The Glory of Clementina Wing. William John Locke
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Название: The Glory of Clementina Wing

Автор: William John Locke

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664096098

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СКАЧАТЬ cheered and comforted for their next week’s wandering on the banks of Acheron. Once a week they sat at a friend’s table and ate generous food, drank generous wine, and accepted help from a friend’s generous hand. Help they all needed, and like desperate men would snatch it from any hand held out to them. Huckaby had been a successful coach at Cambridge; Vandermeer, who had forsaken early in life a banking office for the Temple of Literary Fame, had starved for years on free-lance journalism; Billiter, of Rugby and Oxford, had run through a fortune. All waste products of the world’s factory. Among the many things they had in common was an unquenchable thirst, which they dissimulated in Russell Square; but they made up for it by patronising their host. When a beneficiary is humble he is either deserving or has touched the lowest depths of degradation.

      Quixtus presided happily at the meal. With strangers he was shy and diffident; but here he was at his ease, among old friends none the less valued because they had fallen by the wayside. Into the reason of their fall it did not concern him to inquire. All that mattered was their obvious affection and the obvious brightness that fortune had enabled him to shed on their lives.

      “I wonder,” said he, with one of his sudden smiles, “I wonder if you fellows know how I prize these evenings of ours.”

      “They’re Attic Symposia,” said Huckaby.

      “I’ve been thinking of a series of articles on them, after the manner of the Noctes Ambrosianæ,” said Vandermeer.

      “They would quite bear it,” Huckaby agreed. “I think we get better talk here than anywhere else I know. I’m a sometime Fellow of Corpus Christi College, Cambridge,”—he rolled out the alliterative phrase with great sonority—“and I know the talk in the Combination Room; but it’s pedantic—pedantic. Not ripe and mellow like ours.”

      “I’m not a brainy chap like you others,” said Billiter, wiping his dragoon’s moustache, “but I like to have my mind improved, now and then.”

      “Do you know the Noctes, Huckaby?” asked Quixtus. “Of course you do. What do you think of them?”

      “I suppose you like them,” replied Huckaby, “because you are an essentially scientific and not a literary man. But I think them dull.”

      “I don’t call them dull,” Quixtus argued, “but to my mind they’re pretentious. I don’t like their sham heartiness, their slap-on-the-back-and-how-are-you-old-fellow tone, their impossible Pantagruelian banquets——”

      The hungry wolf’s face of Vandermeer lit up. “That’s what I like about them—the capons—the pies—the cockaleeky—the haggises——”

      “I remember a supper-party at Oxford,” said Billiter, “when there was a haggis, and one chap who was awfully tight insisted that a haggis ought to be turned like an omelette or tossed like a pancake. He tossed it. My God! You never saw such a thing in your life!”

      So they all talked according to the several necessities of their natures, and at last Quixtus informed his guests that he was to sit for his portrait to Miss Clementina Wing.

      “I believe she is really quite capable,” said Huckaby, judicially, stroking his straggling beard.

      “I know her,” cried Vandermeer. “A most charming woman.”

      Quixtus raised his eyebrows.

      “I’m glad to hear you say so,” said he. “She is a sort of distant connection of mine by marriage.”

      “I interviewed her,” said Vandermeer.

      “Good Lord!” The exclamation on the part of Quixtus was inaudible.

      “I was doing a series of articles—very important articles,” said Vandermeer, with an assertive glance around the table, “on Women Workers of To-day, and of course Miss Clementina Wing came into it. I called and put the matter before her.”

      He paused dramatically.

      “And then?” asked Quixtus amused.

      “We went out to lunch in a restaurant and she gave me all the material necessary for my article. A most charming woman, who I think will do you justice, Quixtus.”

      When his friends had gone, each, by the way, diving furtive and searching hands into their great-coat pockets, as soon as they had been helped into these garments by the butler—and here, by the way also, be it stated that, no matter how sultry the breath of summer or how frigid that of fortune, they never failed to bring overcoats to hang, for all the world like children’s stockings for Santa Claus, on the familiar pegs—when his friends were gone, Quixtus, who had an elementary sense of humour, failed entirely to see an expansive and notoriety-seeking Clementina lunching tête-à-tête at the Carlton or the Savoy with Theodore Vandermeer. In point of fact, he fell asleep smiling at the picture.

      The next day, while he was at breakfast—he breakfasted rather late—Tommy Burgrave was announced. Tommy, who had already eaten with the appetite of youth, immediately after his cold bath, declined to join his uncle in a meal, but for the sake of sociability trifled with porridge, kidneys, cold ham, hot rolls and marmalade, while Quixtus feasted on a soft-boiled egg and a piece of dry toast. When his barmecide meal was over, Tommy came to the business of the day. For some inexplicable, unconjecturable reason his monthly allowance had gone, disappeared, vanished into the Ewigkeit. What in the world was he to do?

      Now it must be explained that Tommy Burgrave was an orphan, the son of Ephraim Quixtus’s only sister, and his whole personal estate a sum of money invested in a mortgage which brought him in fifty pounds a year. On fifty pounds a year a young man cannot lead the plenteous life as far as food and raiment are concerned, rent a studio (even though it be a converted first-floor back, as Tommy’s was) and a bedroom in Romney Place, travel (even on a bicycle, as Tommy did) about England, and entertain ladies to dinner at restaurants—even though the ladies may be only models, and the restaurants in Soho. He must have other financial support. This other financial support came to him in the guise of a generous allowance from his uncle. But as the generosity of his instincts—and who in the world would be a cynic, animated blight, curmudgeon enough to check the generous instincts of youth?—as, I say, the generosity of his instincts outran the generosity of his allowance, towards the end of every month Tommy found himself in a most naturally inexplicable position. At the end of the month, therefore, Tommy came to Russell Square and trifled with porridge, kidneys, cold ham, hot rolls and marmalade, while his uncle feasted on a soft-boiled egg and a piece of dried toast, and, at the end of his barmecide feast, came to business.

      On the satisfactory conclusion thereof (and it had never been known to be otherwise) Tommy lit a cigar—he liked his uncle’s cigars.

      “Well,” said he, “what do you think of Clementina?”

      “I think,” said Quixtus, with a faint luminosity lighting his china-blue eyes, “I think that Clementina, being an artist, is a problem. But if she weren’t an artist and in a different class of life, she would be a model old family servant in a great house in which the family, by no chance whatever, resided.”

      Tommy laughed. “It seemed tremendously funny to bring you two together.”

      Quixtus smiled indulgently. “So it was a practical joke on your part?”

      “Oh no!” cried Tommy, flaring up. “You mustn’t think that. There’s only one painter living who has, her power—and I’m one СКАЧАТЬ