The Complete Works of Frances Hodgson Burnett. Frances Hodgson Burnett
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Название: The Complete Works of Frances Hodgson Burnett

Автор: Frances Hodgson Burnett

Издательство: Bookwire

Жанр: Языкознание

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isbn: 9788027218615

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СКАЧАТЬ send her away if she dares to say a word about such a thing,” said Master Craven grandly. “She wouldn’t like that, I can tell you.”

      “Thank you, sir,” bobbing a curtsy, “I want to do my duty, sir.”

      “What I want is your duty” said Colin more grandly still. “I’ll take care of you. Now go away.”

      When the door closed behind Martha, Colin found Mistress Mary gazing at him as if he had set her wondering.

      “Why do you look at me like that?” he asked her. “What are you thinking about?”

      “I am thinking about two things.”

      “What are they? Sit down and tell me.”

      “This is the first one,” said Mary, seating herself on the big stool. “Once in India I saw a boy who was a Rajah. He had rubies and emeralds and diamonds stuck all over him. He spoke to his people just as you spoke to Martha. Everybody had to do everything he told them—in a minute. I think they would have been killed if they hadn’t.”

      “I shall make you tell me about Rajahs presently,” he said, “but first tell me what the second thing was.”

      “I was thinking,” said Mary, “how different you are from Dickon.”

      “Who is Dickon?” he said. “What a queer name!”

      She might as well tell him, she thought she could talk about Dickon without mentioning the secret garden. She had liked to hear Martha talk about him. Besides, she longed to talk about him. It would seem to bring him nearer.

      “He is Martha’s brother. He is twelve years old,” she explained. “He is not like any one else in the world. He can charm foxes and squirrels and birds just as the natives in India charm snakes. He plays a very soft tune on a pipe and they come and listen.”

      There were some big books on a table at his side and he dragged one suddenly toward him. “There is a picture of a snake-charmer in this,” he exclaimed. “Come and look at it.”

      The book was a beautiful one with superb colored illustrations and he turned to one of them.

      “Can he do that?” he asked eagerly.

      “He played on his pipe and they listened,” Mary explained. “But he doesn’t call it Magic. He says it’s because he lives on the moor so much and he knows their ways. He says he feels sometimes as if he was a bird or a rabbit himself, he likes them so. I think he asked the robin questions. It seemed as if they talked to each other in soft chirps.”

      Colin lay back on his cushion and his eyes grew larger and larger and the spots on his cheeks burned.

      “Tell me some more about him,” he said.

      “He knows all about eggs and nests,” Mary went on. “And he knows where foxes and badgers and otters live. He keeps them secret so that other boys won’t find their holes and frighten them. He knows about everything that grows or lives on the moor.”

      “Does he like the moor?” said Colin. “How can he when it’s such a great, bare, dreary place?”

      “It’s the most beautiful place,” protested Mary. “Thousands of lovely things grow on it and there are thousands of little creatures all busy building nests and making holes and burrows and chippering or singing or squeaking to each other. They are so busy and having such fun under the earth or in the trees or heather. It’s their world.”

      “How do you know all that?” said Colin, turning on his elbow to look at her.

      “I have never been there once, really,” said Mary suddenly remembering. “I only drove over it in the dark. I thought it was hideous. Martha told me about it first and then Dickon. When Dickon talks about it you feel as if you saw things and heard them and as if you were standing in the heather with the sun shining and the gorse smelling like honey—and all full of bees and butterflies.”

      “You never see anything if you are ill,” said Colin restlessly. He looked like a person listening to a new sound in the distance and wondering what it was.

      “You can’t if you stay in a room,” said Mary.

      “I couldn’t go on the moor,” he said in a resentful tone.

      Mary was silent for a minute and then she said something bold.

      “You might—sometime.”

      He moved as if he were startled.

      “Go on the moor! How could I? I am going to die.” “How do you know?” said Mary unsympathetically. She didn’t like the way he had of talking about dying. She did not feel very sympathetic. She felt rather as if he almost boasted about it.

      “Oh, I’ve heard it ever since I remember,” he answered crossly. “They are always whispering about it and thinking I don’t notice. They wish I would, too.”

      Mistress Mary felt quite contrary. She pinched her lips together.

      “If they wished I would,” she said, “I wouldn’t. Who wishes you would?”

      “The servants—and of course Dr. Craven because he would get Misselthwaite and be rich instead of poor. He daren’t say so, but he always looks cheerful when I am worse. When I had typhoid fever his face got quite fat. I think my father wishes it, too.”

      “I don’t believe he does,” said Mary quite obstinately.

      That made Colin turn and look at her again.

      “Don’t you?” he said.

      And then he lay back on his cushion and was still, as if he were thinking. And there was quite a long silence. Perhaps they were both of them thinking strange things children do not usually think. “I like the grand doctor from London, because he made them take the iron thing off,” said Mary at last “Did he say you were going to die?”

      “No.”.

      “What did he say?”

      “He didn’t whisper,” Colin answered. “Perhaps he knew I hated whispering. I heard him say one thing quite aloud. He said, ‘The lad might live if he would make up his mind to it. Put him in the humor.’ It sounded as if he was in a temper.”

      “I’ll tell you who would put you in the humor, perhaps,” said Mary reflecting. She felt as if she would like this thing to be settled one way or the other. “I believe Dickon would. He’s always talking about live things. He never talks about dead things or things that are ill. He’s always looking up in the sky to watch birds flying—or looking down at the earth to see something growing. He has such round blue eyes and they are so wide open with looking about. And he laughs such a big laugh with his wide mouth—and his cheeks are as red—as red as cherries.” She pulled her stool nearer to the sofa and her expression quite changed at the remembrance of the wide curving mouth and wide open eyes.

      “See here,” she said. “Don’t let us talk about dying; I don’t like it. Let us talk about living. Let us talk and talk about Dickon. And then we will look at your pictures.”

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