Popular Tales from the Norse. Anonymous
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Название: Popular Tales from the Norse

Автор: Anonymous

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664645951

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СКАЧАТЬ of outwitting him. In the tale called 'Well Done and Ill Paid', No. xxxviii, the crafty fox puts a finish to his misbehaviour to his 'Lord Bruin', by handing him over, bound hand and foot, to the peasant, and by causing his death outright. Here, too, we have an example, which we shall see repeated in the case of the giants, that strength and stature are not always wise, and that wit and wisdom never fail to carry the day against mere brute force. Another tale, however, restores the bear to his true place as the king of beasts, endowed not only with strength, but with something divine and terrible about him which the Trolls cannot withstand. This is 'The Cat on the Dovrefell', No. xii. In connection with which, it should be remembered that the same tradition existed in the thirteenth century in Germany,[Grimm, Irisch. Elfenm., 114–9, and D. M., 447.] that the bear is called familiarly grandfather in the North, and that the Lapps reckon him rather as akin to men than beasts; that they say he has the strength of ten and the wit of twelve men. If they slay him, they formally beg his pardon, as do also the Ostjaks, a tribe akin to the Lapps, and bring him to their huts with great formalities and mystic songs. To the Wolf, whose nickname is 'Graylegs', [28] these tales are more complimentary. He is not the spiteful, stupid, greedy Isengrim of Germany and France. Not that Isengrim, of whom old English fables of the thirteenth century tell us that he became a monk, but when the brethren wished to teach him his letters that he might learn the paternoster, all they could get out of him was lamb, lamb; nor could they ever get him to look to the cross, for his eyes, with his thoughts, 'were ever to the woodward'. [Douce, Illust. to Shakspeare, ii, 33, 344, quoted in Reinhart Fuchs, ccxxi.] He appears, on the contrary, in 'The Giant who had no Heart in his body', No. ix, as a kindly grateful beast, who repays tenfold out of the hidden store of his supernatural sagacity the gift of the old jade, which Boots had made over to him.

      The horse was a sacred animal among the Teutonic tribes from the first moment of their appearance in history, and Tacitus [Germania, 9, 10.] has related, how in the shade of those woods and groves which served them for temples, white horses were fed at the public cost, whose backs no mortal man crossed, whose neighings and snortings were carefully watched as auguries and omens, and who were thought to be conscious of divine mysteries. In Persia, too, the classical reader will remember how the neighing of a horse decided the choice for the crown. Here, in England, at any rate, we have only to think of Hengist and Horsa, the twin-heroes of the Anglo-Saxon migration, as the legend ran—heroes whose name meant 'horse'—and of the vale of the White Horse in Berks., where the sacred form still gleams along the down, to be reminded of the sacredness of the horse to our forefathers. The Eddas are filled with the names of famous horses, and the Sagas contain many stories of good steeds, in whom their owners trusted and believed as sacred to this or that particular god. Such a horse is Dapplegrim in No. xl, of these tales, who saves his master out of all his perils, and brings him to all fortune, and is another example of that mysterious connection with the higher powers which animals in all ages have been supposed to possess.

      Such a friend, too, to the helpless lassie is the Dun Bull in 'Katie Woodencloak', No. 1, out of whose ear comes the 'Wishing Cloth', which serves up the choicest dishes. The story is probably imperfect, as we should expect to see him again in human shape after his head was cut off, and his skin flayed; but, after being the chief character up to that point, he remains from that time forth in the background, and we only see him darkly in the man who comes out of the face of the rock and supplies the lassie's wants when she knocks on it. Dun, or blue, or mouse-colour, is the favourite colour for fairy kine. Thus the cow which Guy of Warwick killed was dun. The Huldror in Norway have large flocks of blue kine. In Scotland runs the story of the mouse-coloured Elfin Bull. In Iceland the colour of such kine is apalgrár, dapple grey. This animal has been an object of adoration and respect from the earliest times, and we need only remind our readers of the sanctity of cows and bulls among the Indians and Egyptians, of 'the Golden Calf' in the Bible; of Io and her wanderings from land to land; and, though last, not least, of Audhumla, the Mythic Cow in the Edda, who had so large a part in the creation of the first Giant in human forms. [Snorro's Edda, ch. vi, English translation.]

      The dog, to which, with all his sagacity and faithfulness something unclean and impure clings, as Grimm well observes, plays no very prominent part in these Tales. [29] We find him, however, in 'Not a Pin to choose between them', No. xxiv, where his sagacity fails to detect his mistress; and, as 'the foe of his own house', the half- bred foxy hound, who chases away the cunning Fox in 'Well Done and Ill Paid', No. xxxviii. Still he, too, in popular superstition, is gifted with a sense of the supernatural; he howls when death impends, and in 'Buttercup', No. xviii, it is Goldtooth, their dog, who warns Buttercup and his mother of the approach of the old hag. In 'Bushy Bride', No. xlv, he appears only as the lassie's lap-dog, is thrown away as one of her sacrifices, and at last goes to the wedding in her coach; yet in that tale he has something weird about him, and he is sent out by his mistress three times to see if the dawn is coming.

      In one Tale, No. xxxvii, the Goat appears in full force, and dashes out the brains of the Troll, who lived under the bridge over the burn. In another, 'Tatterhood', No. xlviii, he helps the lassie in her onslaught on the witches. He, too, was sacred to Thor in the old mythology, and drew his thundering car. Here something of the divine nature of his former lord, who was the great foe of all Trolls, seems to have been passed on in popular tradition to the animal who had seen so many adventures with the great God who swayed the thunder. This feud between the Goat and the Trolls comes out curiously in 'The Old Dame and her Hen', No. iii, where a goat falls down the trapdoor to the Troll's house, 'Who sent for you, I should like to know, you long-bearded beast' said the Man o' the Hill, who was in an awful rage; and with that he whipped up the Goat, wrung his head off, and threw him down into the cellar. Still he belonged to one of the heathen gods, and so in later Middle-Age superstition he is assigned to the Devil, who even takes his shape when he presides at the Witches' Sabbath.

      Nor in this list must the little birds be forgotten which taught the man's daughter, in the tale of 'The Two Stepsisters', No. xvii, how to act in her trials. So, too, in 'Katie Woodencloak', No. l, the little bird tells the Prince, 'who understood the song of birds very well,' that blood is gushing out of the golden shoe. The belief that some persons had the gift of understanding what the birds said, is primaeval. We pay homage to it in our proverbial expression, 'a little bird told me'. Popular traditions and rhymes protect their nests, as in the case of the wren, the robin, and the swallow. Occasionally this gift seems to have been acquired by eating or tasting the flesh of a snake or dragon, as Sigurd, in the Volsung tale, first became aware of Regin's designs against his life, when he accidentally tasted the heart-blood of Fafnir, whom he had slain in dragon shape, and then all at once the swallow's song, perched above him, became as intelligible as human speech.

      We now come to a class of beings which plays a large part, and always for ill, in these Tales. These are the Giants or Trolls. In modern Norse tradition there is little difference between the names, but originally Troll was a more general expression for a supernatural being than Giant, [30] which was rather confined to a race more dull than wicked. In the Giants we have the wantonness of boundless bodily strength and size, which, trusting entirely to these qualities, falls at last by its own weight. At first, it is true that proverbial wisdom, all the stores of traditional lore, all that could be learnt by what may be called rule of thumb, was ascribed to them. One sympathises too with them, and almost pities them as the representatives of a simple primitive race, whose day is past and gone, but who still possessed something of the innocence and virtue of ancient times, together with a stock of old experience, which, however useful it might be as an example to others, was quite useless to help themselves. They are the old Tories of mythology, as opposed to the Aesir, the advanced liberals. They can look back and say what has been, but to look forward to say what will be and shall be, and to mould the future, is beyond their ken. True as gold to the traditional and received, and worthless as dross for the new and progressive. Such a nature, when unprovoked, is easy and simple; but rouse it, and its exuberant strength rises in a paroxysm of rage, though its clumsy awkward blows, guided by mere cunning, fail to strike the slight and lissom foe who waits for and eludes the stroke, until his reason gives him the mastery over sheer brute force which has wearied itself out by its own exertions.[31]

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