French air, in a voice which none of them recognised as his, his voice of the Conciergerie, bawled to the most select society from Crécy-en-Brie to Lagny-Thorigny-Pomponne:

      "Bullies all! In our snug cribs

       We live like fighting-cocks:

      On dainties rich we splash the dibbs,

       And booze we never docks.

      Then guzzle, cullies, and booze away

       Till Gabriel's trump on Judgment Day!"

      In spite of the richness of the rhyme, no applause followed the stanza. The ladies did not clink their glasses with their knives; they stared at Theophrastus with their eyes starting out of their heads; and the eyes of Marceline projected furthest of all.

      Theophrastus did not need any applause; like one possessed of a devil, he bawled on:

      "Bullies all! In our snug cribs

       Dan Cupid loves to dance.

      He brings to help us splash the dibbs

       The prettiest silk in France.

      Then guzzle, cullies, and booze away

       Till Gabriel's trump on Judgment Day!"

      In a final triumphant roar he repeated the last couplet and prolonged the final note, his eyes on the sun, which was sinking over the edge of the horizon, laid one hand on his heart, embraced "Nature" with a sweeping gesture of the other, and bellowed:

      "Then guzzle, cullies, and booze away

       Till Gabriel's trump on Judgment Day!"

      He sat down with an air of supreme content, and said proudly:

      "What do you think of that, Marie-Antoinette?"

      "Why do you call me Marie-Antoinette?" gasped the trembling Marceline.

      "Because you're the prettiest of them all!" roared Theophrastus in that awful voice. "I appeal to Madame la Maréchale de Boufflers, who's a woman of taste! I appeal to all of you! And there's not one of you, by the Pope's gullet, who'll dare to deny it! Neither the big Picard, nor the Bourbonnais, nor the Burgundian, nor Sheep's-head, nor the Cracksman, nor Parisian, nor the Provincial, nor the little Breton, nor the Feather, nor Patapon, nor Pint-pot, nor St. James's Gate, nor Gastelard, nor Iron-arm, nor Black-mug, nor even Fancy Man!"

      Since Theophrastus had on his right old Mlle. Taburet, he prodded her in the ribs by way of emphasis, an action which nearly made her faint.

      No one dared budge; his flaming eye chained them to their chairs; and leaning affectionately towards Mlle. Taburet, he pointed to the gasping Marceline, and said:

      "Look, Mlle. Taburet, aren't I right? Who can compare with her? Pretty-Milkmaid, of Pussycat? Or even Blanche, the Bustler? Or Belle-Hélène who keeps the Harp tavern?"

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