Название: JACK LONDON: All 22 Novels in One Illustrated Edition
Автор: Джек Лондон
Издательство: Bookwire
Жанр: Книги для детей: прочее
isbn: 9788027220915
isbn:
I am dissatisfied because you are willing to live as others must live. You should stay aristocrat. Ferdinand Lassalle dressed with elegance for his working-men audiences, with the hope, he said, of reminding them that there was something better than their shabbiness. You are of the favoured, Herbert. It devolves upon you to endear your life to yourself. You do not agree with me. You do not believe that love is the law which controls freedom and life. Slave to your theory and rebel to the law, you lose your soul and imperil another's.
"Gently! Gently!" I say to myself. Old sorrows and wrongs oppress me and I grow harsh. My heat only helps to convince you that my position is not based on the rational rightness you hold so essential and that therefore it is unlivable. I will state calmly, then, that it is wrong to marry without love. "For the perpetuation of the species"—that is noble of you! So you strip yourself of the thousand years of civilisation that have fostered you, you abandon your prerogative as a creature high in the scale of existence to obey an instinct and fulfil a function? You say: "These men and women will marry, and the work of the world go on just as it did before. Shuffle them about and the work of the world would yet go on." And you are content. You feel no need of anything different from this condition.
Believe me, Herbert, these million men and women will not let you shuffle them about. There are forces stronger than force, shadows more real than reality. We know that the need of the unhungered for the one friend, one comrade, one mate, is good. We honour the love that persists in loving. More beautiful than starlight is the face of the lover when the Voice and the Vision enfold him. The race is consecrated to the worship of idea, and the lover who lays his all on the altar of romance (which is idea) is at one with the race. The arms of the unloved girl close about the formless air and more real than her loneliness and her sorrow is the imagined embrace, the awaited warm, close pressure of the hands, the fancied gaze. What does it mean? What secret was there for Leonardo in Mona Lisa's smile, what for him in the motion of waters? You cannot explain the bloom, the charm, the smile of life, that which rains sunshine into our hearts, which tells us we are wise to hope and to have faith, which buckles on us an armour of activity, which lights the fires of the spirit, which gives us Godhead and renders us indomitable. Comparative anatomy cannot reason it down. It is sensibility, romance, idea. It is a fact of life toward which all other facts make. For the flush of rose-light in the heavens, the touch of a hand, the colour and shape of fruit, the tears that come for unnamed sorrows, the regrets of old men, are more significant than all the building and inventing done since the first social compact.
Forgive my tediousness. I have flaunted these truisms before you in order to exorcise that modern slang of yours which is more false than the overstrained forms of a feudal France. To shut out glory is not to be practical. You are not adjusting your life artistically; there is too much strain, too little warmth, too much self-complacence. I see that you are really younger than I thought. The world never censures the crimes of the spirit. You are safe from the world's tongue lashings, and in that safety is the danger against which my friendship warns you.
I have been reading Hester's poems, and I know that she is like them, nervous, vibrant, throbbing, sensitive. I have been reading your letters, and I think her soul will escape yours. If you have not love like hers, you have nothing with which to keep her. This I have undertaken to say to you. It is a strange role, yet conventional. I am the father whose matrimonial whims are not met by the son. The stock measure is to disinherit. But the cause of our quarrel is somewhat unusual, and I can be neither so practical nor so vulgar as to set about making codicils. Love is of no value to financiers; there is no bank for it nor may it be made over in a will. Rather is it carried on in the blood, even as Barbara carried it on into the life of her girl-babe. Your sister keeps me strong with the faith of love. May God be good to her! It was five years ago that she came to me and whispered, "Earl." When she saw I could not turn to her in joy, she leaned her little head back against the roses of the porch and wept, more than was right, I fear, for a girl just betrothed. Earl was a cripple and poor and helpless, but Barbara knew better than we, for she knew how to give herself. Poor little one, whom nobody congratulated! She sends you and Hester her love, unfolding you both in her eager tenderness.
Dane.
VI. From the Same to the Same
London.
November 19, 19—.
Metaphysics is contagious. I caught it from Barbara, and I cannot resist the impulse to pass it on, and to you of all others.
The mood leapt upon Barbara out of the pages of "Katia," a story by Tolstoy. To my mind, it is a painful tale of lovers who outlive their love, killing it with their own hands, but the author means it to be a happily ending novel. Tolstoy attempts to show that men and women can find happiness only when they grow content to give over seeking love from one another. They may keep the memory but must banish the hope. "Hereafter, think of me only as the father of your children," and the woman who had pined for that which had been theirs in the beginning of their union weeps softly, and agrees. Tolstoy calls this peace, but for Barbara and me this gain is loss, this end an end indeed, replete with all the tragedy of ending.
I found Barbara to-day on the last page of "Katia," and much disturbed. "Dear, I saw a spirit break," she said. I waited before asking whose, and when I did, she answered, "That of three-quarters of the world. The ghost of a Dream walked to-day—when after the spirit broke, I saw it—and myself and my Earl vanished in shadow. We and our love thinned away before the thought-shape."
"Your dreaming, Barbara, can scarce be better than your living."
We looked long at each other. She knew herself a happy woman, yet to-day the ghost had walked in the light, and her eyes were not held, and she saw. Even her life was not sufficient, even her plans were paltry, even her heart's love was cramped. Such times of seeing come to happy men and to happy women. Barbara was reading the opinions of the world and the acceptances of the world, and in disliking them she came to doubt herself. Perhaps she, too, should be less at peace, she too may be amongst Pharisees a Pharisee.
"In the midst of the breaking of spirit, how can I know?" she demanded. "Love is sure," I prompted, my hand on her forehead. "Earl and I are sure, dear," she laughed low, and a drift of sobbing swept through the music; "it is not that we are in doubt about ourselves, but sometimes, like to-day, you understand, one finds oneself bitten by the sharp tooth of the world, and a despair courses through the veins and blinds the eyes, and then, in the midst of the bitterest throe, comes a great visioning."
I heard her and understood, and my heart leapt as it had not done for long. Think of it, Herbert, fifty-three and still young! When was it that I last fluttered with joy? Ah, yes, that time the summer and the woods had a great deal to do with it, and a few words spoken by a boy. I think Barbara's majesty of attainment through vicarious breaking of spirit a greater cause for rejoicing.
And then, in the midst of the bitterest throe, came a great visioning. When pain is good and to be thanked for, how good life is! By this alone may you know the proportion and the value of the good of being. Three-quarters of the world are broken spirited, but from out the wreckage a thought-shape, and it is well. The Vision fastens upon us, and what was full seems shrunken, what whole and of all time a passing bit, an untraceable flash. And that is well, for the dream recalls the hope, and the heart grows hardy with hoping and dreaming.
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