A CHILD OF THE JAGO (Old London Slum Series). Morrison Arthur

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СКАЧАТЬ splashed and speckled, as though from an eruption of inherent plaster. In moments of pride he declared himself the only member of his family who had ever learned a trade, and worked at it. It was a long relinquished habit, but while it lasted he had married a decent boiler-maker’s daughter, who had known nothing of the Jago till these latter days. One other boast Josh Perrott had: that nothing but shot or pointed steel could hurt him. And this, too, was near being a true boast; as he had proved in more than one fight in the local arena—which was Jago Court. Now he sat peaceably on the edge of the bed, and plucked with his fingers at the oily fish, while his wife grubbed hopelessly about the cupboard shelves for the screw of paper which was the sugar-basin.

      Dicky entered at a burst. ‘Mother—father—look! I done a click! I got a clock—a red ‘un!’

      Josh Perrott stopped, jaw and hand, with a pinch of fish poised in air. The woman turned, and her chin fell. ‘O, Dicky, Dicky,’ she cried, in real distress, ‘you’re a awful low, wicked boy. My Gawd, Josh, ‘e—‘e’ll grow up bad: I said so.’

      Josh Perrott bolted the pinch of fish, and sucked his fingers as he sprang to the door. After a quick glance down the stairs he shut it, and turned to Dicky. ‘Where d’je get that, ye young devel?’ he asked, and snatched the watch.

      ‘Claimed it auf a ol’ bloke w’en ‘e was drinkin’ ‘is tea,’ Dicky replied, with sparkling eyes. ‘Let’s ‘ave a look at it, father.’

      ‘Did ‘e run after ye?’

      ‘No—didn’t know nuffin’ about it. I cut ‘is bit o’ ribbin with my knife.’ Dicky held up a treasured relic of blade and handle, found in a gutter. ‘Ain’ cher goin’ to let’s ‘ave a look at it?’

      Josh Perrott looked doubtfully toward his wife: the children were chiefly her concern. Of her sentiments there could be no mistake. He slipped the watch into his own pocket, and caught Dicky by the collar.

      ‘I’ll give you somethink, you dam young thief,’ he exclaimed, slipping off his belt. ‘You’d like to have us all in stir for a year or two, I s’pose; goin’ thievin’ watches like a growed-up man.’ And he plied the belt savagely, while Dicky, amazed, breathless and choking, spun about him with piteous squeals, and the baby woke and puled in feeble sympathy.

      There was a rip, and the collar began to leave the old jacket. Feeling this, Josh Perrott released it, and with a quick drive of the fist in the neck sent Dicky staggering across the room. Dicky caught at the bed frame, and limped out to the landing, sobbing grievously in the bend of his sleeve.

      It was more than his mother had intended, but she knew better than to attempt interference. Now that he was gone, she said, with some hesitation: ”Adn’t you better take it out at once, Josh?’

      ‘Yus, I’m goin’,’ Josh replied, turning the watch in his hand. ‘It’s a good ‘un—a topper.’

      ‘You—you won’t let Weech ‘ave it, will ye, Josh? ‘E—‘e never gives much.’

      ‘No bloomin’ fear. I’m goin’ up ‘Oxton with this ‘ere.’

      Dicky sobbed his way down the stairs and through the passage to the back. In the yard he looked for Tommy Rann, to sympathise. But Tommy was not, and Dicky paused in his grief to reflect that perhaps, indeed, in the light of calm reason, he would rather cast the story of the watch in a more heroic mould, for Tommy’s benefit, than was compatible with tears and a belted back. So he turned and squeezed through a hole in the broken fence, sobbing again, in search of the friend that shared his inmost sorrows.

      The belting was bad—very bad. There was broken skin on his shins where the strap had curled round, and there was a little sticky blood under the shirt half way up his back: to say nothing of bruises. But it was the hopeless injustice of things that shook him to the soul. Wholly unaided, he had done, with neatness and credit, a click that anybody in the Jago would have been proud of. Overjoyed, he had hastened to receive the commendations of his father and mother, and to place the prize in their hands, freely and generously, though perhaps with some hope of hot supper by way of celebration. And his reward was this. Why? He could understand nothing: could but feel the wrong that broke his heart. And so, sobbing, he crawled through two fences to weep on the shaggy neck of Jerry Gullen’s canary.

      Jerry Gullen’s canary was no bird, but a donkey: employed by Jerry Gullen in his occasional intervals of sobriety to drag a cranky shallow, sometimes stored with glass bottles, rags, and hearth-stone: sometimes with firewood manufactured from a convenient hoarding, or from the joinery of an empty house: sometimes with empty sacks covering miscellaneous property suddenly acquired and not for general inspection. His vacations, many and long, Jerry Gullen’s canary spent, forgotten and unfed, in Jerry Gullen’s back-yard: gnawing desperately at fences, and harrowing the neighbourhood with his bray. Thus the nickname, facetiously applied by Kiddo Cook in celebration of his piteous song, grew into use; and ‘Canary’ would call the creature’s attention as readily as a mouthful of imprecations.

      Jerry Gullen’s canary was gnawing, gnawing, with a sound as of a crooked centre-bit. Everywhere about the foul yard, ten or twelve feet square, wood was rounded and splintered and bitten white, and as the donkey turned his heavy head, a drip of blood from his gums made a disc on the stones. A twitch of the ears welcomed Dicky, grief-stricken as he was; for it was commonly thus that he bethought him of solace in Jerry Gullen’s back-yard. And so Dicky, his arms about the mangy neck, told the tale of his wrongs till consolation came in composition of the heroic narrative designed for Tommy Rann.

      ‘O, Canary, it is a blasted shame!’

      CHAPTER IV

       Table of Contents

      WHEN Dicky Perrott came running into Jago Row with the Bishop’s watch in his pocket, another boy punched a fist at him, and at the time Dicky was at a loss to guess the cause—unless it were a simple caprice—but stayed neither to inquire nor to retaliate. The fact was that the Ranns and the Learys were coming out, fighting was in the air, and the small boy, meeting another a trifle smaller, punched on general principles. The Ranns and the Learys, ever at war or in guarded armistice, were the great rival families—the Montagues and the Capulets—of the old Jago. The Learys indeed, scarce pretended to rivalry—rather to factious opposition. For the Ranns gloried in the style and title of the ‘Royal Family,’ and dominated the Jago; but there were mighty fighters, men and women, among the Learys, and when a combat arose it was a hard one and an animated. The two families ramified throughout the Jago; and under the Rann standard, whether by kin or by custom, were the Gullens, the Fishers, the Spicers, and the Walshes; while in the Leary train came Dawsons, Greens, and Harnwells. So that near all the Jago was wont to be on one side or the other, and any of the Jago which was not, was apt to be the worse for it; for the Ranns drubbed all them that were not of their faction in the most thorough and most workmanlike manner, and the Learys held by the same practice; so that neutrality meant double drubbing. But when the Ranns and Learys combined, and the Old Jago issued forth in its entire might against Dove Lane, then the battle was one to go miles to see.

      This, however, was but a Rann and Leary fight; and it was but in its early stages when Dicky Perrott, emerging from Jerry Gullen’s back-yard, made for Shoreditch High Street by way of the ‘Posties’—the passage with posts at the end of Old Jago Street. His purpose was to snatch a handful of hay from some passing waggon, or of mixed fodder from some unguarded nosebag, wherewith to reward the sympathy of Jerry Gullen’s canary. But by the ‘Posties,’ at the Edge Lane corner, Tommy Rann, capless, and with a purple СКАЧАТЬ