Eric Brighteyes. Генри Райдер Хаггард

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СКАЧАТЬ As we read we seem to hear the voice of Doom speaking continually. “Things will happen as they are fated”: that is the keynote of them all. The Norse mind had little belief in free will, less even than we have to-day. Men and women were born with certain characters and tendencies, given to them in order that their lives should run in appointed channels, and their acts bring about an appointed end. They do not these things of their own desire, though their desires prompt them to the deeds: they do them because they must. The Norns, as they name Fate, have mapped out their path long and long ago; their feet are set therein, and they must tread it to the end. Such was the conclusion of our Scandinavian ancestors—a belief forced upon them by their intense realisation of the futility of human hopes and schemings, of the terror and the tragedy of life, the vanity of its desires, and the untravelled gloom or sleep, dreamless or dreamfull, which lies beyond its end.

      Though the Sagas are entrancing, both as examples of literature of which there is but little in the world and because of their living interest, they are scarcely known to the English-speaking public. This is easy to account for: it is hard to persuade the nineteenth century world to interest itself in people who lived and events that happened a thousand years ago. Moreover, the Sagas are undoubtedly difficult reading. The archaic nature of the work, even in a translation; the multitude of its actors; the Norse sagaman’s habit of interweaving endless side-plots, and the persistence with which he introduces the genealogy and adventures of the ancestors of every unimportant character, are none of them to the taste of the modern reader.

      “Eric Brighteyes” therefore, is clipped of these peculiarities, and, to some extent, is cast in the form of the romance of our own day, archaisms being avoided as much as possible. The author will be gratified should he succeed in exciting interest in the troubled lives of our Norse forefathers, and still more so if his difficult experiment brings readers to the Sagas—to the prose epics of our own race. Too ample, too prolix, too crowded with detail, they cannot indeed vie in art with the epics of Greece; but in their pictures of life, simple and heroic, they fall beneath no literature in the world, save the Iliad and the Odyssey alone.

ERIC BRIGHTEYES

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I

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HOW ASMUND THE PRIEST FOUND GROA THE WITCH

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      There lived a man in the south, before Thangbrand, Wilibald’s son, preached the White Christ in Iceland. He was named Eric Brighteyes, Thorgrimur’s son, and in those days there was no man like him for strength, beauty and daring, for in all these things he was the first. But he was not the first in good-luck.

      Two women lived in the south, not far from where the Westman Islands stand above the sea. Gudruda the Fair was the name of the one, and Swanhild, called the Fatherless, Groa’s daughter, was the other. They were half-sisters, and there were none like them in those days, for they were the fairest of all women, though they had nothing in common except their blood and hate.

      Now of Eric Brighteyes, of Gudruda the Fair and of Swanhild the Fatherless, there is a tale to tell.

      These two fair women saw the light in the self-same hour. But Eric Brighteyes was their elder by five years. The father of Eric was Thorgrimur Iron-Toe. He had been a mighty man; but in fighting with a Baresark,[*] who fell upon him as he came up from sowing his wheat, his foot was hewn from him, so that afterwards he went upon a wooden leg shod with iron. Still, he slew the Baresark, standing on one leg and leaning against a rock, and for that deed people honoured him much. Thorgrimur was a wealthy yeoman, slow to wrath, just, and rich in friends. Somewhat late in life he took to wife Saevuna, Thorod’s daughter. She was the best of women, strong in mind and second-sighted, and she could cover herself in her hair. But these two never loved each other overmuch, and they had but one child, Eric, who was born when Saevuna was well on in years.

       [*] The Baresarks were men on whom a passing fury of battle

       came; they were usually outlawed.

      The father of Gudruda was Asmund Asmundson, the Priest of Middalhof. He was the wisest and the wealthiest of all men who lived in the south of Iceland in those days, owning many farms and, also, two ships of merchandise and one long ship of war, and having much money out at interest. He had won his wealth by viking’s work, robbing the English coasts, and black tales were told of his doings in his youth on the sea, for he was a “red-hand” viking. Asmund was a handsome man, with blue eyes and a large beard, and, moreover, was very skilled in matters of law. He loved money much, and was feared of all. Still, he had many friends, for as he aged he grew more kindly. He had in marriage Gudruda, the daughter of Björn, who was very sweet and kindly of nature, so that they called her Gudruda the Gentle. Of this marriage there were two children, Björn and Gudruda the Fair; but Björn grew up like his father in youth, strong and hard, and greedy of gain, while, except for her wonderful beauty, Gudruda was her mother’s child alone.

      The mother of Swanhild the Fatherless was Groa the Witch. She was a Finn, and it is told of her that the ship on which she sailed, trying to run under the lee of the Westman Isles in a great gale from the north-east, was dashed to pieces on a rock, and all those on board of her were caught in the net of Ran[*] and drowned, except Groa herself, who was saved by her magic art. This at the least is true, that, as Asmund the Priest rode down by the sea-shore on the morning after the gale, seeking for some strayed horses, he found a beautiful woman, who wore a purple cloak and a great girdle of gold, seated on a rock, combing her black hair and singing the while; and, at her feet, washing to and fro in a pool, was a dead man. He asked whence she came, and she answered:

      “Out of the Swan’s Bath.”

      [*] The Norse goddess of the sea.

      Next, he asked her where were her kin. But, pointing to the dead man, she said that this alone was left of them.

      “Who was the man, then?” said Asmund the Priest.

      She laughed again and sang this song:—

       Groa sails up from the Swan’s Bath,

       Death Gods grip the Dead Man’s hand.

       Look where lies her luckless husband,

       Bolder sea-king ne’er swung sword!

       Asmund, keep the kirtle-wearer,

       For last night the Norns were crying,

       And Groa thought they told of thee:

       Yea, told of thee and babes unborn.

      “How knowest thou my name?” asked Asmund.

      “The sea-mews cried it as the ship sank, thine and others—and they shall be heard in story.”

      “Then that is the best of luck,” quoth Asmund; “but I think that thou art fey.”[*]

       [*] I.e. subject to supernatural presentiments, generally

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