From sketch-book and diary. Elizabeth Butler

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      I WISH you would make a summer tour to Mayo. It is simple; yet what a change of scene, of sensations, of thoughts one secures by this simple and direct journey—Euston, Holyhead, Dublin, Mulranny. You travel right across Ireland, getting a very informing vista of the poverty and stagnation of those Midland counties till your eyes greet the glorious development of natural beauty on the confines of the sea-girt Western land. I went there tired from London and came on a scene of the most perfect repose imaginable, with the sound of the motor buses still buzzing in my ears.

      Mulranny is supremely healthy—a place of rosy cheeks and sunburn, bracing yet genial, clear-aired, majestic in its scenery, unspoilt. As you near your journey’s end and enter Mayo the change in the scenery from the emptiness of Roscommon develops rapidly. Magnificent mountains rise on the horizon, and the grandeur of the landscape grows into extraordinary beauty as the train rounds into Clew Bay. The great cone of Croagh Patrick rises in striking isolation at first, and then the surrounding mountains, one by one, join it in lovely outlines against the fresh clean sky. It was a beautiful afternoon when I was introduced to this memorable landscape, and the waters of the Bay were quite calm. After sunset the crescent moon gave the culminating charm to the lovely scene in the west, while to the south the red planet Mars flamed above Croagh Patrick, and all this beauty was mirrored in the Bay. What an emancipation from the fret and fuss of little Piccadilly in a hot July to find oneself before these mountain forms and colours that have not changed since the cooling of the earth. You might travel farther a great way and not find such a virgin land.

       CROAGH PATRICK

      And there is Achill Island, a one-day’s excursion from Mulranny, poignantly melancholy in its beauty and remoteness beyond anything I have seen in the west. Achill has often been described; it holds the traveller’s attention with a wild appeal to his heart; but I don’t know that one little detail of that land “beyond the beyond” has ever been described. It is Achill’s mournful little Pompeii, a village of the dead, on a bare hillside, which we passed one day on our way to an unfrequented part of the island. This village was deserted in the awful famine year of ’47, some of the inhabitants creeping away in fruitless search of work and food to die farther afield, others simply sinking down on the home sod that could give them nothing but the grave. In the bright sunshine its roofless cabins and grass-grown streets looked more heart-breaking than they might have done in dismal rain. I wish I could have made a sketch of it as I saw it that day—a subject strongly attracting the attention of the mind rather than the eye. Pictorial beauty there was none.

      Everywhere in this country there is that heart-piercing contrast between natural beauty and human adversity—that companionship of sun and sorrow. But the light and the darkness seem blended by the unquestioning faith of these rugged Christians into a solemn unity and harmony before which any words of mine sound only like so much dilettantism.

      See here another bit of chapel interior. A rough, plain little building, too formless to be picturesque, packed with peasant men, women, and children. Where but in Ireland could such a scene take place as I witnessed there? The priest, before the beginning of the service, gave a tremendous swish of holy water to the congregation with a mop out of a zinc pail, from the altar. He had previously heard nearly half the congregation’s confessions, men, women, boys, and girls kneeling in turn beside his chair at one side of the altar, without any sort of screen. I wondered, as they pressed round him, that they did not overhear each other, but indeed I reflected that would be “no matther whativer,” as these people must have but little to tell!

      The server ran a match along the earthen floor to light the two guttering, unequal candles on the altar, and at the end of Mass he produced the mop and zinc pail again. Swish went the holy water once more from the mop, wielded by the athletic sword-arm of the gigantic young priest. For fear the nearer people should have been but poorly sprinkled under that far-reaching arc of water, which went to the very end wall of the chapel, he soused the mop again with a good twist and gave everybody in the front benches a sharp whack full in their faces, tactfully leaving us out. They received it with beaming and grateful smiles.

      There are wonderful studies of old men’s and women’s heads here full of that character which in the more “educated” parts of Ireland the School Board seems to be rubbing out, and I was delighted to see the women and girls wearing the head-shawls and white caps and the red petticoats that charmed me in Kerry in ’77. The railway is sure to bring the dreadful “Frenchy” hat here in time, and then good-bye to the comely appearance of these women. Their wild beauty undergoes an extraordinary change under the absurd hat and feathers—these winsome colleens then lose all their charm.

      Yet I must thank this same railway for having brought us to this haven of rest, right up to the doors of a charming, very modern hotel, on quite different lines from the dear little inn that fascinated me in the old Glenaragh days. In its way it is fascinating too, for here you have all the up-to-date amenities in the very heart of the wildest country you could wish for. The electric light is generated by the mountain streams and the baths filled from the glorious bay that lies below the hotel terraces, a never-failing delight in all its moods of sun and shadow, wind and calm.

      Sad it is to see so many cabins deserted. The strength of the country is ebbing away. The few people that are left are nice and wholesome in mind and manner; they have the quiet urbanity of the true peasant all the world over. They remind me of the Tuscan in this particular, but, of course, they have not his light-heartedness. More seriousness, I should think, these Irish have. I was sketching sheep, for a contemplated picture, in the evenings on the lovely marshes by the sea, and one evening a widow, left completely lonely in her little cabin on the heights above by the departure for America of her last child, came down to fetch home her solitary sheep from amongst the others, and I told her I thought these creatures were leading a very happy life. “Yes,” she answered, pausing for a moment and looking down on the flock, “and they are without sin.”

       CLEW BAY, CO. MAYO

      At the ringing of the Angelus the work in the fields, the bogs, the potato patches stops till the words of St. Luke’s Gospel have been repeated, just as we remember them said in Italy. It was a surprise—and one of great interest to me—when I first saw peasants saying the Angelus under a northern sky.

      My studies of the wild mountain sheep on the marshes came to an abrupt close. I was reposing under a rock (it was well on in July) with palette and panels ready, waiting for the sunset and its after-glow, to get final precious notes of colour upon the fleeces. One particular sheep had been a very useful model. It ambled in a graceful way on three legs and we called it “Pacer.” I became aware of an opaque body rising between my closed eyes and the sun, and looking up I beheld the head of “Pacer” peering at me over the edge of the rock over my head. But what had happened to “Pacer’s” neck? Good gracious! I СКАЧАТЬ