JACK LONDON: All 22 Novels in One Illustrated Edition. Джек Лондон

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      XXIV. From Herbert Wace to Dane Kempton

       Table of Contents

      The Ridge,

       Berkeley, California.

       July 1, 19—.

      Somewhere in Ward you may read, "It must constantly be borne in mind that all progress consists in the arbitrary alteration, by human efforts and devices, of the normal course of nature, so that civilisation is wholly an artificial product." Why, Dane, this is large enough to base a sociology upon. And I must ask you first, is it true? Second, do you understand, do you appreciate, the tremendous significance of it? And third, how can you bring your philosophy of love in accord with it?

      Romantic love is certainly not natural. It is an artifice, blunderingly and unwittingly introduced by man into the natural order. Is this audacious? Let us see. In a state of nature the love which obtains is merely the passion for perpetuation devoid of all imagination. The male possesses the prehensile organs and the superior strength. Beyond the ardour of pursuit the female has no charms for him. But he is driven irresistibly to pursuit. And by virtue of his prehensile organs and superior strength he ravishes the females of his species and goes his way. But life creeps slowly upward, increasing in complexity and necessarily in intelligence. When some forgotten inventor of the older world smote his rival or enemy with a branch of wood and found that it was good and thereafter made a practice of smiting rivals and enemies with branches of wood, then, and on that day, artificiality may be said to have begun. Then, and on that day, was begun a revolution destined to change the history of life. Then, and on that day, was laid the cornerstone of that most tremendous of artifices, CIVILISATION!

      Trace it up. Our ape-like and arboreal ancestors entered upon the first of many short cuts. To crack a marrow-bone with a rock was the act which fathered the tool, and between the cracking of a marrow-bone and the riding down town in an automobile lies only a difference of degree. The one is crudely artificial, the other consummately artificial. That is all. There have been improvements. The first inventors grasped that truthful paradox, "the longest way round is the shortest way home," and forsook the direct pursuit of happiness for the indirect pursuit of happiness. If the happiness of a savage depended upon his crossing an extensive body of water, he did not directly proceed to swim it, but turned his back upon it, selected a tree from the forest, shaped it with his rude tools and hollowed it out with fire, then launched it in the water and paddled toward where his happiness lay.

      Now concerning love. In the state of nature it is a brutal passion, nothing more. There is no romance attached. But life creeps upward, and the gregarious human forms social groups the like of which never existed before. Consider the family group, for instance. Such a group becomes in itself an entity. By means of the group man is better enabled to pursue happiness. But to maintain the group it must be regulated; so man formulates rules, codes, dim ethical laws for the conduct of the group members. Sexual ties are made less promiscuous and more orderly. A greater privacy is observed. And out of order and privacy spring respect and sacredness.

      But life creeps upward, and the family group itself becomes but a unit of greater and greater groups. And rules and codes change in accordance, until the marriage tie becomes possessed of a history and takes to itself traditions. This history and these traditions form a great fund, to which changing conditions and growing imagination constantly add. And the traditions, more especially, bear heavily upon the individual, overmastering his natural expression of the love instinct and forcing him to an artificial expression of that love instinct. He loves, not as his savage forebears loved, but as his group loves. And the love method of his group is determined by its love traditions. Does the individual compare his beloved's eyes to the stars—it is a trick of old time which has come down to him. Does he serenade under her window or compose an ode to her beauty or virtue—his father did it before him. In his lover's voice throb the voices of myriads of lovers all dead and dust. The singers of a thousand songs are the ghostly chorus to the song of love he sings. His ideas, his very feelings are not his, but the ideas and feelings of countless lovers who lived and loved and whose lives and loves are remembered. Their mistaken facts and foolish precepts are his, and likewise their imaginative absurdities and sentimental philanderings. Without an erotic literature, a history of great loves and lovers, a garland of love songs and ballads, a sheaf of spoken love tales and adventures—without all this, which is the property of his group, he could not possibly love in the way he does.

      To illustrate: Isolate a boy babe and a girl babe of cultured breed upon a desert isle. Let them feed and grow strong on shell-fish and fruit; but let them see none other of their species; hear no speech of mouth, nor acquire knowledge in any way of their kind and the things their kind has done. Well, and what then? They will grow to man and woman and mate as the beasts mate, without romance and without imagination. Does the woman oppose her will СКАЧАТЬ