THE GOTHIC WORKS OF EDGAR ALLAN POE (Illustrated Edition). Эдгар Аллан По

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СКАЧАТЬ Baron Metzengerstein, was, on the other hand, not yet of age. His father, the Minister G — died young. His mother, the Lady Mary, followed him quickly after. Frederick was, at that time, in his fifteenth year. In a city, fifteen years are no long period — a child may be still a child in his third lustrum: but in a wilderness — in so magnificent a wilderness as that old principality, fifteen years have a far deeper meaning.

      The beautiful Lady Mary! How could she die? — and of consumption! But it is a path I have prayed to follow. I would wish all I love to perish of that gentle disease. How glorious — to depart in the heyday of the young blood — the heart of all passion — the imagination all fire — amid the remembrances of happier days — in the fall of the year — and so be buried up forever in the gorgeous autumnal leaves!

      Thus died the Lady Mary. The young Baron Frederick stood without a living relative by the coffin of his dead mother. He placed his hand upon her placid forehead. No shudder came over his delicate frame — no sigh from his flinty bosom. Heartless, self-willed and impetuous from his childhood, he had reached the age of which I speak through a career of unfeeling, wanton, and reckless dissipation; and a barrier had long since arisen in the channel of all holy thoughts and gentle recollections.

      From some peculiar circumstances attending the administration of his father, the young Baron, at the decease of the former, entered immediately upon his vast possessions. Such estates were seldom held before by a nobleman of Hungary. His castles were without number. The chief in point of splendor and extent was the “Chateau Metzengerstein.” The boundary line of his dominions was never clearly defined; but his principal park embraced a circuit of fifty miles.

      Upon the succession of a proprietor so young, with a character so well known, to a fortune so unparalleled, little speculation was afloat in regard to his probable course of conduct. And, indeed, for the space of three days, the behavior of the heir out-heroded Herod, and fairly surpassed the expectations of his most enthusiastic admirers. Shameful debaucheries — flagrant treacheries — unheard-of atrocities — gave his trembling vassals quickly to understand that no servile submission on their part — no punctilios of conscience on his own — were thenceforward to prove any security against the remorseless fangs of a petty Caligula. On the night of the fourth day, the stables of the castle Berlifitzing were discovered to be on fire; and the unanimous opinion of the neighborhood added the crime of the incendiary to the already hideous list of the Baron’s misdemeanors and enormities.

      But during the tumult occasioned by this occurrence, the young nobleman himself sat apparently buried in meditation, in a vast and desolate upper apartment of the family palace of Metzengerstein. The rich although faded tapestry hangings which swung gloomily upon the walls, represented the shadowy and majestic forms of a thousand illustrious ancestors. Here, rich-ermined priests, and pontifical dignitaries, familiarly seated with the autocrat and the sovereign, put a veto on the wishes of a temporal king, or restrained with the fiat of papal supremacy the rebellious sceptre of the Arch-enemy. There, the dark, tall statures of the Princes Metzengerstein — their muscular war-coursers plunging over the carcasses of fallen foes — startled the steadiest nerves with their vigorous expression; and here, again, the voluptuous and swan-like figures of the dames of days gone by, floated away in the mazes of an unreal dance to the strains of imaginary melody.

      But as the Baron listened, or affected to listen, to the gradually increasing uproar in the stables of Berlifitzing — or perhaps pondered upon some more novel, some more decided act of audacity — his eyes became unwittingly rivetted to the figure of an enormous, and unnaturally colored horse, represented in the tapestry as belonging to a Saracen ancestor of the family of his rival. The horse itself, in the foreground of the design, stood motionless and statue-like — while farther back, its discomfited rider perished by the dagger of a Metzengerstein.

      On Frederick’s lip arose a fiendish expression, as he became aware of the direction which his glance had, without his consciousness, assumed. Yet he did not remove it. On the contrary, he could by no means account for the overwhelming anxiety which appeared falling like a pall upon his senses. It was with difficulty that he reconciled his dreamy and incoherent feelings with the certainty of being awake. The longer he gazed the more absorbing became the spell — the more impossible did it appear that he could ever withdraw his glance from the fascination of that tapestry. But the tumult without becoming suddenly more violent, with a compulsory exertion he diverted his attention to the glare of ruddy light thrown full by the flaming stables upon the windows of the apartment.

      The action, however, was but momentary, his gaze returned mechanically to the wall. To his extreme horror and astonishment, the head of the gigantic steed had, in the meantime, altered its position. The neck of the animal, before arched, as if in compassion, over the prostrate body of its lord, was now extended, at full length, in the direction of the Baron. The eyes, before invisible, now wore an energetic and human expression, while they gleamed with a fiery and unusual red; and the distended lips of the apparently enraged horse left in full view his gigantic and disgusting teeth.

      Stupefied with terror, the young nobleman tottered to the door. As he threw it open, a flash of red light, streaming far into the chamber, flung his shadow with a clear outline against the quivering tapestry, and he shuddered to perceive that shadow — as he staggered awhile upon the threshold — assuming the exact position, and precisely filling up the contour, of the relentless and triumphant murderer of the Saracen Berlifitzing.

      To lighten the depression of his spirits, the Baron hurried into the open air. At the principal gate of the palace he encountered three equerries. With much difficulty, and at the imminent peril of their lives, they were restraining the convulsive plunges of a gigantic and fiery-colored horse.

      “Whose horse? Where did you get him?” demanded the youth, in a querulous and husky tone of voice, as he became instantly aware that the mysterious steed in the tapestried chamber was the very counterpart of the furious animal before his eyes.

      “He is your own property, sire,” replied one of the equerries, “at least he is claimed by no other owner. We caught him flying, all smoking and foaming with rage, from the burning stables of the Castle Berlifitzing. Supposing him to have belonged to the old Count’s stud of foreign horses, we led him back as an estray. But the grooms there disclaim any title to the creature; which is strange, since he bears evident marks of having made a narrow escape from the flames.

      “The letters W. V. B. are also branded very distinctly on his forehead,” interrupted a second equerry, “I supposed them, of course, to be the initials of Wilhelm Von Berlifitzing — but all at the castle are positive in denying any knowledge of the horse.”

      “Extremely singular!” said the young Baron, with a musing air, and apparently unconscious of the meaning of his words. “He is, as you say, a remarkable horse — a prodigious horse! although, as you very justly observe, of a suspicious and untractable character, let him be mine, however,” he added, after a pause, “perhaps a rider like Frederick of Metzengerstein, may tame even the devil from the stables of Berlifitzing.”

      “You are mistaken, my lord; the horse, as I think we mentioned, is not from the stables of the Count. If such had been the case, we know our duty better than to bring him into the presence of a noble of your family.”

      “True!” observed the Baron, dryly, and at that instant a page of the bedchamber came from the palace with a heightened color, and a precipitate step. He whispered into his master’s ear an account of the sudden disappearance of a small portion of the tapestry, in an apartment which he designated; entering, at the same time, into particulars of a minute and circumstantial character; but from the low tone of voice in which these latter were communicated, nothing escaped to gratify the excited curiosity of the equerries.

      The young Frederick, during the conference, seemed agitated by a variety of emotions. He soon, СКАЧАТЬ