Aurora Floyd (Feminist Classic). Mary Elizabeth Braddon

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      Faint streaks of crimson glimmer here and there amid the rich darkness of the Kentish woods. Autumn’s red finger has been lightly laid upon the foliage — sparingly, as the artist puts the brighter tints into his picture; but the grandeur of an August sunset blazes upon the peaceful landscape, and lights all into glory.

      The encircling woods and wide lawn-like meadows, the still ponds of limpid water, the trim hedges, and the smooth winding roads; undulating hill-tops, melting into the purple distance; laboring-men’s cottages, gleaming white from the surrounding foliage; solitary roadside inns with brown thatched roofs and moss-grown stacks of lop-sided chimneys; noble mansions hiding behind ancestral oaks; tiny Gothic edifices; Swiss and rustic lodges; pillared gates surmounted by escutcheons hewn in stone, and festooned with green wreaths of clustering ivy; village churches and prim school-houses — every object in the fair English prospect is steeped in a luminous haze, as the twilight shadows steal slowly upward from the dim recesses of shady woodland and winding lane, and every outline of the landscape darkens against the deepening crimson of the sky.

      Upon the broad façade of a mighty redbrick mansion, built in the favorite style of the early Georgian era, the sinking sun lingers long, making gorgeous illumination. The long rows of narrow windows are all aflame with the red light, and an honest homeward-tramping villager pauses once or twice in the roadway to glance across the smooth width of dewy lawn and tranquil lake, half fearful that there must be something more than natural in the glitter of those windows, and that may be Maister Floyd’s house is afire.

      The stately red-built mansion belongs to Maister Floyd, as he is called in the honest patois of the Kentish rustics; to Archibald Martin Floyd, of the great banking-house of Floyd, Floyd, and Floyd, Lombard street, City.

      The Kentish rustics knew very little of this city banking-house, for Archibald Martin, the senior partner, has long retired from any active share in the business, which is carried on entirely by his nephews, Andrew and Alexander Floyd, both steady, middle-aged men, with families and country-houses; both owing their fortune to the rich uncle, who had found places in his counting-house for them some thirty years before, when they were tall, raw-boned, sandy-haired, red-complexioned Scottish youths, fresh from some unpronounceable village north of Aberdeen.

      The young gentlemen signed their names M‘Floyd when they first entered their uncle’s counting-house; but they very soon followed that wise relative’s example, and dropped the formidable prefix. “We’ve nae need to tell these Southeran bodies that we’re Scotche,” Alick remarked to his brother as he wrote his name for the first time A. Floyd, all short.

      The Scottish banking-house had thriven wonderfully in the hospitable English capital. Unprecedented success had waited upon every enterprise undertaken by the old-established and respected firm of Floyd, Floyd, and Floyd. It had been Floyd, Floyd, and Floyd for upward of a century; for, as one member of the house dropped off, some greener branch shot out from the old tree; and there had never yet been any need to alter the treble repetition of the well-known name upon the brass plates that adorned the swinging mahogany doors of the banking-house. To this brass plate Archibald Martin Floyd pointed when, some thirty years before the August evening of which I write, he took his raw-boned nephews for the first time across the threshold of his house of business.

      “See there, boys,” he said: “look at the three names upon that brass plate. Your uncle George is over fifty, and a bachelor — that’s the first name; our first cousin, Stephen Floyd, of Calcutta, is going to sell out of the business before long — that’s the second name; the third is mine, and I’m thirty-seven years of age, remember, boys, and not likely to make a fool of myself by marrying. Your names will be wanted by and by to fill the blanks; see that you keep them bright in the meantime; for, let so much as one speck rest upon them, and they’ll never be fit for that brass plate.”

      Perhaps the rugged Scottish youths took this lesson to heart, or perhaps honesty was a natural and inborn virtue in the house of Floyd. Be it as it might, neither Alick nor Andrew disgraced their ancestry; and when Stephen Floyd, the East-Indian merchant, sold out, and Uncle George grew tired of business, and took to building, as an elderly, bachelor-like hobby, the young men stepped into their relatives’ shoes, and took the conduct of the business upon their broad Northern shoulders. Upon one point only Archibald Martin Floyd had misled his nephews, and that point regarded himself. Ten years after his address to the young men, at the sober age of seven-and-forty, the banker not only made a fool of himself by marrying, but, if indeed such things are foolish, sank still farther from the proud elevation of worldly wisdom by falling desperately in love with a beautiful but penniless woman, whom he brought home with him after a business tour through the manufacturing districts, and with but little ceremony introduced to his relations and the county families round his Kentish estate as his newly-wedded wife.

      The whole affair was so sudden, that these very county families had scarcely recovered from their surprise at reading a certain paragraph in the left-hand column of the Times, announcing the marriage of “Archibald Martin Floyd, Banker, of Lombard street and Felden Woods, to Eliza, only surviving daughter of Captain Prodder,” when the bridegroom’s travelling carriage dashed past the Gothic lodge at the gates, along the avenue and under the great stone portico at the side of the house, and Eliza Floyd entered the banker’s mansion, nodding good-naturedly to the bewildered servants, marshalled into the hall to receive their new mistress.

      The banker’s wife was a tall young woman of about thirty, with a dark complexion, and great flashing black eyes that lit up a face which might otherwise have been unnoticeable into the splendor of absolute beauty.

      Let the reader recall one of those faces whose sole loveliness lies in the glorious light of a pair of magnificent eyes, and remember how far they surpass all others in their power of fascination. The same amount of beauty frittered away upon a well-shaped nose, rosy, pouting lips, symmetrical forehead, and delicate complexion, would make an ordinarily lovely woman; but concentrated in one nucleus, in the wondrous lustre of the eyes, it makes a divinity, a Circe. You may meet the first any day of your life; the second, once in a lifetime.

      Mr. Floyd introduced his wife to the neighboring gentry at a dinner-party, which he gave soon after the lady’s arrival at Felden Woods, as his country seat was called; and this ceremony very briefly despatched, he said no more about his choice either to his neighbors or his relations, who would have been very glad to hear how this unlooked-for marriage had come about, and who hinted the same to the happy bridegroom, but without effect.

      Of course this very reticence on the part of Archibald Floyd himself only set the thousand tongues of rumor more busily to work. Round Beckenham and West Wickham, near which villages Felden Woods was situated, there was scarcely any one debased and degraded station of life from which Mrs. Floyd was not reported to have sprung. She was a factory-girl, and the silly old banker had seen her in the streets of Manchester, with a colored handkerchief on her head, a coral necklace round her throat, and shoeless and stockingless feet tramping in the mud: he had seen her thus, and had fallen incontinently in love with her, and offered to marry her there and then. She was an actress, and he had seen her on the Manchester stage; nay, lower still, she was some poor performer, decked in dirty white muslin, red cotton velvet, and spangles, who acted in a canvas booth, with a pitiful set of wandering vagabonds and a learned pig. Sometimes they said she was an equestrian, and it was at Astley’s, and not in the manufacturing districts, that the banker had first seen her; nay, some there were ready to swear that they themselves had beheld her leaping through gilded hoops, and dancing the cachuca upon six barebacked steeds in that sawdust-strewn arena. There were whispered rumors that went even farther than these — rumors which I dare not even set down here, for the busy tongues that dealt so mercilessly with the name and fame of Eliza Floyd were not unbarbed by malice. It may be that some of the ladies had personal reasons for their spite against the bride, and that many a waning beauty, in those pleasant Kentish mansions, had speculated upon СКАЧАТЬ