TALES OF THE SEA: 12 Maritime Adventure Novels in One Volume (Illustrated). Джеймс Фенимор Купер

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СКАЧАТЬ as any gun of their size and height above the water, or won’t scatter grape and canister with any blunderbuss in your ship, you may possibly find an opportunity that will convince you to the contrary, before we part company.”

      “They promise well,” said the pilot, who was evidently, ignorant of the good understanding that existed between the two officers, and wished to conciliate all under his directions; “and I doubt not they will argue the leading points of a combat with good discretion. I see that you have christened them—I suppose for their respective merits. They are indeed expressive names!”

      “‘Tis the freak of an idle moment,” said Barnstable, laughing, as he glanced his eye to the cannon, above which were painted the several quaint names of “boxer,” “plumper,” “grinder,” “scatterer,” “exterminator” and nail-driver.”

      “Why have you thrown the midship gun without the pale of your baptism?” asked the pilot; “or do you know it by the usual title of the ‘old woman’?”

      “No, no, I have no such petticoat terms on board me,” cried the other; “but move more to starboard, and you will see its style painted on the cheeks of the carriage; it’s a name that need not cause them to blush either.”

      “‘Tis a singular epithet, though not without some meaning!”

      “It has more than you, perhaps, dream of, sir. That worthy seaman whom you see leaning against the foremast, and who would serve, on occasion, for a spare spar himself, is the captain of that gun, and more than once has decided some warm disputes with John Bull, by the manner in which he has wielded it. No marine can trail his musket more easily than my cockswain can train his nine-pounder on an object; and thus from their connection, and some resemblance there is between them in length, it has got the name which you perceive it carries—that of ‘long Tom.’”

      The pilot smiled as he listened, but turning away from the speaker, the deep reflection that crossed his brow but too plainly showed that he trifled only from momentary indulgence; and Griffith intimated to Barnstable, that as the gale was sensibly abating they would pursue the object of their destination.

      Thus recalled to his duty, the commander of the schooner forgot the delightful theme of expatiating on the merits of his vessel, and issued the necessary orders to direct their movements. The little schooner slowly obeyed the impulse of her helm, and fell off before the wind, when the folds of her square-sail, though limited by a prudent reef, were opened to the blasts, and she shot away from her consort, like a meteor dancing across the waves. The black mass of the frigate’s hull soon sunk in distance; and long before the sun had fallen below the hills of England, her tall masts were barely distinguishable by the small cloud of sail that held the vessel to her station. As the ship disappeared, the land seemed to issue out of the bosom of the deep; and so rapid was their progress, that the dwellings of the gentry, the humbler cottages, and even the dim lines of the hedges, became gradually more distinct to the eyes of the bold mariners, until they were beset with the gloom of evening, when the whole scene faded from their view in the darkness of the hour, leaving only the faint outline of the land visible in the tract before them, and the sullen billows of the ocean raging with appalling violence in their rear.

      Still the little Ariel held on her way, skimming the ocean like a water-fowl seeking its place of nightly rest, and shooting in towards the land as fearlessly as if the dangers of the preceding night were already forgotten. No shoals or rocks appeared to arrest her course, and we must leave her gliding into the dark streak that was thrown from the high and rocky cliffs, that lined a basin of bold entrance, where the mariners often sought and found a refuge from the dangers of the German Ocean.

Chapter IX

       Table of Contents

      “Sirrah! how dare you leave your barley-broth

       To come in armor thus, against your king?”

      —Drama

      The large irregular building inhabited by Colonel Howard well deserved the name it had received from the pen of Katherine Plowden. Notwithstanding the confusion in its orders, owing to the different ages in which its several parts had been erected, the interior was not wanting in that appearance of comfort which forms the great characteristic of English domestic life. Its dark and intricate mazes of halls, galleries, and apartments were all well provided with good and substantial furniture; and whatever might have been the purposes of their original construction, they were now peacefully appropriated to the service of a quiet and well-ordered family.

      There were divers portentous traditions of cruel separations and blighted loves, which always linger, like cobwebs, around the walls of old houses, to be heard here also, and which, doubtless, in abler hands, might easily have been wrought up into scenes of high interest and delectable pathos. But our humbler efforts must be limited by an attempt to describe man as God has made him, vulgar and unseemly as he may appear to sublimated faculties, to the possessors of which enviable qualifications we desire to say, at once, that we are determined to eschew all things supernaturally refined, as we would the devil. To all those, then, who are tired of the company of their species we would bluntly insinuate, that the sooner they throw aside our pages, and seize upon those of some more highly gifted bard, the sooner will they be in the way of quitting earth, if not of attaining heaven. Our business is solely to treat of man, and this fair scene on which he acts, and that not in his subtleties, and metaphysical contradictions, but in his palpable nature, that all may understand our meaning as well as ourselves—whereby we may manifestly reject the prodigious advantage of being thought a genius, by perhaps foolishly refusing the mighty aid of incomprehensibility to establish such a character.

      Leaving the gloomy shadows of the cliffs, under which the little Ariel had been seen to steer, and the sullen roaring of the surf along the margin of the ocean, we shall endeavor to transport the reader to the dining parlor of St. Ruth’s Abbey, taking the evening of the same day as the time for introducing another collection of those personages, whose acts and characters it has become our duty to describe.

      The room was not of very large dimensions, and every part was glittering with the collected light of half a dozen Candles, aided by the fierce rays that glanced from the grate, which held a most cheerful fire of sea-coal. The mouldings of the dark oak wainscoting threw back upon the massive table of mahogany streaks of strong light, which played among the rich fluids that were sparkling on the board in mimic haloes. The outline of this picture of comfort was formed by damask curtains of a deep red, and enormous oak chairs with leathern backs and cushioned seats, as if the apartment were hermetically sealed against the world and its chilling cares.

      Around the table, which still stood in the centre of the floor, were seated three gentlemen, in the easy enjoyment of their daily repast. The cloth had been drawn, and the bottle was slowly passing among them, as if those who partook of its bounty well knew that neither the time nor the opportunity would be wanting for their deliberate indulgence in its pleasures.

      At one end of the table an elderly man was seated, who performed whatever little acts of courtesy the duties of a host would appear to render necessary, in a company where all seemed to be equally at their ease and at home. This gentleman was in the decline of life, though his erect carriage, quick movements, and steady hand, equally denoted that it was an old age free from the usual infirmities. In his dress, he belonged to that class whose members always follow the fashions of the age anterior to the one in which they live, whether from disinclination to sudden changes of any kind, or from the recollections of a period which, with them, has been hallowed by scenes and feelings that the chilling evening of life can neither revive nor equal. Age might possibly have thrown its blighting frosts on his thin locks, but art had СКАЧАТЬ