Extraordinary Popular Delusions and the Madness of Crowds (Complete Edition: Volume 1-3). Charles Mackay

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       Apelles Alexander drew—

       Cesar is to Aurelius due;

       Cromwell in Lilly's works doth shine,

       And Sheppard, Thornhill, lives in thine!"

      So high was Jack's fame that a pantomime entertainment, called "Harlequin Jack Sheppard," was devised by one Thurmond, and brought out with great success at Drury Lane Theatre. All the scenes were painted from nature, including the public-house that the robber frequented in Claremarket, and the condemned cell from which he had made his escape in Newgate.

      The Rev. Mr. Villette, the editor of the "Annals of Newgate," published in 1754, relates a curious sermon which, he says, a friend of his heard delivered by a street-preacher about the time of Jack's execution. The orator, after animadverting on the great care men took of their bodies, and the little care they bestowed upon their souls, continued as follows, by way of exemplifying the position:—"We have a remarkable instance of this in a notorious malefactor, well known by the name of Jack Sheppard. What amazing difficulties has he overcome! what astonishing things has he performed! and all for the sake of a stinking, miserable carcass; hardly worth the hanging! How dexterously did he pick the chain of his padlock with a crooked nail! how manfully he burst his fetters asunder!—climb up the chimney!—wrench out an iron bar!—break his way through a stone wall!—make the strong door of a dark entry fly before him, till he got upon the leads of the prison! then, fixing a blanket to the wall with a spike, he stole out of the chapel. How intrepidly did he descend to the top of the turner's house!—how cautiously pass down the stair, and make his escape to the street door!

      "Oh! that ye were all like Jack Sheppard! Mistake me not, my brethren; I don't mean in a carnal, but in a spiritual sense, for I propose to spiritualise these things. What a shame it would be if we should not think it worth our while to take as much pains, and employ as many deep thoughts, to save our souls as he has done to preserve his body!

      "Let me exhort ye, then, to open the locks of your hearts with the nail of repentance! Burst asunder the fetters of your beloved lusts!—mount the chimney of hope!—take from thence the bar of good resolution!—break through the stone wall of despair, and all the strongholds in the dark entry of the valley of the shadow of death! Raise yourselves to the leads of divine meditation!—fix the blanket of faith with the spike of the church! let yourselves down to the turner's house of resignation, and descend the stairs of humility! So shall you come to the door of deliverance from the prison of iniquity, and escape the clutches of that old executioner the Devil!"

      But popular as the name of Jack Sheppard was immediately after he had suffered the last penalty of his crimes, it was as nothing compared to the vast renown which he has acquired in these latter days, after the lapse of a century and a quarter. Poets too often, are not fully appreciated till they have been dead a hundred years, and thieves, it would appear, share the disadvantage. But posterity is grateful if our contemporaries are not; and Jack Sheppard, faintly praised in his own day, shines out in ours the hero of heroes, preeminent above all his fellows. Thornhill made but one picture of the illustrious robber, but Cruikshank has made dozens, and the art of the engraver has multiplied them into thousands and tens of thousands, until the populace of England have become as familiar with Jack's features as they are with their own. Jack, the romantic, is the hero of three goodly volumes, and the delight of the circulating libraries; and the theatres have been smitten with the universal enthusiasm. Managers have set their playmongers at work, and Jack's story has been reproduced in the shape of drama, melodrama, and farce, at half a dozen places of entertainment at once. Never was such a display of popular regard for a hero as was exhibited in London in 1840 for the renowned Jack Sheppard: robbery acquired additional lustre in the popular eye, and not only Englishmen, but foreigners, caught the contagion; and one of the latter, fired by the example, robbed and murdered a venerable, unoffending, and too confiding nobleman, whom it was his especial duty to have obeyed and protected. But he was a coward and a wretch;—it was a solitary crime—he had not made a daring escape from dungeon walls, or ridden from London to York, and he died amid the execrations of the people, affording a melancholy exemplification of the trite remark, that every man is not great who is desirous of being so.

      Jonathan Wild, whose name has been immortalised by Fielding, was no favourite with the people. He had none of the virtues which, combined with crimes, make up the character of the great thief. He was a pitiful fellow, who informed against his comrades, and was afraid of death. This meanness was not to be forgiven by the crowd, and they pelted him with dirt and stones on his way to Tyburn, and expressed their contempt by every possible means. How different was their conduct to Turpin and Jack Sheppard, who died in their neatest attire, with nosegays in their button-holes, and with the courage that a crowd expects! It was anticipated that the body of Turpin would have been delivered up to the surgeons for dissection, and the people seeing some men very busily employed in removing it, suddenly set upon them, rescued the body, bore it about the town in triumph, and then buried it in a very deep grave, filled with quick-lime, to hasten the progress of decomposition. They would not suffer the corpse of their hero, of the man who had ridden from London to York in four-and-twenty hours to be mangled by the rude hands of unmannerly surgeons.

      The death of Claude Duval would appear to have been no less triumphant. Claude was a gentlemanly thief. According to Butler, in the famous ode to his memory, he

      "Taught the wild Arabs of the road

       To rob in a more gentle mode;

       Take prizes more obligingly than those

       Who never had breen bred filous;

       And how to hang in a more graceful fashion

       Than e'er was known before to the dull English nation."

      In fact, he was the pink of politeness, and his gallantry to the fair sex was proverbial. When he was caught at last, pent in "stone walls and chains and iron grates,"—their grief was in proportion to his rare merits and his great fame. Butler says, that to his dungeon

      "—came ladies from all parts,

       To offer up close prisoners their hearts,

       Which he received as tribute due—